Assessment of thermo-hygrometric quality in museums: Method and in-field application to the “Duccio di Buoninsegna” exhibition at Santa Maria della Scala (Siena,Italy)

Maintaining the microclimatic parameters at the desired value is essential for artefacts preservation. In order to control the status of the microclimatic parameters, a continuous monitoring of the indoor environmental provides conservators, curators, restorers, and lenders with an exact knowledge of the microclimatic conditions under which the works of art are kept. Moreover, the monitoring results give important information in order to make adequate changes to the control strategy of microclimatic parameters. From this point of view, monitoring is an essential tool to develop an actual preventive control programme aimed at maintaining the optimal microclimatic conditions for preservation. As a consequence, long-term monitoring has to be applied to prevent deterioration of works of art. The widespread opinion that a correct approach to the topic of microclimate control for artefacts preservation is not only and necessarily to provide buildings with sophisticated environmental control systems, but mainly to investigate the actual environmental dynamics and, before any structural intervention, to define the compatibility between the climate control potentials and the preservation requirements, has become more and more firm among the experts. Monitoring also allows to verify the capacity of the “building and Heating, Ventilation and Air Conditioning (HVAC)” system to maintain the desired thermo-hygrometric values within the operating conditions. To this aim, the Italian Standard UNI 10829 (1999) defining monitoring, elaboration and analysis of the microclimatic data as supporting actions for artefacts preservation, led to the need of a long-term monitoring and of a statistical approach to the data management. The approach proposed by the Italian Standard has been recently adopted by a European Standard (EN 15251, 2007). In accordance with the Standards mentioned above, in this paper an operational procedure to assess the thermo-hygrometric quality in museums is firstly synthetically presented and than applied to a case study. In particular, the procedure is developed in order to define the thermo-hygrometric quality level of the exhibition areas in the large museum complex of “Santa Maria della Scala” in Siena (Italy) during the international temporary exhibition “Duccio. La nascita della pittura senese” (“Duccio. The birth of Sienese Painting”).     

Microclimatic analysis in St. Stephan's church,Nessebar, Bulgaria after interventions for the conservation of frescoes

A microclimatic field test was carried out in St. Stephan's church in Nassebar to check the actual microclimatic conditions before beginning the restoration of precious frescoes, painted on the internal walls and which date back to the end of the 16th century. Some years ago, a series of erroneous interventions caused heavy weathering of these frescoes. Successively, another series of structural changes were made on the basis of advice furnished by UNESCO, in order to prevent their further deterioration. Currently, the microclimatic conditions are good with only a few weak gradients in the main thermohygrometrical parameters, and the internal conditions are such that there is very little deposition of pollutants. A last series of structural interventions is necessary to eliminate the few remaining causes of perturbations in the internal microclimate. Given that when micropores are saturated with water, cycles of mechanical stress can occur, the situation becoming even more dangerous in the presence of soluble salts. Consequently, an analysis of the porosity of the stone was performed and the results showed that micropores measuring between 0.005 and 0.1 μm and even greater were, in effect, filled with water.     

An advanced church heating system favourable to artworks: A contribution to European standardisation

The European project Friendly-Heating (FH): comfortable to people and compatible with conservation of artworks preserved in churches addressed the problems caused by the continuous or intermittent heating of historic churches, which disturbs the microclimatic conditions to which the building and the artworks preserved inside have acclimatised. As thermal comfort and the preservation of artworks often conflict with each other, a balance between the two needs is necessary. The proposed heating strategy is to provide a small amount of heat directly to people in the pew area while leaving the conditions in the church, as a whole, undisturbed. This novel heating system is based on some low-temperature radiant emitters mounted in a pew to provide a desirable distribution of heat to the feet, legs and hands of people occupying it. Due to little heat dispersion, this novel system not only significantly reduces the risk of mechanical stress in wooden artworks and panel or canvas paintings, fresco soiling and cyclic dissolution-recrystallization of soluble salts in the masonry, but is energy-efficient. The detailed environmental monitoring was conducted in the church of Santa Maria Maddalena in Rocca Pietore, Italy over a 3-year period to verify the performance of the novel heating system in comparison to the warm-air system that was active earlier in the church. The methodology and results of this comprehensive and multidisciplinary study were included in three draft standards of the European Committee for Standardisation intended for use in the study and control of environments of cultural heritage objects.     

Microclimate inside a semi-confined environment: Valuation of suitability for the conservation of heritage materials

The microclimatic analysis of the Petrarca's tomb in Arquà Petrarca, Padua (Italy) was performed to assess the suitability of a closed environment located outdoors respect to the conservation requirements of heritage materials. Results showed that the thermo-hygrometric conditions inside the tomb were not suitable for the conservation of organic materials, like bones and wood. The orientation (north or south) was the main responsible for the different damage features of the two sides of the wooden case housing the human remains inside the tomb. Technical solutions were finally implemented to improve the conservation conditions, thus avoiding further damage.     

Ettringite and thaumasite: A chemical route for their removal from cementious artefacts

The present paper reports a new method for converting ettringite and thaumasite in non-expansible and insoluble phases, for its application in the restoration of concrete artefacts subjected to deterioration through sulphate attack. The salts were synthesized by different processes and, after characterization by means of XRD, FT-IR and optical microscopy, were treated with a series of chemicals in order to induce their decomposition. In particular, different solutions containing barium nitrate, barium hydroxide and ammonium oxalate were used to achieve the complete transformation of both phases in barite, witherite, scarbroite and whewellite. Barium hydroxide seemed to be the most appropriate reactant because the others could give rise to efflorescence within the pores of the mortars by leaving free nitrate or sulphate ions inside the materials. The experimental technique was also tested on two concrete samples collected from the bell-tower of St. Nicholas’ Cathedral in Nicosia (Sicily) with encouraging results.     

Effects of temperature and humidity excursions and wind exposure on the arch of Augustus in Aosta

This study presents the results of the microclimate monitoring of the Arch of Augustus. This is a monument from the Roman era, situated in an urban area in the Western Alpine region of Aosta Valley, Italy. Measurements were carried out on different monument positions, corresponding to the four faces and below the vault. The measurements refer to air and surface temperature, air relative humidity, wind speed and direction. The environmental conditions are described in order to underline the differences among the four faces of the monument and to explain the nature of the decay observed on the monument. The damage risk, caused by the occurrence of phenomena like freezing-thawing cycles, thermal stress and water condensation, is estimated by relating microclimatic conditions to the stone damage processes. The results are compared to the decay map and the correlation between damage and microclimate are finally discussed.     

Use of Spanish broom (Spartium junceum L.) canvas as a painting support: Evaluation of the effects of environmental conditions

One of the problems in the field of cultural heritage is the degradation of artworks and especially paintings. They appear very sensitive to environmental conditions. In this work, Spanish broom canvas is proposed as a novel painting support. In order to assess the deterioration properties of this new type of canvas, three degradation processes (exposure to wet atmosphere, to acidic attack and to UV light) were simulated and investigated. The deterioration state of the samples was monitored with Infrared Spectroscopy (FT-IR) and Thermogravimetric Analysis (TGA). The structure of the canvas was also analyzed by Scanning Electron Microscopy (SEM). These techniques were successfully applied to study the occurrence significant changes of samples. The exposure to acidic and UV attack produced deep changes on the samples (only on the canvas surface in the case of UV light), while no significant effect was identified on the sample after the exposure to wet atmosphere. The results obtained from Spanish broom canvas are reported in comparison to flax canvas.     

Microclimate monitoring by multivariate statistical control: The renaissance frescoes of the Cathedral of Valencia (Spain)

The renaissance frescoes of the metropolitan cathedral of Valencia, located at the vault of the apse, were restored in 2006. We describe a microclimate monitoring system that was implemented for the preventive conservation of the paintings. It is comprised by a set of temperature and relative humidity sensors positioned at different points of the vault. This system is rather unique because some of these sensors were inserted inside the paintings during the restoration process. A principal components analysis was applied to the data of relative humidity recorded in February 2007. The analysis was repeated in three additional months of 2007. The resulting loading plots highlight the most relevant similarities and dissimilarities among sensors. These plots can be considered as some sort of control maps that could be used to detect abnormal conditions in the future. Actually, moisture problems at certain zones of the frescoes are causing the formation of efflorescence, and the sensors located close to these zones are the ones recording the highest values of relative humidity.     

Daily natural heat convection in a historical hall

The use of numerical simulation methods for the Cultural Heritage is of increasing importance for the analysis, conservation, restoration and appreciation of works of art. This is particularly important when their preservation and planned maintenance is the primary aim. Today museums, and particularly historical buildings converted to museums, should be considered as places where precious artefacts should have first-rate protection and conservation. It is a question of solving the compromise between protection, conservation and comfort for works of art and/or visitors, with the consequence that preservation and planned maintenance criteria must prevail over use requirements. Refurbishment and conservation of a building, and requirements for visitor presence and works of art need different thermo-physical indoor parameter values. The present paper concerns the thermal and air velocity analysis of the Salone dei Duecento (the Hall of the Two Hundred of the Palazzo Vecchio (Old Palace)) in Florence. In this paper an appropriate transient 3D model by Computational Fluid Dynamics (CFD) software based on the finite element method (FEM) was used. Variations and interaction between indoor and outdoor microclimatic conditions, and thermo-physical behaviour of the building connected to lighting, visitor presence and cooling–heating fan coils system were considered. The 3D modelling method provided by the present paper can be applied to several situations where there is interaction between outdoor and indoor climate variations and the building structure. It can be very useful for defining measures to preserve tapestries, understanding deterioration processes, and developing new conservation techniques and strategies for care and exhibition.     

Locating contact areas and estimating contact forces between the “Mona Lisa” wooden panel and its frame

Since 2004 an international research group of Wood Technologists has been given by the Louvre Museum the task of analysing the hygro-mechanical state of the Poplar (Populus alba L.) panel on which Leonardo da Vinci painted his “Mona Lisa”, namely verifying the appropriateness of the thermo-hygrometric conditions in its exhibiting showcase, where the microclimate is actively controlled, and assessing the potential consequences of any hypothetical fluctuation. In order to acquire data about the mechanical behaviour of the panel, and to feed and calibrate appropriate simulation models, the team has not only set up a continuous monitoring by means of automatic equipment, but has also performed manual measurements on the occasion of the annual openings of the showcase where the masterpiece is conserved and exhibited. This paper reports about techniques used for estimating the forces acting between the wooden panel and its frame (the châssis-cadre), and their location, such data being of primary importance for evaluating the panel's internal stresses. The contact forces have been calculated on the basis of the local contact pressures, imprinted on a pressure-sensitive foil as a range of saturation values of the colour developed in the contact areas. The forces calculated as above have also been compared with the contact forces between the panel's back face and the crossbeams pressing it against the châssis-cadre, which have been measured by means of a load cell. As could be expected, the results from so different techniques do not strictly coincide; however the agreement is fairly good.     

Fibre Optic Reflectance Spectroscopy as a non-invasive tool for investigating plastics degradation in contemporary art collections: A methodological study on an expanded polystyrene artwork

Fibre Optics Reflectance Spectroscopy (FORS) is a well-established technique, widely used in the conservation field for in situ investigations and non-invasive diagnostics on traditional artworks. Nevertheless, there is little knowledge on the use of this technique for investigating modern artists materials used in contemporary artworks. The present study, carried out within the wider framework of the EC funded Project “POPART” (Preservation of Plastic ARTefacts in museum collections”), was aimed at investigating the possibility of extending the applications of FORS to synthetic polymers, and proposing this technique as new non-invasive analytical tool for diagnostics on plastic artworks in museum collections. Thus, a real case was selected from the permanent collection of the Conteporary Art Centre “Luigi Pecci” (Prato, Italy). The artwork, created in 1990 by the artist Stefano Arienti, was entirely constituted of expanded polystyrene (EPS) and it showed diffused signs of degradation. The need of singling out the main causes of deterioration in order to prevent further damages was evident. An in situ FORS measurements campaign was performed with the aim of gaining in-depth information about its conservation state and identifying the main agents responsible for the observed degradation. Thanks to the non-invasivity of the technique an extensive spectroscopic characterisation of different areas of the EPS surface could be performed and the spectral data were exploited to build a map of the degraded areas of the artwork. Data acquired in field were compared with those obtained from laboratory test performed on artificially aged EPS samples. These results helped in ascertaining the detrimental actions of the light sources used to back illuminate the artwork. In particular, in this case FORS proved to be effective in detecting EPS alterations before the chromatic effects became visually evident. These results suggested that FORS may be considered as a good candidate to be used for non-invasive investigations also on some modern materials and contemporary artworks. The research was completed with an interview to the artist Stefano Arienti, whose point of view was constructively integrated with the scientific results obtained. This emphasized the importance of an interdisciplinary approach to the solution of conservative problem in the field of contemporary art.     

Analysis of efflorescence on surface of beeswax seals

Thirteen samples of an efflorescence collected from the surface of beeswax seals or from beeswax used for their restoration were analysed in detail. The samples were of different origin, age and storage history. The composition and the incidence of the efflorescence was correlated with a chemical composition of historical and recent beeswax samples. The composition of the crystalline layer was found to be very similar in all the samples. Linear monounsaturated alkenes containing 31 and 33 carbon atoms, more precisely (Z)-hentriacont-10-ene and (Z)-tritriacont-10-ene, were identified as main components. The analyses of beeswax have revealed that all compounds identified in “wax bloom” naturally occur in recent beeswax. However, the historical beeswaxes contained only traces of unsaturated hydrocarbons, if anything. The efflorescence was observed primarily on the surfaces of those samples which contained larger proportion of alkenes. The presented results could be of particular importance not only for better understanding of the described phenomenon, but also for the development of new beeswax-based materials, which would be “bloom resistant” and useful for conservation purposes.     

Controlled laser cleaning of painted artworks using accurate beam manipulation and on-line LIBS-detection

An innovative laser restoration tool for non-contact cleaning of painted artworks is developed. Accurate beam manipulation techniques in combination with on-line detection make the system suitable for selective cleaning of delicate surfaces. The utilisation of lasers obviates the use of various chemicals, and provides a method to remove layers that are untreatable using conventional methods. The first professional laser cleaning station for paintings is equipped with a modern mechatronic engineering tool for accurate beam manipulation (‘optical arm’). An intelligent combination of software and hardware enables accurate control, necessary to deal with the variable properties of the artworks to be treated. An on-line monitoring system is incorporated, using laser-induced breakdown spectroscopy. The user interface plays an important role in simulating the ‘hands-on’ treatment. In January 1999, the 2-year European co-operative research project ‘Advanced workstations for controlled laser cleaning of artworks’ started. The research objective is to define the boundary conditions in which laser cleaning with the present technology can be safely applied.     

Physical principles and efficiency of salt extraction by poulticing

The crystallization of soluble salts plays a significant role in the deterioration of porous cultural property. A common response to salt damage problems is to undertake treatments aimed at reducing the salt content of the affected object, most typically through the application of poultices. The process of poulticing is in theory relatively simple: the wet poultice material is applied to the surface of the object to be treated, and is kept in place for some period of time before being removed. However, in practice, the efficiency of the salt extraction, or even the location of salt accumulation post treatment is more difficult to predict. This paper examines the physical principles of salt ion and moisture transport by which poultices function, and shows how depending on the application methodology, these treatments can be divided into diffusion and advection-based methods. The maximum salt extraction efficiency, the depth to which this can be achieved, and the time scale required is estimated for each type of poulticing system, to gain a better understanding of their working properties and performance. Finally, the pros, cons and limitations of desalination treatments are discussed.     

Deterioration mechanisms of building materials of Jiaohe ruins in China

Almost all defects of earthen buildings such as roughening, erosion, volume reduction, cracking as well as crazing, etc., have been witnessed in the ancient city of Jiaohe, an earthen architectural heritage in northwest China. In this paper, their long-term durability and deterioration due to prolonged exposure to environmental factors were studied, based on the basis of field investigation and laboratory analysis. The results indicated that the deterioration of building materials should be attributed to their basic properties, including density, particle size distribution, soluble salts, mineral, mechanical strength, etc., and interaction with environmental factors. And then, four main deterioration modes can be identified, namely: wind-related deterioration, water-related deterioration, temperature-related deterioration and chemical related deterioration. It can be concluded that the greatest deterioration was wind-related deterioration on west-north facing façades, and chemical related deterioration on the surface of building materials.     

The evaluation of crystallization modifiers for controlling salt damage to limestone

Crystallization modifiers can significantly affect the capillary passage of dilute and concentrated solutions of sodium chloride and sodium sulfate through columns of limestone. In the absence of modifiers, sodium chloride passage through Monks Park limestone gave predominantly subflorescence with mild edge erosion while sodium sulfate mainly effloresced and severely damaged the stone column. With Texas Creme limestone, a stone of moderately higher porosity, essentially only efflorescence occurred with either salt and there was little or no stone damage. Uniquely, alkali ferrocyanides were found to impact significantly on the interaction of these solutions as they moved through the limestone. The addition of 0.10–1.00% of K₄Fe(CN)₆ to sodium chloride in Monks Park limestone experiments increased the flow rate of solutions through the stone, resulting in efflorescence in place of subflorescence, and yielded a massive formation of extended dendritic filaments without damaging the stone. This protection by additive was extended to sodium sulfate solutions, but only at lower salt concentrations. Results comparable to the effect of adding K₄Fe(CN)₆ to concentrated sodium chloride Monks Park limestone experiments were obtained with saturated sodium sulfate solutions without additives by conducting the experiments in a draft-free, high humidity environment—suggesting a potentially useful strategy for the conservation of fragile, salt-laden objects. These results are explained by factors causing evaporation of solution to occur either below or at the surface of the stone, and by the effect of modifiers on the crystal habit of the salts forming during evaporation in this region.     

A methodological approach in the evaluation of the efficacy of treatments for the dimensional stabilisation of waterlogged archaeological wood

The aim of the work is to set up a methodological approach to verify the effectiveness of the treatments of decayed waterlogged archaeological wood and to point out the proper thermo-hygrometric conditions for its preservation after treatment. The treatments were performed on wood samples of maritime pine (Pinus pinaster Aiton), oak (Quercus sp. caducifolia), elm (Ulmus cf. minor) and strawberry tree (Arbutus unedo L.), obtained from stems pertaining to the original vegetation found in the excavation site of the Ancient Ships in Pisa (Italy), and dated from seventh century BC to second century AD The utilised products were: Polyethylene Glycols (PEG) of various molecular weights, a Polypropylene Glycol (PPG 425), Trehalose (α-D-glucopyranosyl-α-D-glucopyranoside), and their mixtures, and also a Hydroxypropylcellulose (Klucel). The main objective to be pursued by the treatments was considered the stabilisation of the original size and shape of samples. The various steps of this approach were: the execution of a preliminary diagnostic survey on untreated samples; the characterisation of treatment solutions ‘as such’ to establish the property to be monitored during the treatment; the evaluation of the main physical characteristics of wood after the treatment were determined. Among the latter, the coefficient of dimensional stability during the exposure to a series of selected thermo-hygrometric conditions and the retention of consolidants after the treatment. These two measurements allowed the definition of the ‘efficacy of a treatment’, φ_T, a new parameter firstly utilised in this work. It measures the stabilisation capability of the percent unit of retained product, and its value permits to put in evidence the consolidants that stabilise wood with the lowest amount of product. Conversely, it was not possible to measure the Anti-Shrink Efficiency (ASE), one of the most utilised parameters for the evaluation of treatments, because of the serious distortions and fractures observed in all the heavily degraded untreated samples.     

Insight into the conservation problems of the stone building “Bab Agnaou”, a XII cent. monumental gate in Marrakech (Morocco)

Bab Agnaou is one of the most beautiful gates of the 12th century town walls of Marrakech (Morocco). It is faced with poorly preserved stone, which has recently been subjected to preliminary laboratory studies for the purpose of collecting data useful for its restoration. The results of such studies indicate the presence of two macroscopically similar grey stones, classified as slates, which were probably sourced from quarries situated not far from the city of Marrakech. The schistosity of such stones, namely their laminated fabric, has much influenced the morphology of deterioration. The causes and mechanisms of decay have been investigated and connected to the presence of soluble salts, mainly chlorides and sulphates deriving from the mortar used to fix the stone blocks to the wall, and to local air pollution. Their concentration in the bottom 3 m of the gate due to rising damp has produced strong exfoliation and flaking phenomena through rapidly repeating crystallization/dissolution cycles. A minor contribution to the overall deterioration is due to hydrolytic phenomena partly responsible for the formation of natural brown patinas on the stone surface. Another brown patina formed of Ca-oxalates and with residual proteinaceous matter was also detected and is probably due to partly mineralized protection-treatments made with natural products such as animal glue. General indications for the restoration of the gate, based on these results, are proposed.