Thinking ecologically with Judith Butler

This essay traces several productive points of overlap and departure between the recent philosophical work of Judith Butler and ecological thinking. While ecological philosophers and theorists have often dismissed Butler's treatment of politics and ethics as narrowly anthropocentric, this essay charges that there are considerable conceptual resources within Butler's oeuvre that are not only in accord with much recent ecological theorising but which also stand to enrich our approaches to ecological thinking and politics. Focusing specifically on three conceptual clusters – exposure and precarity; infrastructure and coexistence; and assemblies and assemblages – this essay demonstrates how Butler's work can be leveraged to augment the ways we approach both ecosystems and our more-than-human cohabitants as elements of and actors within the dynamic play of forces that make coexistence more or less possible.     

Confronting Precarity in the Warhol Economy

Normative cultural economy discourse on New York City embraces the creative industries as engines of job creation but neglects the quality of employment within them. This article sets out to both illuminate the precarious conditions of nonstandard workers in New York's vaunted creative sectors and identify emerging collective responses to precarity in this city. Three areas of labour activity are focused upon: fashion industry frictions, art world agitations, and independent worker initiatives. Under each of these headings, the article profiles two organizations that are variously exposing, resisting, and mitigating precarity among flexible labour forces in the arts, the media, cultural industries, and beyond. The discussion of these organizations is informed by interviews with some of their protagonists, by documents produced by the organizations, and/or by media coverage of them. Challenging the assumption that getting by in informal cultural labour markets obliges individual coping strategies, this article reveals scenes from a metropolitan laboratory of precarious labour politics. These initiatives are inklings of a recomposition of labour politics in which flexible workforces in creative industries are important participants.     

Introduction: Are We All Cultural Workers Now?

Introducing a themed section entitled ‘Are We All Cultural Workers Now?’, this article explores the relation between precarity and cultural work. It argues that precarity should be understood as an experience rather than a category that allows a mapping of transformations of social class. The article also engages with current debates on cultural work and questions the proposition that changes in this area presage more general shifts in the organisation and exploitation of labour. Finally the piece introduces the four articles that make up the themed section.     

The Empire Writes Back…Back: Postcolonial Studies in an Age of Autogenic War

This essay attempts to disclose a uniquely volatile nexus that implicates – and perhaps, reinvigorates – a postcolonial analytics of insurgency. This nexus includes three strands of inquiry: the first is the so-called Revolution in Military Affairs (RMA), which really is – albeit in a qualified sense – revolutionary. War is doing new things with time and space through culture, media, and data technology, and in the process is mutating not only what it means to be a part of this or that national group but is also changing what it means to be human. The second strand of inquiry focuses on the legacy of postcolonial studies, particularly the notion of ‘writing back’ which, I contend, is an apposite starting point for writing critically about the RMA. Apposite though it is, there are limits to postcolonial studies in the contemporary war context. This is so because while the divisions of individual difference are shifting, the coherence of the nation state itself is undergoing radical change. Moving outward in scope to a planetary scale, the human being per se is no longer a primary category by and for which war is happening today. Thus the third strand of inquiry is focused on the residual anthropomorphic tendencies within postcolonial studies that too narrowly limit discussions of violence and collective belonging. The concept of the human being per se remains reliant on early models of technology and media (namely, writing and literature, usually novels). Therefore, in the context of an ever-expanding global war machine, ‘writing back’ is a concept that requires fine-tuning and revision.     

Imagining the New Order Nation: Materiality and Hyperreality in Indonesia

This paper examines the tension between the materiality of information and communications technologies and the hyperreality which they are thought to produce. The setting for our analysis is Indonesia, where the most recent innovations in communications technologies co-exist alongside ancient – but still functional – ‘predecessor’ devices. Building upon Benedict Anderson's work on late-colonial Indonesia and Chandra Mukerji's work on seventeenth-century French formal gardens, we examine how the national imaginaries specific to Suharto's New Order state are embedded in the materiality of the present.     

Black Swan,Cracked Porcelain and Becoming-Animal

The film Black Swan, directed by Darren Aronofsky, provides a fruitful context for thinking about Deleuze's conceptualisation of structural transformation as a ‘presubjective’ process involving a critical and creative politics of engagement. Nina is a young dancer who has just secured the lead role in the New York Ballet's new production of Swan Lake. This role not only requires her to dance the pure and innocent character of the White Swan – a role that mirrors Nina's character in real life, and for which she is well suited – but also as the seductive and darkly erotic character of the Black Swan, a role quite alien to Nina. The film traces Nina's desperate efforts to meet the demands of this doubled characterisation. Through new forms of engagement with her peers, she enters into a ‘becoming-swan’ that frees her from the restraints and constraints imposed by her existing self. While this transformative process enables her to realise aesthetic perfection in her art, this comes at a heavy price: Nina not only is creatively destabilised, but ultimately is destroyed by the transformation she endures. By considering this work of cinema in light of Deleuze's writings on cinema, on ‘becoming-animal’, and on ‘Porcelain and Volcano’, this essay reflects upon a crucial question underlying much of Deleuze's political thought: how is it possible to privilege radical subjective and social transformation, without these structures of necessary coherence also ‘cracking up’ and being destroyed in the process?     

D. H. Lawrence: Letter‐writer and craftsman in verse

Art history has lost and rediscovered semiotics several times since the 1950s, and at the moment writers employ an eclectic mixture of theories derived mainly from Ferdinand de Saussure and Charles Sanders Peirce. Of the two, Peirce is possibly the more influential model, on account of his tripartite theory of iconic, indexical, and symbolic signs. (The Saussurean model is identified more closely with the poststructuralist moment in art history, beginning in the 1970s.) The question of semiotics is once again topical now that visual culture is consolidating as a discipline, because the new field can choose from a wide range of semiotic practices – or it can choose to bypass semiotics altogether. This essay is a contribution to that current state of affairs. My principal point is that Peirce is much stranger than he is taken to be: he is idiosyncratic and demanding, and at times outlandishly hermetic. For most of what art history and visual studies aim to do, Peirce is simply not necessary; and when he is pertinent, he is so mainly as a model for concertedly logical thinking of a sort that is rare in visual studies or art history.     

Communicating citizenship in China’s digital society

ABSTRACT

This research explores the (inter-) cultural dimension of communicating citizenship in China’s new media environment. It adopts speech codes theory as a theoretical and methodological framework to examine the historically situated and socially constructed meanings of citizenship and the normative communicative conduct for practicing “good citizenship” in China. Through a systematic analysis of Chinese online discourse surrounding two social events, this study captures one speech code pertaining to communicating citizenship that is premised on a paradox – citizenship is interpreted by the Chinese as a legal entitlement that they deserve, but it is simultaneously treated as an aspirational and unattainable ideal. Additionally, speaking sensibly and morally with a communal orientation is heavily emphasized in this speech code as it is considered a valuable communicative practice for performing “good citizenship.” Finally, participating in online collective actions such as “topping posts” is rendered an acceptable and effective way to communicate and enact citizen rights in China.     

‘Black Is’ and ‘Black Ain’t’: Performative Revisions of Racial ‘Crisis’

Abstract

Race is rigorously policed through, and predicated on, a crisis of maintaining a claim to supposed racial ontology. The language of crisis pervades race; yet crisis is only brought into focus – shows itself – when racial ontology is called into question or threatened as an axiomatic reality. This essay argues, however, that it is crisis, in the form of the imperative regulatory call to race or the intricate operations of racialising discipline that constitutes raced subjects. The crisis is one of belonging or of successfully representing a ‘racial truth’. The objective of this analysis is to demonstrate that it is when race is viewed as performative that crisis becomes evident as the ever‐present condition of racial identity formation. From this vantage point, the concept of crisis as a point of danger can be revised to be seen as a turning point when an important change can take place: then, crisis might be envisaged as a positive means through which to imagine and realise new enactments of racial being.     

Redefining Resistance: Seeking Fanon's Subject Between ‘the Unified’ and ‘the Dispersed’

Abstract

This essay reads two differing conceptions of subjectivity in Frantz Fanon's work as corresponding to a shift in subjective orientation in certain moments of crisis, from what I term a unified individual – the subject of psychoanalysis – to a dispersed subject, the frenzied participant in collective activity. I believe that such a potential duality within the subject is best adopted when analysing Fanon's oeuvre, as well as when examining a subject's behaviour as participant in forms of unstructured collective protest such as rioting. Whereas the unified subject of psychoanalysis best expresses the consciously self-reflective individual in society, the dispersed subject expresses a subjectivity operating in excess of individualism. This dispersed subject acts collectively, as an object moving in tandem with other objects, without individual reflection. I argue that this shift comprises the initial spark of insurrection suggested in Fanon's work, the moment in which he sees the people pitched ‘in a single direction, from which there is no turning back’; and what Jean-Paul Sartre calls the explosive moment of ‘conflagration’. The two subject positions between which the subject shifts exist as two potential sides of every subject and comprise the ‘Manichean’ world in which Fanon's subject is entrenched.     

Knows no weekend: the psychological contract of cultural work in precarious times

ABSTRACT

This article explores the expanded and transformed nature of the psychological work contract for forms of cultural and artistic labour in precarious conditions. The forms of passionate work found within cultural production are argued to form a new model for governing our subjective involvement in and attachment to work. This more expansive and demanding relationship with work has become generalized beyond the specific area of cultural production into employment relationships more generally. In doing so the expanded psychological contract of work comes to operate as a form of logistical media and infrastructural governance, connecting the micropolitics of governing labour with larger structural conditions of precarity and instability. Thus, while work today is less stable in what it offers, it demands even greater psychological investment despite increased uncertainty.     

Steps towards an ecology of money infrastructures: materiality and cultures of Ripple

ABSTRACT

Money’s materiality produces an ontological conundrum for social theory: should the analysis of money foreground the objects used as money, or the abstract relations that underpin it? Provoked by the emergence of cryptocurrencies, this paper develops a conceptualization of money as a technological and social infrastructure which directly addresses this theoretical impasse. Cryptocurrencies’ sole form of material existence coincides with their underpinning infrastructure of records, accounting and payments. In the past decade, cryptocurrencies have skyrocketed in number, and they have been applied to a host of use cases. This paper focuses on cross-border payments through the example of the fintech company Ripple, the cryptocurrency XRP, and the design of the XRP Ledger. Combining literatures from the social theory of money, science and technology studies and new materialisms, this article develops steps towards an ecological conceptualization of money infrastructures. Infrastructures, understood ecologically, include devices, active forms, and imaginaries in seamless webs of mutual relations of co-evolution. These ecologies are always potentially prone to slippage, dissolution, disassembling, reassembling and reappropriation, dependence, and competition.     

Research Prioritization and the Potential Pitfall of Path Dependencies in Coral Reef Science

Studies of how scientists select research problems suggest the process involves weighing a number of factors, including funding availability, likelihood of success versus failure, and perceived publishability of likely results, among others. In some fields, a strong personal interest in conducting science to bring about particular social and environmental outcomes plays an important role. Conservation biologists are frequently motivated by a desire that their research will contribute to improved conservation outcomes, which introduces a pair of challenging questions for managers of science and scholars of policies governing science: 1) How do scientists integrate that goal into their processes of research priority evaluation, and 2) How can managers and funders of science utilize that knowledge in designing and administering funding programs? I use Q method to uncover four distinct schools of thought amongst researchers and knowledge-users about the merits of possible research priorities for coral reefs; one of the axes along which these schools of thought differ is in their interpretation of how science can and should interact with policy. The results reveal that perceived severity of reef stressors plays a role for some participants. Disciplinary training does not appear to be a major influence on research priority evaluation, but individual participants indicated professional expediency does prevent some researchers from pursuing or advocating that others pursue topics outside of that disciplinary specialty. Influences on and processes in research prioritization uncovered in this study have the potential to lead to counter-productive disciplinary path dependencies. From these results and building on outside literature, I conclude that better coordination and communication about research priorities across disciplines and with broader stakeholders – including knowledge users – could improve the research enterprise’s ability to contribute to meaningful societal and conservation goals. These findings are relevant to researchers and research administrators across disciplines that seek to conduct or fund science that is useful in addressing specific goals.     

Henry Dale's Nobel Prize Winning `Discovery'

A particular model of scientific achievement is embedded within the Nobel Prize, one that privileges the scientific `loner', whoachieves a distinct discovery at a particularmoment in time. A common criticism of this`individualistic' story of achievement is thatit obscures the social and cultural factors inscientific discovery. A collective story,highlighting the role of social relations andscientific milieux, may offer more explanatorypower in accounting for scientific discoveriesand inventions. This paper explores the processby which Henry Dale became recognized as thediscoverer of the chemical transmission ofnerve impulses. It compares the explanatorypower of the story of individual creativitywith a story that highlights the interactionbetween a scientist and his environment.     

Trust,reputation and ambiguous freedoms: financial institutions and subversive libertarians navigating blockchain,markets, and regulation

This article departs from the post 2008 financial crisis context, from its intersection with technological developments, and from the socio-technical arrangements configured by this conjuncture. It explores plans and actions – of mainstream financial institutions, and of a community seeking for alternatives to centralised economy and governance – for the use of digital platforms supported by blockchain infrastructure. In particular, it explores how such plans and actions relate to conceptions of public and peer trust and how they appear to produce, or reinforce, reputational imaginaries and quantification practices within added value philosophies. By illuminating a tension between the two identified case examples, I seek to render alternative communities’ and financial institutions’ conceptions, imaginaries and practices (more) visible and to analyse their organisational marketing strategies – where there is a pragmatic and discursive operationalisation of technology as well as of trust as means to gain more self-sovereignty in action, while navigating markets and regulated actual world contexts.     

Building Political Economic Literacy in an Unexpected Place

How important is it for journalism, media, public relations and communication studies students more generally to acquire literacy in political economy? How possible is it for this to happen while maintaining now established specialized communication, journalism, media, public relations degrees or at least professional strands within communication degrees? A recent media campaign in Australia over a proposed mining tax throws into relief communication professionals' need for literacy in the orientations and positions of political economy. A recently implemented course gives some indicators of what can be achieved in this area. The article is thus about the spread and purchase of a culturally informed political economy rather than knotty questions within it. The article, first, sets out in brief key aspects of the media campaign in question and one journalist's reflection on the challenges it posed. It discusses what might be involved in equipping students with how to meet those challenges, placing this in the wider context of a course that introduces communication students to a non-reductionist, interdisciplinary political economy.     

CULTURAL WORK AND TRANSFORMATIVE ARTS

The model of cultural work undertaken by the Amber Film and Photography Collective represents a radical challenge to the insecure and de-politicised world of cultural work that has long been the norm within the arts. Our paper, which explores the collective's diverse forms of cultural work, including paid labour, collective labour, gift labour and creative labour, argues that cultural work can be imbued with moral commitments and egalitarian ideals. The Amber collective functioned as much like a social movement organisation or a social economy enterprise as a cultural group: it was dedicated to creating alternative cultural networks and a new material foundation for cultural work. We emphasise how these shifting forms and strategies of cultural work underpinned substantial transformations within the Amber group itself.     

Tipping the Balance

In its emphasis on the legal technicalities this article is concerned with materiality of financial markets – a key theme in social studies of finance. The paper insists on the importance of local legal culture by articulating this concept in distinction to politics. Focusing on the Amendment to Article 1062 of the Russian Civil Code concerning an important class of financial products – cash-settled currency derivatives – it synthesises the insights of actor-network theory and finitism, and argues that local legal culture is a composite of both distributed agencies and interpretative acts.     

Logics of onshoring: brand geographies,corporate tax responsibility and common sense

ABSTRACT

Since the global financial crisis of 2008 the issue of corporate tax avoidance has gained considerable political salience and public attention. This article explores the frameworks of meaning available for citizen-consumers to evaluate and form views on corporate tax behaviour. Building on research on the spatiality of taxation, I argue that brands and their spatial associations afford significant resources for making sense of the taxpaying responsibilities of multinational enterprises. Through the identification and analysis of three different forms of geographical entanglement – national origination, imbrication in the public domain, and territorialization of economic activity – I draw out the responsibilities that are inferred by these spatial associations. I propose that brands’ geographical entanglements tend to support a particular ‘logic of onshoring’, or common sense explanation concerning where corporations ought to pay tax, and I discuss the implications that the dominance of this logic may hold for the global politics of taxation. In drawing attention to the relationship between geographies of brands and geographies of taxation, the article furthers critical understanding of the role of space and place in everyday taxation imaginaries, and proposes an agenda for future research.