Are Museums Still Necessary?

Museums today face a crisis of confidence arising from two issues: (1) the erosion of a historically unreliable funding base, and (2) a challenge for audience by entrepreneurial elements in the culture. Other issues center on a growing public idea that museum work can be shared by entities such as theme parks and exhibition halls and the perception that education should be shaped as recreation. Museum responses to these problems have exacerbated their vulnerability as unique institutions. Certain dichotomies in the museum world help to explain this situation: (1) professionalism versus the audience, (2) connoisseurship versus the public experience, (3) the centrality versus the peripherality of objects in museums, (4) museums as businesses versus museums as educators, and (5) visitor expectations versus available resources. Resolution of the conflicts requires museums to remember that they are communication systems capable of teaching hard information, to stop emulating the forces that threaten to destroy them, and to pay attention to certain lessons understood in the business world. Museums also must find stable and reliable funding, reinvigorate the museum accreditation program, and pay attention to what museums really exist for. Museums are still necessary only when they function as true museums.     

Academic Libraries and Autism Spectrum Disorder: What Do We Know?

This paper examines the rising rates of autism spectrum disorder (ASD) in children in the United States (1 in 59), and explores the role academic libraries can play in helping college students with ASD. A literature review of how different types of libraries (school, public, academic) support students with ASD indicates research in this area in general is lacking. Findings point to lack of adequate training and awareness for librarians and staff, resources, services and spaces are universal challenges. Several initiatives that academic libraries and librarians may consider in helping students with ASD are identified and described.     

Do Museums Change Lives?: Ninth Stephen Weil Memorial Lecture

No museum is actually “neutral,” ever. This article presents the keynote address presented at the annual conference of the International Committee on Museum Management (INTERCOM) and of the Federation of International Human Rights Museums (FIHRM). In it, the author lays out the provocative case that museums not only are not, but should not be “neutral” when it comes to issues of human rights and social justice. Museums need not present both sides of every argument, or retain a lofty academic tone when it comes to the injustices of the present and the past. As an alternative course, the author presents a framework published by the British Museums Association, entitled Museums Change Lives, which offers a vision for museums to engage with challenging topics. He then offers a series of examples where Museums have embraced a new role as a promoter of social good.     

Are They Watching? Visitors and Videos in Exhibitions

Abstract Data from the Women's Health summative evaluation video study prompted a comparison with similar data for other videos in exhibitions. Values for attraction power, holding time, and holding power were compiled in a database of 45 video titles. On average, 32 percent of the visitors are attracted to videos, and the average time spent watching is 137 seconds. An attraction power of more than 60 percent was exceptional. On average, people watched more than one‐third of the total length of videos, but less than one half. A holding power of more than .70 was exceptional. Once a video has attracted people's attention, it does not always hold it. Visitors are constantly tempted to move to another exhibit element, looking for what's next. One cannot assume that introductory videos will be watched thoroughly by the majority of visitors. This has implications for introductory videos that are expected to teach visitors concepts and vocabulary necessary to understand the rest of the exhibition or a main message that ties everything together. Using these data as a guideline, we can realistically gauge what levels of use are possible, and what levels of success, as measured by visitors' attention, can be anticipated.     

What Makes a Library Great?

Abstract

The author discusses seven measurable criteria that he accepts as defining a “great library”: Great libraries provide measurably superior service; have great funding; train and retrain their staffs; integrate their virtual, place and outreach services marketing; serve both the weakest and the strongest among their constituents; provide constituents with education and entertainment; and use virtual tools to offer a full range of timely information and services. These measurable characteristics define a modern library, the library that users want.     

What Makes for Great Data Journalism?

This study examines the quality of winners and finalists in major national and international data journalism awards. We completed a content analysis of data projects submitted by Canadian media to three journalism associations—the Online News Association, the Global Editors Network and the Canadian Association of Journalists—as far back as the first award in this category in 2012. Our research addresses how journalists executed what could be considered excellent data journalism. Our findings point to a lack of accepted standards regarding what is considered as excellence. The quality of the projects was limited by two key factors: the use of free online options such as Google Maps that were not easily customizable; and the number of practitioners who worked on the data projects largely within traditional journalism frameworks. The most used visual elements were dynamic maps, graphs and video. With respect to interactivity, all but one of the projects contained an interactive element. The most popular interaction techniques were inspection and filtering, considered entry-level techniques in the field of information visualization. These techniques suggest a need for collaborative interdisciplinary approaches to data journalism, and further study on the implications of tools such as Google Maps on practice.     

What Do Faculty Want?

The academic reference librarian needs to know what the college faculty expect from their library. These needs seem often to be idiosyncratic if they do not fit the librarian's conception of the generalized user, but these needs must be identified and met in order to serve the faculty appropriately. Librarians need to be as aware of information acquisition patterns as they are of information sources.     

Influences of the Digest Classification System: What Can We Know?

Robert C. Berring has called West Publishing Company's American Digest System “the key aspect of the new form of legal literature” that West and other publishers developed in the last quarter of the nineteenth century. Berring argued that West's digests provided practicing lawyers not only the means for locating precedential cases, but a “paradigm for thinking about the law itself” that influenced American lawyers until the development of online legal research systems in the 1970s. This article discusses questions raised by Berring's scholarship, and examines the late nineteenth and early twentieth century legal environment in which the West digests were created and became essential research tools for American lawyers.     

Educating Zoo Visitors about Complex Environmental Issues: Should We Do It and How?

Modern zoos are committed to environmental education and thus have a mandate to inform the public about biodiversity and conservation. Historically, zoos have avoided complex topics like biodiversity loss from overpopulation and overconsumption in their educational materials, for fear of being offensive or creating a sense of hopelessness. To measure visitor attitudes towards educating about such topics and to help determine effective presentation techniques, we assessed people's knowledge of and attitudes towards the commercial hunting and consumption of wildlife in West and Central Africa (the bushmeat crisis) and examined how the use of different types of images affected these variables. Zoo visitors were exposed to one of six series of photographs, each accompanied by the same text. Photos in three of the series contained explicit, disturbing images of dead animals. The other three series presented benign images related to the bushmeat crisis (i.e., logging, changes in hunting practices). While 83 percnt of visitors had never heard of the bushmeat trade, 98 percent felt zoos should be educating about the topic. Ninety‐seven percent felt the disturbing images were appropriate for zoo visitors except for children under the age of 12. While people spent significantly more time looking at the disturbing images, this did not lead to increases in knowledge (factual or conservation‐related) on the topic. However, visitors who saw the disturbing images were significantly more likely to report being influenced by the images. While the type of image did not affect the frequency of conservation‐related behaviors, significantly more people engaged in a conservation‐related behavior when an opportunity was provided on‐site rather than off‐site. The results demonstrate that the public believes zoos should educate about bushmeat, and that realistic images influence people's perception of an issue. However, visitors' lack of knowledge gains, even when disturbing images are used, suggests that a static display of text with photographs may not be the most effective method for educating about complex issues like bushmeat. Finally, the results show that zoos should provide on‐site opportunities for people to turn their conservation interests into action.     

How Much Do Librarians Know About Stress Management?

The purpose of this study is to attempt to determine how much librarians know about stress management and how they handle stress. The needs of the individual librarian are highlighted, and stress management training is recommended as a response to these needs. An increasing number of articles is appearing in library literature on the topic of stress/burnout and librarianship. However, only a few are empirically based, and still fewer report efforts made by libraries to address the issue. The survey found that 28 percent of responding librarians know little or nothing about stress management and that 82 percent think it would be beneficial to learn about it. Reinforcing the need to learn about it are the results of the present survey. These indicate that only 11.1 percent of the respondents practice stress management preventively at this time. While 60 percent do not think that stress management is a necessary part of librarianship training, an overwhelming 88.8 percent feel it should be part of one the job in-service training or of staff development programs. Supporting this indication of desire for such training is the finding that the subjects' responses to how they presently react or respond to stress indicate that 72 percent of the behaviors and feelings engaged in or experienced are destructive in nature.     

Electronic Serials Cataloging: Now That We're Here,What Do We Do?

Summary

Many aspects of electronic serials cataloging have not yet developed standard practice, or are still in transition. This article will explore some problematic issues in electronic serials cataloging first by presenting current CONSER policy in these areas and then by examining the practices of three institutions who are cataloging electronic serials. For brevity, the term “electronic serial” will be used to mean “remote access computer file serial” unless the more specific term is needed for clarity. The five topics covered in this discussion are: Access and Location Information, Multiple Versions, Definition of Electronic Serial, Bibliographic Access Points and Display of Computer File Characteristics.     

Why Were There No Great Chinese Paintings in American Museums before the Twentieth Century?

To understand the major shift in Americans' attitudes about Chinese art between the nineteenth and twentieth centuries, it is essential to know not only what the American collectors thought, but also the social history of these collectors and their agents. Since the advent of the field of material culture studies, scholars have begun to look at museum objects, whether as art or not, from the perspective of different lives—that of their makers and users. It seems that the lack of “great” Chinese paintings in American museums before the twentieth century may be due to the fact that the nineteenth century American collectors and their Chinese agents differed from their twentieth century counterparts in what they regarded as “great,” what they thought was “Chinese,” and what they defined as “paintings.”     

Electronic Copyright Rights: Do You Have What You Need?

Publishing agreements have long operated with certain assumptions about what books are and what publishers do. These assumptions are increasingly at odds with the new technological forms in which books are created and marketed, from e-books and Kindle 2 read-aloud works to so-called “vooks” that incorporate on-demand streaming video and other internet-based features in conjunction with hard copy books. Publishers’ contracts need to be re-thought in light of these changed circumstances. Specifically, publishing contracts today should focus on the activities in which the publisher may engage, and not the form in which the work may be presented, a point that was made clear several years ago in the Random House v. RosettaBooks litigation. In defining these activities, contracts should track the language of the exclusive rights enumerated in §106 of the Copyright Act. Finally, to the extent that books are becoming “audiovisual works” publishers may be able to shift to a work-made-for-hire model for obtaining ownership, rather than relying on grants from individual authors.     

Why Do They Come? Listening to Visitors at a Decorative Arts Museum

This article presents the background, methodology, and results of a yearlong study of visitor motivation conducted by the Visitor Research Team (VRT) of Winterthur, a Delaware decorative arts museum. The article details the VRT's use of focus groups to determine what really motivates visitors to attend museums. Study results are consistent with recent work in the field showing that learning and recreation are the primary motivations behind museum visitation. Visitors valued museums as places for active, personal learning through the observation of objects and as outlets for physical and mental relaxation and escapism. Results also show that Winterthur visitors ascribe meanings to the words learning and recreation that are different from education and entertainment. The author calls on museums to discover the needs of their audiences and to design marketing and programming using visitors' vocabularies to promote and provide meaningful museum experiences.     

What Does It Take to Make a Great Library?

No abstract available for this article.