标准化视角下历史建筑保护使用导则编制研究 ——以杭州为例

通过梳理历史建筑的不同类型及其特色价值,分析历史建筑保护管理中的实际需求和现存问题,在借鉴国内外已有的历史文化遗产保护管理体系的基础上,以杭州历史建筑为研究基础,归纳出历史建筑保护使用导则编制的总体原则和方法,同时通过具体实践案例,探讨导则的编制框架、内容要素、图纸要求等.     

‘Its gait is too brisk:’ money mobility in Karachi’s foreign exchange market

ABSTRACT

The global spread of finance capitalism has ushered in a speculative nature of currency trade and has given rise to new forms of subjectivity. Narrowing the ethnographic gaze on a thirty-seven year old currency trader in Karachi, this paper advances two arguments. The first argument relates to the materiality of foreign exchange and their effects on traders’ bodies. In spot trading, the currency traders experience foreign currency as an affective quality breathing down heavily on the senses. The second argument points to an interconnected nature of foreign exchange markets. Using Knorr Cetina and Breugger's notion of ‘global microstructures,’ I demonstrate the ways in which a currency trader, operating in a post-9/11 counter-terrorist surveillance milieu in the country, negotiates the micro and global scales of economy. Grounded in ethnographic research in Pakistan, this paper explores the ways in which foreign currency, especially of the metropole, is circulated, exchanged, and imagined in a postcolonial context, and hence contributes to an emerging scholarship of anthropology of money and finance.     

RESOCIALIZING FINANCE? OR DRESSING IT IN MUFTI?

Critical accounts of the financialization of the world economy decry the depersonalization and abstraction effected by finance in the service of extraction, expropriation and dispossession. Analysts and activists alike seek to re-socialize finance so that those whose interests it serves can be identified and so that new, socially embedded forms of exchange can emerge. They also seek to re-ground finance in a ‘real’, presumably material and social, fabric so that its excesses can be tamed and the sources of value made apparent. My essay questions these paired critiques and their supposed aims. It will argue that the continual attempt to reassert the social in economy points to a limit to the critical imagination, and that the critique of calculative rationality misses some of the other functions and practical effects of numbers besides commensuration and abstraction.     

‘The current gold coin of the New Jerusalem’: perception,symbolization, and money in Hawthorne’s The Scarlet Letter

ABSTRACT

As an external visual marker of what is supposed by other characters in the novel as its wearer’s ‘internal,’ spiritual state, Hester Prynne’s Scarlet ‘A’ is, among other things, an emblem of a powerful American anxiety regarding the gulf between appearance and reality, symbol and meaning. The desperate and dangerous need for fixed signs and self-evident identities that obsesses Hawthorne’s Puritan-era characters is directly related to the gold-paper money debates that dominated the politics of Hawthorne’s own time, with their concern for issues of ‘character’ and value and what we might now call the gap between the symbolic and the real, or face value and material value.     

Optimising ‘cash flows’: converting corporate finance to hard currency

Following recent works that have underlined the increasing search for liquidity in economic exchange, this article studies how illiquid forms of money are converted into liquid forms by corporate finance actors. In the name of ‘shareholder value’, the various forms of value generated by companies (such as ‘trade credit’) tend to be increasingly transformed into liquid forms of money that are easily distributable to shareholders (‘cash flows’). Describing this phenomenon as an example of what anthropologists of money call ‘conversion’, this paper highlights how such a conversion process was necessary for the historical development of ‘shareholder value’ policies in corporate finance. Considering documentary sources and interviews with consultants, auditors, and private equity fund managers involved in ‘cash flow’ optimisation practices, this paper details this conversion phenomenon and shows how it has relied on the historical elaboration of specific metrological, technical, legal, and moral norms.     

Toward a moral economy of money? Money as a creature of democracy

ABSTRACT

This paper proposes a novel approach for understanding money users’ relation to monetary governance institutions. It first describes the stakes involved in monetary governance from a neo-chartalist/MMT perspective. In a second step, it discusses existing contributions on the relation between money issuer and money users, highlighting the literatures on central bank legitimacy and the social construction of money. It argues that neither allows for an analysis of the relation between monetary institutions and money users that takes the latter’s knowledge seriously. It then argues that the concept of moral economy can enrich scholarly analysis. Moral economies of money are defined as collective practices in which money users articulate demands as part of an understanding of money as a public good. Finally, the paper deploys the moral economy of money perspective to reconstruct the changing relation between institutions of monetary governance and money users since the Great Depression in the U.S. It shows how New Dealers silenced a moral economy of money, discusses fragmented moral economies after World War II, and the partial reemergence of such moral economies after the Great Financial Crisis. The paper concludes by discussing political implications and suggestions for further research.     

Selection processes and appropriability in art,science and technology

Recently, there has been a mutually beneficial interchange of models and ideas between the sociology of science and the economics of technological innovation. Concepts such as the paradigm and the network seem to lend themselves to useful application in both fields. To these is added the concept of the selection system. The major aim of this paper is to show that the development of the arts can be described using the same conceptual framework. This allows the development of hypotheses concerning the relationship between art, science and technology, and also about the effect of appropriability conditions.     

New technology and market structure: Evidence from the music recording industry

This paper explores how new scale-reducing technology induced two periods of substantial new entry into the music recording industry. Many of the new firms were product innovators, whose products became popular with consumers. This in turn leads to shifts in the distribution of industry market share, and hence market structure. Reconcentration in the industry resulted largely from horizontal mergers, among other reasons. New digital distribution networks may induce a third-wave of industry deconcentration.     

Characteristics of Italian art restoration firms and factors influencing their adoption of laser technology

Given the limited number of studies on this topic, the aim of this study is to better understand the characteristics of art restoration firms in Italy, with particular reference to their use of innovative technologies such as laser technology. The paper is supported by a survey conducted in a sample of 100 companies. The factors that have led firms to adopt or resist the adoption of the laser were identified and analysed. The results show that the main determinants of laser adoption are collaborative activities between the firms and universities and specific requests made by public institutions to use this technology.