Machineries for Making Publics: Inscribing and De-scribing Publics in Public Engagement

This paper investigates the dynamic and performative construction of publics in public engagement exercises. In this investigation, we, on the one hand, analyse how public engagement settings as political machineries frame particular kinds of roles and identities for the participating publics in relation to ‘the public at large’. On the other hand, we study how the participating citizens appropriate, resist and transform these roles and identities, and how they construct themselves and the participating group in relation to wider publics. The empirical basis of our argument is a discussion of four different kinds of participation events in Austria. Building on these observations we develop conclusions about the public up-take of public participation in technoscience and the role of public engagement in current techno-political cultures.     

Cache society: transactional records,electronic money,and cultural resistance

Money is an ‘instrument of collective memory’ before it is a means of exchange, a unit of account or a store of value. Money's status as a memory technology is particularly significant in light of the role that information and communication technologies now play in economic transactions. Many of the new channels and infrastructures for payments, such as magnetic cards, mobile phones, the wired Internet, social media platforms, and RFID technologies, record detailed transactional data alongside a range of other identifying data. We now have extremely detailed records of the many ways that money circulates, is transferred and is spent. This paper concerns this previously latent transactional data and how it is currently recorded, monetised, and used to inform action. What has been recorded in and about money at different moments in time and how are these categories breaking down? Who has access to and ownership over this collectively produced record and how is it driving new data practices and business models based on the monetisation and application of monetary records? And how might re-engaging with money's mnemonic status help to foreground a politics and ethics of transactional data?     

The war of the words: The rhetoric of ‘Operation Iraqi Freedom’ (an informal survey)

The political, military and media rhetoric of the March–April 2003 invasion of Iraq is interpreted as a phenomenon of power in relation to an understanding of culture as a site of denegation. Patterns of tautology, euphemism and equivocation are identified and their rhetorical appeal analysed in terms of the denegational structure of each of these figures. The essay is thus governed by an understanding of figuration as instrumental, not ornamental; it shows how rhetoric can be studied as a cultural phenomenon and argues by example that a pragmatics of troping is crucial to such a study.     

The Impact of Changing Funding and Authority Relationships on Scientific Innovations

The past three decades have witnessed a sharp reduction in the rate of growth of public research funding, and sometimes an actual decline in its level. In many countries, this decline has been accompanied by substantial changes in the ways that such funding has been allocated and monitored. In addition, the institutions governing how research is directed and conducted underwent significant reforms. In this paper we examine how these changes have affected scientists’ research goals and practices by comparing the development of three scientific innovations (one each in physics, biology, and educational research) in four European countries, namely Germany, the Netherlands, Switzerland, and Sweden. We find that the increased number of actors exercising authority over research goals does not necessarily lead to a greater diversity of interests funding research. A narrowing of goals and frameworks is especially probable when the increasing importance of external project funding is combined with reductions in state financing of universities and public research institutes. Finally, the growing standardisation of project cycle times and resource packages across funding agencies and scientific communities make it more difficult for researchers to pursue projects that deviate from these norms, especially, if they challenge mainstream beliefs and assessment criteria.     

Is it food or is it waste? The materiality and relational agency of food waste across the value chain

ABSTRACT

Food waste has serious economic and environmental repercussions, and there is growing policy attention to this issue in Canada. This study investigates how the material characteristics of wasted food influence its circulation and management in the City of Guelph, Ontario. Based on interviews with informants across the food value chain, we learned that there is a high reliance on systems and techniques to determine when food becomes waste (including cold chains, best before dates, and aesthetic standards). We document how these systems pervade the food chain and food recovery efforts, and also note attempts to disrupt their momentum. Our analysis emphasizes the relational agency of food waste: how social and cultural contexts interact with food’s vital materiality in the determination of when it becomes waste, the circumstances under which waste can become food again, and how organic matter can find a second life as a source of energy and nutrients.     

Cultural intermediaries in the making of branded music events: digital cultural capital in tension

ABSTRACT

Previous studies have overlooked how intermediaries and their digital cultural capital enhance the relationship between brand values and consumer identities; their specific uses of digital technologies; and how those uses are displayed in activities where intermediaries create consumer experiences. This paper thus explores the role that cultural intermediaries (music bloggers and an advertising agency) and their digital cultural capital play in making and communicating a branded music event. Briefly, intermediaries used a set of digital technologies (social media, guest lists, blogs, and websites) to create and orchestrate an authentic and exclusive experience between brands and consumers. We draw on empirical material from interviews and ethnographic work conducted in Santiago, Chile. Our study identifies digital technologies used by cultural intermediaries in communicating branded music events, including as: promotional tools; advertising campaign efficacy evaluation mechanisms; and relational objects that connect advertising agencies, music bloggers, brands, and consumers. By exploring the tensions and conflicts that arise among bloggers and advertising executives, we shed light on the uses and exchanges of digital cultural capital for commercial purposes, resulting from the connections between intermediaries that come from different fields of cultural production.     

Clothing as a source of fibres within museums

This paper examines the role of visitors’ clothing as a source of fibres and dust in museums. Some idealised experiments determined the mass of fibres and dust emitted from clothing and the range of particle sizes found. In chamber studies it was possible to examine the effect of different humidity and airflow on fibre release. Image analysis was used to determine particle size from sub-micron to giant particles including clothing fibre. Clothing was a significant contributor to fibre and dust generation and at low humidity winter garments composed largely of wool was especially large. High air velocity increased particle shedding from clothing. Clean clothing typically released a third to a tenth the weight of particulate material from dirty clothing. It is possible that the fibres and dust produced indoors from visitors could be reduced by an air-shower at the entrance, but less intrusive procedures such as keeping visitors at a distance from objects may be preferable.     

AI and virtual crowds: Populating the Colosseum

Computer technologies and digital recreations have been widely used in the field of Cultural Heritage in the past decade. However, most of the effort has concentrated in accurate data gathering and geometrical representation of buildings and sites. Only very recently, works are starting to go beyond that approach by including digital people. The impressive development of computer graphics techniques and computing power, makes now possible the creation and management of virtual environments where a big number of virtual creatures interact and behave in a smart manner.In this paper we present a novel use of virtual crowds for Cultural Heritage: we use them to predict behaviors, or to help scholars draw more educated conclusions on unknown matters. We specifically present a case study based on an artificial intelligence crowd simulation which is being used by scholars to study the ergonomics of the Roman Colosseum: it was formerly believed to be an excellent people-mover, but currently that belief is seriously questioned, as potential bottlenecks seem to have been detected.     

Anti-media populism: Expressions of media distrust by right-wing media in India

ABSTRACT

Criticism of mainstream media as being “biased” has emerged as a defining characteristic of right-wing discourse all over the world. Such expressions are coupled with the establishment of right-wing news outlets that seek to undermine professional journalism. But while scholars have examined the operation of such outlets in the context of Western democracies, anti-media populism in the Global South has received little scholarly attention. Through a thematic analysis of articles published on OpIndia.com- a right-wing news site in India, this paper seeks to address this gap in the literature and identify the discursive strategies employed by the right-wing media to discredit the mainstream press in India.     

Best of both worlds or refusal to comply? The rich kids of Tehran on Instagram

ABSTRACT

This article offers a textual analysis and semiotic reading of the Rich Kids of Tehran's (RKOT’s) Instagram page. Contributing to scholarship on Iranian youth media practices, this article interrogates how the RKOT navigate urban and rural space to engage in everyday processes of resistance against global and local systemic oppression. Grounding their visual representations on Instagram in historical and cultural context, the author questions how and when quotidian actions are transformed into political transgressions when posted on social media. This article emphasizes the RKOT's agency in shaping their brand by analyzing representations of gender performance, intertextuality, and national identity on Instagram.     

Indigenous Digital Art as Politics in Australia

This essay contributes to discussions about Indigenous politics and debates about contemporary democracy. It uses a case study of video art produced by young indigenous people and a community development organisation in the Pilbara, Australia. Those involved in the project use digital media under the auspices of the Big hART Yijala Yala Project to produce an interactive comic series. The essay addresses the following questions: Do contemporary community development projects play a conservatising role serving the interests of a neoliberal polity? Given the long-standing practice of representing modern media as a vehicle for western domination what, if anything, do these projects imply about the political relations between Aboriginal and non-indigenous Australians? Are Indigenous media and cultural work inherently political? What conceptions of the political are at stake in such arguments? We focus on how certain groups of young people use new media, and how their activities are political. The argument is that Indigenous media like these are ‘inherently political’ because they are about efforts to reclaim the images of indigenous peoples for themselves.     

Two-Part Share Contracts, Risk, and the Life Cycle of Stars: Some Empirical Results from Motion Picture Contracts

What determines the market value of a star? This paper examines the size of fixed payments to leading actors in the U.S. motion picture industry from a sample of contracts between 1959 and 1989. Competing explanations for the size of compensation, including rent capture, risk sharing, signalling, and portfolio optimization by studio executives are explored. The size of fixed payment across all contract types moves with an actor's history of participating in top-20 grossing films over the past five, ten, fifteen, and twenty films. Further, the impact of past top-20 successes is enhanced by the length of the actor's career. When contracts are divided into those with both fixed payments and share payments and those with only fixed payments, the fixed payment in two-part share contracts is influenced to some extent by risk concerns, in addition to the actor's star power. Fixed-payment-only contracts are most strongly influenced by measures of signalling and star power. Data on both types of contract provide strong support for the rent-capture theory: actors are paid rents upfront for the star value they add to the production.     

Agencing femininity: digital Mrs. Consumer in intra-action

ABSTRACT

Social media is abound with women writing about consumption goods and practices associated with femininity and heterosexual nuclear family life, such as being married, dressing, cooking and home decoration. This article examines how the housewife ideal can be an attractive identity in the 2010s and, drawing on the post-humanist performativity by Karen Barad (2007), it maps the material-discursive agencies that enable the re-emergence of this figure. Building on in-depth interviews with women who refer to themselves as influencers and bloggers, and visual and textual analyses of their Instagram-accounts, including links to sponsors and comments from followers, the article analyzes how the tensions between these women's real lives and their cyber lives, become meaningful in this technological culture. The breaking of boundaries between human and non-human resulting from digital technology has re-configured the housewife role by transforming boundaries between intimate and commercial practices. By focusing on the three areas: Transforming the feminine body, Transforming Intimacy, and Entrepreneurial femininity the article shows how agency emerges from within transforming practices of body, intimacy and entrepreneurship, intra-acting within this new housewife phenomenon. In doing so it discusses the negotiations and space for agency these women thought that digital technologies provided for them.     

Bridging mechanisms in multiethnic communities: Place-based communication,neighborhood belonging,and intergroup relations

Using communication infrastructure theory (CIT), this study examines how place-based communication, including neighborhood interpersonal discussion, geo-ethnic media, and local organizations, may have the potential to promote multiethnic intergroup relations through forging a sense of neighborhood belonging. Based on survey data consisting of 405 diverse community members, this study employs structural equation modeling to test the relationships among residents’ connection to place-based communication, their level of neighborhood belonging, out-group contact frequency, and perceived interaction quality across six interethnic dyads. Findings suggest that place-based communication does impact multiethnic intergroup interaction, but the direction and magnitude of such effects diverge along ethnic lines.     

Weaving Webs of Faith: Examining Internet Use and Religious Communication Among Chinese Protestant Transmigrants

Abstract

This paper examines the relationship between new media use and international communication that addresses religiosity and affirms users’ standpoints occupied by transmigrants that are marginalized in dominant societal structures. Drawing from focus group interviews among recent Chinese Protestant immigrants in Toronto, we argue that new media “use” is broadened by users’ cultural appropriation in situational contexts to include proxy internet access as accommodative communication given the political and legal constraints in their home country. Chinese transmigrants not only reinterpret and alter semantic associations that spiritualize the internet, they also engage in innovative strategies that involve the intertwining of offline and online communicative modes. These include deploying complementary media forms or communicating in codes that are mutually understood among participating members to facilitate intragroup networking among Chinese religious communities. Implications are discussed with regard to the importance of cultural norms and situational context in shaping mediated international communication.     

Examining Interprofessional Education Through the Lens of Interdisciplinarity: Power,Knowledge and New Ontological Subjects

Interprofessional education (IPE) – students of different professions learning together, from and about each other – is increasingly common in health professional degrees. Despite its explicit aims of transforming identities, practices and relationships within/across health professions, IPE remains under-theorised sociologically, with most IPE scholarship focussed on evaluating specific interventions. In particular, the significance of a shared knowledge base for shaping professional power and subjectivity in IPE has been overlooked. In this paper we begin to develop a framework for theorising IPE in allied health, by drawing parallels with a cognate area in which there has already been fruitful conceptual development: interdisciplinarity. Specifically, we offer a worked example of how the two areas may be brought into dialogue, by deploying Barry, Born and Weszkalnys’ (2008) conceptualisation of interdisciplinarity as a lens for understanding IPE. Following Barry et al. (2008) we delineate a number of ‘modes’ and ‘logics’ of knowledge-production that emerge both in IPE literature and in our own empirical study of IPE. Our empirical data are drawn from 32 semi-structured interviews with 19 allied health students participating in an IPE curriculum at one Australian university. Findings point to the emergence of interprofessional practitioner identities among students that have the potential to undermine traditional epistemological boundaries and transcend role-based distinctions in future health profession(al)s. We argue that Barry et al.’s ‘logic of ontology’ sheds light on previously unidentified processes of transformation within IPE, and offers a theoretical framework that can explain the importance of a shared pan-professional knowledge base for the reflexive individual construction of new interprofessional ontological subjects.     

Archeological excavation monitoring using dense stereo matching techniques

Several new tools to obtain three-dimensional information from unorganized image sets are now available for the public use. The main advantage of this software, which is based on dense stereo matching, is the possibility to generate 3D content without the need of high-cost hardware (e.g. 3D scanning devices). Nevertheless, their use in real-world application domains (like cultural heritage) is still not very diffused, due to the non-straightforward usability of the raw data produced. In this paper, we investigate the use of automatic dense stereo reconstruction tools for the monitoring of an excavation site. A methodology for the effective acquisition and processing of data is presented. In addition, the results of the data assessment demonstrate the repeatability of the data acquisition process, which is a key factor when qualitative analysis is performed. The use of three-dimensional data is integrated in an open source mesh processing tool, thus showing that a spatio-temporal analysis can be performed in a very intuitive way using off-the-shelf or free/open digital tools. Moreover, the use of peculiar rendering and the creation of snapshots from arbitrary points of view increase the amount of documentation data, and suggest a perfect integration of data produced with dense stereo matching in the future standard documentation for excavation monitoring.     

Occurrence of organic biocides in the air and dust at the Natural History Museum of Rouen,France

Using over 100 years of biocides for preservation of collections of natural history museums has led to significant pollution of specimens and the environment of museums. Staff may be exposed to these substances as well by skin contact or by breathing dust and volatiles compounds. In this work, we present the results of a screening of volatile and semi-volatile organic compounds in the air and dust from the Natural History Museum of Rouen (Normandy, France). It is shown that the concentration in the air of the different substances is acceptable and below regulatory limits. Nevertheless, concentrations in dust especially for DDT and DDD are high and require special precautions and a regular dusting.     

Middle East and other futurisms: imaginary temporalities in contemporary art and visual culture

This article focuses on recent contemporary art of Gulf Futurism and Arab Futurism with a specific geographical focus on the Near and Middle East. Still only occasionally addressed and analysed in contemporary academic discussions, these art discourses and practices can be understood as particular forms of counterfuturisms and cultural politics of imaginary times; they continue the earlier work of Afrofuturism in using an aesthetic repertoire to complicate normalised notions of time and technology but in an alternative geopolitical context. Some of the analysed works such as Larissa Sansour’s films outline political questions about territories and architectures of control but these are also other contexts that address how experience of time is being infrastructured in material media culture. The article analyses these post-colonial artistic practices in dialogue with contemporary theoretical debate about cultural politics of time including the discourses about cancellation of future (Berardi) as well as the idea of counterfuturisms as a form of audiovisual practice.     

Direct versus indirect aid to the arts: A Canadian perspective

Conclusions The bulk of contemporary policy concern in the cultural area is focussed on the nature of government assistance. In particular, there is a growing feeling that indirect assistance to cultural industries should be promoted to a greater extent than it has been in the past. This feeling reflects both the view that real levels of direct government grants may not be sustainable and the presumption that indirect forms of assistance (such as tax concessions and the like) can channel aid to artists more efficiently than direct forms of assistance, such as Canada Council grants to arts organizations. The various arguments offered in favor of one or another approach towards funding cultural activities are certainly not conclusive. The main point to be made in this regard, however, is that debate over how culture should be funded is taking place in the absence of explicitly formulated operational objectives as well as crucial information about how the cultural production and marketing processes operate. In this regard, ineffectual policy-making across the broad spectrum of cultural assistance programs may be of far greater concern than any efficiency differences which might be anticipated between various forms of assistance to the arts.