嫁与春风还须媒

一千个读者就有一千个哈姆雷特,一千个语文老师针对"怎样学好语文",就会有一千种理解,就会有一千个说法和做法。我也有我自己的理解和自己的做法。     

“同课异构”应遵循的准则

“一千个读者，就有一千个哈姆雷特”，针对同一教学文本，不同的教者就有不同的教学理解和设计，所以我赞同朱慧琴老师“同课不同形”的看法。     

用提问点亮教学之光

“一千个读者，就有一千个哈姆雷特”，是说阅读要赋予文本以个性化的理解。要达到这个目的，就必须调动学生的体验去体验文本。     

哈姆雷特毕竟还是哈姆雷特——正确处理学生的“独特体验”与文章的“价值取向”

当今，“一千个读者就有一千个哈姆雷特”已成为阅读教学中的惯用语，加上对“应尊重学生学习过程中的独特体验”的片面理解，于是乎，教师面对学生五花八门、牵强附会、似是而非的“独特”体验，不置可否、不敢“妄言”，进而“不明事理”、不知所措。     

文学作品的多元理解应注意教学内容的价值取向

众所周知，由于每位读立场、观点和角度不同，对同一部学作品的理解也各有千秋。正像那句名言讲到的一样：一千个读就有一千个哈姆雷特。现代建构主义认为，读在与作品的交流对话中，建构了自己独特的理解和价值判断。因此，不同的读对同一部学作品的理解才各有不同，是多元的。也正因为如此，一部学作品才从多个侧面折射出耀眼的光芒。但是不是每位读的理解都正确、合理呢？笔认为，在提倡学作品多元理解的同时也要注意价值取向。具体说来，在教学中要关注以下几个方面：     

育得花开香满园——语文教学四记

一千个读者就有一千个哈姆雷特,一千个语文老师针对"怎样学好语文",就会有一千种理解,就会有一千个说法和做法。我也有我自己的理解和自己的做法。一、"化整为零"记我们学校每学期都有二十首古诗的熟记任务,并且要求能正确默写。     

文学作品多元化解读之我见

一、多元化解读的必要性 文学史上一直存在着这样一个不可否认的事实，那就是任何伟大的作品在其被阅读的过程中，总有着纷繁多样的理解、丰富多彩的阐释。一千个读者就有一千个哈姆雷特。     

小学语文教学中需用耐心体现教师的爱

“一千个读者就有一千个哈姆雷特”，学生因各自的生活经历不同而对课文有不同的理解，对于所谓的“答案”他们知道却不一定接受，更不一定能理解。如初一第二册第一单元的文章，篇篇与生命相关，目的是培养学生正确的人生态度。学习后，一部分学生写周记，将答案抄上后却给出自己截然相反的认识一生命应是自由、不受约束的，我应想做什么就能做什么。     

从“月满西楼”的解读谈古典诗词个性化阅读

一千个读者有一千个哈姆雷特。阅读同一个文本,不同的读者会有不同的认知和理解。阅读鉴赏古典诗歌,要让学生结合意象的多义性和模糊性以及时代背景,知人论世,以意逆志,对文本进行个性化解读。     

让作文成为真实的叙述

生活是五彩缤纷的,同样每个人对生活的认识和理解也会因人而异。“一千个读者心中有一千个哈姆雷特”。那么,在作文教学中一千个学生为什么就不能有一千个生活呢？受应试教育的影响,有些教师的作文指导仍坚持冲着分数而来,猜题、套题,甚至默许、引导学生胡编乱造,这样久而久之,学生作文成了为教师而写、为应试而作,     

诗的语码解悟和意蕴阐释

中外诗论强调诗要有诗味。中国优秀古典诗歌往往诗味浓郁,含蓄隽永,其深层意蕴具有不可描述性和不可尽性。审美阅读时靠读者心灵与诗的语义编码融合才能解悟。而读者的审美阅读又因经历、知识水平、心境的不同而见仁见智,正所谓"诗无达诂"。因此对诗歌的语码解悟和旨趣阐释拒绝一次性阅读,也拒绝一切权力话语。     

The reading rate and comprehension of adults with impaired reading skills or visual discomfort

The purpose of this study was to investigate the effect of impaired reading skills and visual discomfort on the reading rate and comprehension of university students when reading texts presented at a high school (Grade 9) or university (Grade 12) level of difficulty. Groups included impaired readers (n=18) and normal readers with (n=13) or without visual discomfort (n=19). Regardless of text difficulty the impaired reader group had a significantly slower reading rate and poorer comprehension than the normal reader control group. However, when reading rate and comprehension were compared at the assessed reading level of each group, no group differences were found. The normal reading visual discomfort group had poorer reading comprehension than other normal readers with presentation of university‐level text only. It was concluded that poor word decoding skills may exacerbate comprehension difficulties in impaired readers. In contrast, the comprehension difficulties found for normal readers with visual discomfort occurred because of the somatic and perceptual difficulties induced with exposure to the repetitive striped patterns found on text pages. The types of strategy needed to increase the reading efficiency and produce greater academic success in university students with impaired reader skills or visual discomfort are discussed.     

Using Reader Profiles as Snapshots to Investigate Students' Reading Performance

Explanatory patterns regarding situational differences in reading comprehension performance may be best captured by multidimensional reader profiles. Data from 56 third- and fifth-grade students were collected to investigate the applicability, scope, and convergent validity of a reader profiling scheme based on Alexander's (2005) reader profile framework and then compared with results from a hierarchical cluster analysis and a Bayesian cluster analysis. The reader profiling methodology used identified examples of all six of Alexander's reader profiles at each grade level, along with an additional hypothesized profile, the interest-reliant reader. The reader profiles related as expected to reading outcomes on a researcher-designed comprehension measure and a standardized comprehension assessment, with a few exceptions, and explained variance in those outcome measures better than the use of cluster analysis, except for the third-grade standardized scores. Finally, interesting differences emerged in the proportions of elementary students assigned to each profile across the grade levels.     

《贫女》之现象学美学赏析

《贫女》是晚唐诗人秦韬玉的名篇,通常认为此诗语义双关,是诗人借贫女抒自己怀才不遇的哀怨。借用现象学关学的层次分析,读者阅读时所经受的语言训练都参与了读者与这首诗的初始相遇,参映着书写上的形式特征。     

The reader,the text,the poem: the influence and challenge of Louise Rosenblatt

ABSTRACT

This paper is a re-examination of Louise Rosenblatt’s seminal work of reader-response theory, The Reader, The Text, The Poem. I argue that poems are essentially social in nature and that they open up a space in which conversation and interpretation can take place. With Rosenblatt I argue that until a reader engages with a poem, bringing to it a combination of her interest and experience, the text will lie dormant. I go on to argue that this implies a model of pedagogy and discourse about poetry which is currently inimical to the high stakes testing arrangements in the current context in England and the Anglophone world. Via the work of John Dewey, especially his notion of art as experience, I analyse the cultural and critical frameworks which influenced Rosenblatt innovations both directly and indirectly. This includes the tradition of the New Criticism, with its emphasis on empiricism and an assumed reader. For practitioners seeking a model of reader-response and classroom practice that promotes more than pre-prescribed comprehension questions, I offer examples of practice which prefigure the role of talk in aiding the reader’s aesthetic and transactional interpretations of poems.     

自我提问对大学生英语阅读理解的效应

该文以图式理论、元认知理论和积极加工理论为依据,采用微变化的研究方法,以华南农业大学122名学生为实验对象,就自我提问策略对中国大学生外语阅读理解的效应进行了探索,结果发现：自我提问策略能够促进中国大学生外语阅读理解;通过自我提问策略培训,阅读水平较低的学生阅读理解能力收获最大;学生的阅读理解水平与他们能提出的问题类型显著相关,提出问题的认知水平越高,其阅读理解水平越高,反之亦然;对外语学习进行自我提问策略培训能够提高学生的提问水平。     

诗中有画,画中传声;以动显静,空灵优雅——王维《山居秋暝》赏析

赏析王维后期著名诗作《山居秋暝》，细品诗情画意，再现青松明月图、乡村风俗画；体味诗中有画，画能传声，动静结合，以动显静的独特艺术魅力；探寻诗人的心路历程与诗歌主旨。     

心物交感互动：好诗的基本条件——以林亨泰、郑愁予的两首组诗为例

好诗的条件会是什么？一直是历史中争辩不休而未得正解的问题,诗人的见解不免成为主观的诗观的表达,评论者的意见往往又是术语的堆砌,读者接受学的反应,也从未有人真正提出统计数据加以分析。论文试图从诗歌发生学的角度去厘清好诗的基本条件,第一层次在于诗人是否能以自己的心与外物交感互动,成就一首好诗,第二层次在于这首诗是否能够唤醒读者的心与外物（包含这首诗）的交感互动,藉以确立一首好诗的基本特质。并以林亨泰的《风景》组诗、郑愁予的《小城连作》组诗为例证,加以鉴识。     

王船山诗学的主情观

王船山诗学的主情观 ,在论述诗歌言情要婉转曲折、情与景的结合要关注内在统一 ,以及要以情为“兴观群怨”的纽带等方面 ,有其独到理解的阐释和别开生面的新意。它是对“诗缘情”说的拓展和深化。     

论阅读的心理过程模式对英语阅读理解的作用

阅读理解是一个复杂的心理过程。影响理解的因素涉及到读者的知识经验和阅读技巧,这是一个包括词义、语境、生成语义,文章意义建模和图表化等一系列认知成分在内的加工过程。本文从阅读的心理过程模式分析读者与英语阅读文字之间的相互作用和相互交流,提出阅读者的背景知识对阅读文章的理解具有正确的引导作用,并且通过阅读文字给读者清晰的词义提示。