A Thirteenth-Century Scholar in the Eastern Mediterranean: Sirāj al-Dīn Urmavī, Jurist,Logician, Diplomat

This essay examines the career of the Shafi?ī jurist and logician Sirāj al-Dīn Urmavī (1198–1283), who combined his scholarly and judicial activities with ambassadorial appointments to Frederick II, King of Sicily and Holy Roman Emperor, and the Ilkhan Hülegü. Originally from Azerbaijan, Sirāj al-Dīn spent most of his professional life in Ayyūbid Cairo and, from 1257, in Seljuk Konya, where he spent the final decades of his life as chief qadi. Through a contextualised reading of the extant biographical information for Sirāj al-Dīn, the article draws particular attention to two aspects of his physical and professional trajectory. First, the essay situates Sirāj al-Dīn's career in the context of processes of cultural change in thirteenth-century Anatolia. It seeks to demonstrate both the transfer and adaptation to the Anatolian urban milieu of social–cultural patterns attested for the a?yān in neighbouring predominantly Muslim societies, and the shaping of the social and cultural functions of immigrant scholars to Anatolia by local conditions. Second, the article identifies Sirāj al-Dīn as a prominent participant in an intellectual community engaged in inter-cultural exchange across political and confessional boundaries in the thirteenth-century eastern Mediterranean.     

Narrative Construction,Ideal Rule,and Emotional Discourse in the Biographies of Ṣalāḥ al-Dīn and Louis IX by Bahāʾ al-Dīn b. Shaddād and Jean Sire de Joinville

Bahā? al-Dīn b. Shaddād and Jean Sire de Joinville wrote two unrelated but remarkably similar biographies of the rulers they once served, ?alā? al-Dīn and Louis IX. Especially striking are two anecdotes in which both Ibn Shaddād and Joinville rebuke the ruler for excessive crying upon receiving the news of a close relative’s death. This essay explores the narrative logic that drove these authors to write their texts and these anecdotes in particular in such a similar way. By embedding their discourse on emotional restraint in the wider discursive matrix of advice literature circulating in the period, Ibn Shaddād and Joinville actively participated in narrative discussions on ideal rule. In this they did not only stress the importance of emotional restraint for a ruler, but also the necessity of employing good advisors, ideally exemplified by themselves.     

Some Reflections on Hagiology with Reference to the Early Mawlawī-Christian Relations in the Light of the Manāqib al-cārifīn

Abstract

Hagiographic sources are of particular value for the study of social life in historical societies. They reflect contemporary social discourses such as how to deal with members of different religious or ethnic groups or social classes. A prime Muslim example of this genre is the Persian Manāqib al-?ārifīn (Feats of the Knowers of God) of the Mawlawī-Dervish A?mad-i Aflākī written in Konya in the eighth/fourteenth century. It is dedicated to the life and deeds of the masters of the emerging brotherhood of the Mawlawiyya. This community was of outstanding importance in urban central and western Asia Minor in the eighth/fourteenth century, both as an institution of the urban middle classes and as an effective missionary, and was thus an important protagonist in the process of Islamisation. After some methodological considerations on the genre of hagiography, the article will address the issue of missionary strategies of the early Mawlawiyya on the basis of the Manāqib al-?ārifīn.     

Christians and Muslims Faced with the Wrath of Abū Marwān al-Yuḥānisī, a Thirteenth-Century “Friend of God”

This article examines the nature of the wrath of Abū Marwān al-Yu[hdot]ānisī, a thirteenth-century Andalusi saint, and the protagonist of the Tu?fat al-mughtarib of al-Qashtālī. I have divided the study into two main parts. The first sets out and analyses various occasions on which the saint committed violent acts against Christians. Two of them died as a consequence of these aggressions. All the cases in this first part took place in the Muslim East during the saint's stay in this area. The second part examines cases of violence committed against Muslim people from al-Andalus. The victims suffered the consequences of the wrath of the saint, although he was not directly involved in the aggressions themselves. The stories are narrated by al-Yu[hdot]ānisī himself, and we do not know whether they really took place. Regarding these manifestations of violence, the hagiographic sources not only justify all the violent acts committed by the saint, murder included, but they present the saint to society as an “example” to follow, and indeed as a “hero”.     

Islamic Historians of the Ayyūbid Era and Muslim Rulers from the Early Crusading Period: A Study in the Use of History

This article examines the presentation of Muslim rulers from the early crusading period, 490–540/1097–1146 in six of the main chronicles written during the first half of the seventh/thirteenth century. It discusses the themes, ideas and topoi in each, demonstrating that the historians appear to have been divided into two ‘camps’ over their presentation of these rulers, based on their personal views of the rulers of their time. The article also examines why this division may have occurred, and considers its ramifications for modern scholarship of Arabic historiography, Islamic history and the history of the Crusades, in both the sixth/twelfth and seventh/thirteenth centuries.     

The Origin of Language and its Link with Music according to the Theory of Jābir ibn [Hdot]ayyān

Jābir ibn [Hdot]ayyān took advantage of the vast translation enterprise of Greek scientific works into Arabic. He quotes from these sources, including several whose Greek originals are lost. His works can be likened to the encyclopedia of Ikhwān al-[Sdot]afā’, the most important transmission of Pythagorean tradition. In this Epistle on Music the Ikhwān followed Jābir's method, and perhaps were influenced by him, in analysing the relationship between language and music, together with the arithmetical speculations that were widely influential. In this article, I have attempted to collect Jābir's scattered ideas on the origin of language and music trying to assemble the major ones in a coherent exposition.     

The Castle and Lordship of Ḥārim and the Frankish-Muslim Frontier of Northern Syria in the Twelfth Century

The castle of ?ārim in Northern Syria was a site of intense military and political scrutiny during the twelfth century. Whether under the control of the Frankish principality of Antioch or of Muslim-held Aleppo, it acted as the battleground for control of the frontier between these two powers. This article therefore seeks to examine how both sides adapted to the demands of this frontier. First, it will show how central this castle was to the balance of power in the region, a reality historians have so far often overlooked; second, it will demonstrate, through an examination of ?ārim's Frankish lordship, particularly the inheritance rights of its Latin lords, that diverse customs and relationships of power emerged to meet the challenges of defending and governing the frontier.     

The Abbāsid palace of Theophilus: Byzantine taste for the arts of Islam1

The Byzantine emperor Theophilus (829–842) is recorded as having commissioned a palace in the style of contemporary Abbāsid palaces in Baghdad near Constantinople, making it an important instance in the visual cultural exchange between Byzantium and Islamdom. One widely held explanation suggests that Theophilus had a taste for the arts of Islamdom. This paper argues that the Abbāsid‐style palace of Theophilus should be placed in the context of contemporary political events and Theophilus's architectural patronage. The palace can then be seen as the product of Byzantine‐Muslim political and cultural rivalry mediated by an increasingly shared culture of objects that included architectural concepts.     

Shi‘ism and the Early Dinars of the Fāṭimid Imam-caliph al-Mu‘izz li-dīn Allāh (341–365/952–975): An Analytic Overview

The Imam-caliph al-Mu‘izz al-Dīn Allāh undertook a series of monetary changes which were to have a monumental impact on all future Fā?imid coinage, would lead to many imitations even after the dynasty had fallen, and create an easily identifiable pattern that attracted medieval merchants and modern collectors. The fact that al-Mu‘izz's coinage went through three stages with slight variations in the wording and layout indicates that he was determined to create a new model for Fā?imid coinage which would distinguish it from the Aghlabid and ‘Abbāsid coinage that preceded and competed with it. In contrast, Sijilmasa coinage was so conservative in layout due to its role in the African trade.