美术新课程评价体系改革基本理念

公共美术课程作为我国普通高等教育课程体系的重要组成部分,是全面实施和深化素质教育的重要途径.大学公共美术课程建设既应遵循艺术的规律,还应遵循高等教育和课程建设的规律,如何科学地构建普通高校公共美术课程体系已成为我国高等教育面临的一个时代课题.     

教师发展理念:当代语文课程编制过程中的选择与应对

在辨析课程主体实质性内容的过程中,“课程层面”因素发挥着非常重要的作用。旨在以“教师发展理念”为研究的主导层面,以当前的基础教育课程改革实际为前提,对当代语课程的发展进行前瞻性探讨。当代语课程的发展应当重视语教师素质的发展：语教师专业自主性发展环境的完善,语教师个性的张扬以及语课程实施过程中理性精神的展现。     

高职发展性工作过程系统化课程模式内涵及其属性的澄明

高职发展性工作过程系统化课程模式,是一种以工作过程系统化任务为载体,通过工作过程系统化任务学习情境的教学实践活动,培养受众主体应用能力和解决问题能力的一种创新课程模式。其内涵的本质属性是工作过程系统化任务实践过程的教育教学性,其从属属性是职业性、实践性、情境性、开放性、生成性、创新性和发展性。     

基于工作过程的高职汽车销售实务课程设计

课程开发是高职院校课程教学改革的核心问题,课程设计在课程开发中占有十分重要的位置。基于工作过程的高职汽车销售实务课程设计,就是从汽车销售员岗位出发,以工作过程为导向,对课程定位、课程内容设计、教学方法和手段、课程评价几个方面进行开发和设计,从而体现出了以工作过程为导向的职业教育课程改革思路。     

论在机械课程设计中开展创新设计的必要性和可行性

多年来,机械课程设计一直以减速器为设计内容.在分析传统机械课程设计内容所存在不足的基础上,论述了在机械课程设计中开展机械创新设计的必要性和可行性.     

基于工作过程的高职课程开发研究

课程建设既是高职院校内涵建设的切入点,也是落脚点。课程改革是高职院校教学改革的永恒主题,也是提高教学质量的核心。基于工作过程的课程为高职教育课程改革提供了新的视角。确立基于工作过程系统化的课程理念,探究基于工作过程的课程开发思路和开发程序,加快课程教学改革步伐,从而更好地适应高职教育发展的需要。     

高职师范教育专业应对校本课程开发的策略

校本课程开发对教师的要求,必然反映到对高职师范教育的要求。高职师范教育专业必须进行变革：首先要调整培养目标;其次改革课程设置：压缩学科课程,增加课程理论课,增加教育实践的时间和种类,增设校本课程开发课程,增设沟通合作技术课程,增加教育类课程的课时;最后改革教学方法：减少讲授法的运用,完善讨论法的运用,增加观摩学习方法的运用数量和形式。     

高职艺术类专业实训课程改革的实践与创新——以广东外语艺术职业学院艺术设计专业为例

实训课程对于高职艺术设计艺术专业学生的实践能力提高至关重要。广东外语艺术职业学院实施“专业技能＋真实项目”的实训课程改革,可使学生及时把握行业发展的新动向,强化学生的实践和创新能力,提高综合职业能力,以更好地适应市场对人才能力需求的变化。     

高职课程体系的开发

高等职业教育教学质量的提高,很大程度上取决于课程体系观念的更新和课程建设与改革的力度。通过对高等职业教育课程体系构建三个阶段的内涵进行分析,探讨高职教育学习领域课程体系的开发思路和开发实践,为高等职业教育学习领域课程体系构建提供参考和借鉴。     

美国特殊教育课程融合取向的设计模式及启示

课程的开发与实施是影响融合教育有效开展的关键因素之一。作为实施融合教育的先驱国家,美国对融合取向的课程进行了深入的探索,积累了丰富的理论与实践经验。在简述融合教育下美国特殊教育课程演变的历程中,本文重点关注调整课程与通用课程,从概念界定、类型划分、设计原则、效果的影响因素与评价等方面进行分析与总结,并在比较中揭示两者的区别,以找到有助于解决我国特殊教育课程尤其是随班就读课程问题的启发策略。     

高职艺术设计专业艺术理论课程教学研究

从高等职业艺术类专业艺术理论教学的现状出发,从高等职业艺术专业的社会需求、培养目标等问题入手进行分析,有针对性的进行了一些思考,尤其针对艺术设计专业中艺术理论课程的教学提出改革方式,通过艺术理论课程教学改革促进学生的更好全面发展。     

Conceptualising strategic alignment between curriculum and pedagogy through a learning design framework

Abstract

Improved clarity concerning the relationship between curriculum and pedagogy in higher education is needed to address issues concerning learning and teaching quality. This paper explores the relationship between curriculum and pedagogy and argues for a stronger and more explicit link between the two. On that basis, the paper proposes a conceptual learning design framework that has the potential to act as a clarifying tool for academic developers and academics as they conceptualise and develop contemporary learning environments for effective learning. Reflections on the implication of the framework for practice are discussed.     

高职市场调查与预测课程设计浅析

作为高职市场营销专业的基础课程,市场调查与预测课程有很强的实践性。课程教学中应依据高职人才培养目标,建立基于工作过程的学习情境,从分析课程特点入手,明确教学组织与安排,并对教学实施和实施中应注意的问题进行详细的分析,力争做到教、学、做合一。     

Curriculum Transformation in a Post-Apartheid South African University: The Arts Faculty,Tshwane University of Technology

During the apartheid rule in South Africa, established universities and other tertiary institutions were forcibly segregated to serve particular racial groups. Some critics have stated that the apartheid regime in South Africa supported an exclusively Western model of education, and that university education was based on a mono-cultural approach with bias towards Western values and expectations. With the demise of apartheid in 1994, the Government of National Unity (GNU) merged the fragmented hodgepodge of segregated tertiary institutions into 23 (now 26) public universities (26 since in 2004), Tshwane University of Technology (TUT) being one. There has been a paradigm shift to accommodate a new form of education which is not only supposed to address the imbalances of the past but be of relevance to the twenty-first-century knowledge economy. The transformation of the education sector is supposed to boost the Africanisation (African-oriented content) of the syllabus, foregrounding the cultural practices and values of the African people. In TUT the arts faculty faced challenges of rationalisation, and the faculty management is poised to effect the paradigm shift. The aim of this paper is to investigate the extent to which the African-oriented content concept has been realised in the arts curriculum of Tshwane University of Technology TUT.     

通信高职教育校本课程开发的理论与实践

通过对校本课程概念界定与引用,介绍了开发方法,论述通信高职教育市场营销专业方向校本课程开发实践探索,并对以后研究进行了展望。     

工科院校人文社科课程设置比较

本文通过对世界上几所著名工科院校(专业)培养目标、课程设置和学时比例的比较分析，结合我国高等工科教育的现状，对我国高等工科教育中人文社科课程的课程门类和学时比例提出了具体意见。     

Public Pedagogy and Social Justice in Arts Education

In this article we explore examples of public pedagogical actions and interventions, reading them through a social justice education framework lens. In our discussion we start with definitions of social justice, public pedagogy and case study methodologies. Then, we look at a variety of international examples to highlight the pervasiveness of public pedagogical opportunities in visual culture that include a festival, an individual, a citywide symposium, an online community, a cultural group and a museum exhibition. They are divided into three categories based on social justice principles suggested by Ayers et al. and later interpreted by Dewhurst: (1) Public pedagogy and social justice is rooted in people's experiences: Fiesta del Señor de Choquekillka: Ollantaytambo, Peru and Janet Weight Reed – an artist's public pedagogy utilising social media; (2) Public pedagogy and social justice is a process of reflection and action together: Ideas City Festival and the Vlogbrothers; (3) Public pedagogy and social justice seeks to dismantle systems of inequality to create a more humane society: CULTURUNNERS and sh[OUT]: Lesbian, Gay, Bisexual, Transgender and Intersex art and culture. It is our hope that in looking more closely at these international examples of public pedagogy and social justice education that the power of such alternative sites of learning is apparent and encourages further interventions and investigations in such spaces of inquiry.     

Non-traditional students in tertiary education: inter-disciplinary collaboration in curriculum and pedagogy in community services education in Australia

Education policy in Australia has accelerated its aim to increase participation of under-represented groups in tertiary education including students who are culturally and linguistically diverse and have low socio-economic status. These students generally have not had prior access to privileged academic discourse, which can further disadvantage them in their participation and progress in tertiary education. In this article, we outline a cross-discipline curriculum initiative and pedagogy that draws on critical literacy and the metaphor of discourse community to integrate language and academic skills into community services qualifications. We argue that this – supports the genuine participation of under-represented (non-traditional) students. It aspires to not only support students’ entry into the new academic terrain, but to enable students to adopt a critical stance to the discourses in which they are learning to participate. This we argue is crucial, when expertise is not just a way of meeting its ostensible purposes, but is also a way of exercising power. Although we report on the application of this initiative to entry level curricula (Diploma), we suggest that it has relevance and application to Bachelor levels in a range of disciplines, both in supporting pedagogy and for transition to Bachelor level study.     

加州理工学院本科课程体系特点及其启示

加州理工学院的本科课程具有如下特点:突显核心课程,宣扬通识教育思想;设置弹性课程,确保学生选修空间;依托多种形式,重视交流能力培养;通过制度引导,关注课程深度学习。加州理工学院本科课程设置特点可为我军学历教育院校本科课程建设提供有益借鉴。     

STEAM教育理念下综合实践活动课程实施的创生取向研究

STEAM教育理念下综合实践活动课程的特点决定了其课程实施以创生取向为主,并且呈现出主动建构性、动态生成性、多元性的特征。创生取向下综合实践活动课程实施秉持教育回归生活世界的理念、创设真实的问题情境、建立平等对话的师生关系、保持生成与预设的动态平衡四个主要原则。STEAM教育理念下,综合实践活动课程创生实施取向策略主要有四个方面。第一,激发学生科学探究兴趣、引导学生主动生成学习经验是课程创生实施取向的前提;第二,开放课堂教学内容与空间、转变教师角色是课程创生实施取向的基础;第三,改进课堂教学方法、变革教学评价方式是课程创生实施取向的核心;第四,构建学习共同体、提升教师课程创生能力是课程创生实施取向的保障。