李叔同和丰子恺：中国现代木刻版画的先行者

人们知道李叔同是近代艺家，丰子恺是现代漫画家，但是说他们曾经从事过版画创作，许多人可能会感到意外。     

At the Interface between Ink and Conception——An interview with Chinese modern artist Li Gang

Ink and wash painting, or Chinese Shui-mo painting, traditionally hinges on concepts and techniques of brushstrokes and freehand style. However, Li Gang peels those concepts and techniques off from his paintings, making concrete images of birds, flowers and landscapes fade.Only traces of water and ink, which are irregular variations in a regular array, infuse changes, agility and rhythm into a lifeless piece of medium.     

馬一浮和"六藝論"

馬一浮的學術思想,最著名的論點是"六藝該攝一切學術".這是他的一貫思想,很早他就有撰寫<六藝論>的設想,但集中講論,則是1938年在江西的泰和,為浙江大學師生開設國學講座.竺可楨校長1936年為聘請馬先生到浙大講學費盡了心力,而終無所成.但僅僅一年之後,他的願望就輕松地實現了,而且不是他主動去請馬一浮,而是馬先生自動找上門來--當然不單是為講學,同時也希望暫時與浙江大學師生一起流亡避寇.     

Between Asia and empire: infrastructures of encounter in the archive of war

ABSTRACT

In this essay, we stage a conversation about our experiences researching everyday histories of encounter between Asian and Asian diasporic subjects during the Pacific and Vietnam Wars. Through readings of materials from the archives of two empires, Britain and the United States, with bloody records of military intervention in east and south-east Asia, we show how wartime inter-Asian, Afro-Asian, and Asian diasporic geographies of relation overlapped with and animated one another, helping to (re)produce trans-local communities of affinity over space and time even as they also functioned as infrastructures for empire. Throughout, we reflect on the infrastructures – material, institutional, epistemological, affective – that make inter-referencing possible, both for our subjects and, importantly, for ourselves. If our archives resonate, what does this tell us about the trans-imperial durability of the intimate infrastructures we show taking shape in 1940s China and 1960s Vietnam respectively?     

現代詩詞三大家:馬一浮、陳寅恪、沈祖棻

據筆者管見,中國現代詩詞以馬一浮、陳寅恪、沈祖棻三大家為成就最高.本文擬略述中國現代詩詞的若干特點,和馬一浮、陳寅恪,沈祖棻詩詞的杰出成就.包括四部分:一,現代詩詞的幾個基本特點.二,現代詩詞的藝術新變.三,馬一浮、陳寅恪、沈祖棻詩詞代表作舉例.本文旨在說明,舊體詩詞可以反映現代生活和情感,詩詞之境界與詩人的性情、學養、心靈境界息息相關.