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郭小英 《世界文化》2007,(10):16-17
格蕾丝·狄凡,去世前是南开大学外国语学院的副教授,但这并不是传记作者要强调的传主的主要身份。作者无意于将传主突显为英雄或者行业名人,而重在讲述格蕾丝·狄凡因为对中国丈夫温婉绵长的爱而留居中国40年的故事。这位中国丈夫就是我国著名的给水排水工程师刘弗祺(1902—1955)先生。刘弗祺1925年毕业于清华大学,尔后深造于美国康奈尔大学。  相似文献   

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林梅村 《中国文化》2006,45(1):122-137
首先需要說明的是,我本人從事考古教學與研究,對藝術史素無研究。然而,藝術史研究下得下借助於考古資料,所以歐美學人對考古和藝術史的界綫相當模糊。他們往往把“考古” (Archaeology)理解為史前考古,因此把史前考古教學歸入高校人類學系,而把新石器時代以後的考  相似文献   

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In October 2009, The Chinese Cultural Ministry hosted "China Culture Festival" in Czech Republic, Hungary and Serbia respectively to mark the 60th anniversary of its diplomatic ties with these three countries in Eastern Europe, In one month's time, Chinese artists presented fascinating performances, exhibitions, film showcases and other cultural events. Wherever these celebrations were held, the reporter can deeply feel the friendship with Chinese people and the strong interest in Chinese culture.  相似文献   

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Four recent movies, Hidden Figures, The Zookeeper's Wife, Their Finest, and Colossal exemplify a new cultural version of the movie heroine. This version combines feminism with commitment to solving an overwhelming problem. These heroines, thus, display the character virtues of Wonder Woman and Mrs. Miniver. This new version reflects changing concerns about the cultural understanding of women and a new direction for women moviemakers.  相似文献   

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