Ann Yen and Her Different Roles

It is said that one‘s paintings always reflect himself. But Ann Yen seems to share only one similarity with plump ladies in her paintings -- both look relaxed and joyful. It was a happy experience to talk with Yen. Her hearty laughing and sincere talking greatlv imoressed me. lust like those olumo ladies in her paintings.     

Jin Shangyi＇s Oil Exhibition Displayed in Beijing

Oil painting has been popular in China for one century. With endeavors of several generations of Chinese artists,oil painting has enjoyed an important position in modern Chinese art. On April 1, an oil painting review exhibition by Jin Shangyi, who had worked as president of Central Academy of Fine Arts, was held in National Art Museum of China. The total of 160 exhibits show Jin‘s lifelong pursuit of oil art.     

Rising Young Artist Says Pay Your Dues, Dreams Will Come True

Profile of Zhang Heping Born in 1964, Zhang Heping is a professional painter and a member of the Chinese Artists‘ Association, He graduated from Shandong Art College.     

心活画活——记客籍青年画家胡一通

汀江，浩浩南向。寥阔江天，把个“铁上杭”映衬得更加气象森森。那绕城而去的深绿江水，竟是泉墨浆，浸染得偌大杭川成了“诗画之乡”。代代诗才暂且不说，若提起明清以降声震画坛的杭籍俊彦，人们便会数出一串珍珠：李源、莫梦琦、邱大儒、应元、薛洛、廖海村、华岩、宋赞周、宋省予、罗晓帆、邱涸……     

大象无形——朱德群抒情抽象绘画之历程

1997 年,朱德群高票当选法兰西艺术院终身院士,这是法兰西艺术院成立200年来,首位获此殊荣的亚裔人士。朱德群是以其抒情抽象画而获得法国艺术界最高荣誉的。朱德群生在徐州萧县,幼年便学习书法和中国绘画,后考取杭州艺专,受油画开拓者吴大羽教授及其在教学中经常提到的莫奈、凡高、塞尚等印象派和后印象派画家的影响颇深。抗战胜利,朱德群随其所在的南京中央大学迁往台湾。1954 年,在台北中山堂举办个人画展并空前成功,50 多幅画作顷间售罄,而卖画所得一圆年轻朱德群巴黎深造的梦想1955 年,朱德群初到巴黎,正值抽象派与具象派论战高潮,仍延…     

张和平画韵如音韵

张和平:生于1964年。职业画家,现为中国美术家协会会员,毕业于山东艺术学院。 1992年,参加中国美术家协会首届油画研修班; 1994年,应邀参加马来西亚、新加坡"中国风情油画展",其作品《草原》之一、之二被马来西亚美术馆收藏; 1995年,应邀参加新加坡画廊举办的个人画展;     

DUSKY JOURNEY

When you pass by the street, the crowd or old houses, you will notice those lonely figures. As we grow old, we will lose many precious things. We hope to arouse memories of the past and think about the reality as well through this exhibition.[第一段]     

画入东瀛

暮春时节,中国绘画大师傅抱石的女儿、著名旅日画家傅益瑶在中国美术馆举办了她去国25年的首次画展。傅益瑶,1947年生于南京。此次画展向观众展示了她的150幅水墨画作品,其尺幅之大、题材之广、构思之宏伟、布局之巧妙、笔墨之精妙,令人叹为观止。中国水墨画自12、13世纪传入日本后,经15世纪雪舟等杨的大力提倡,曾一度风行;近代,水墨画在日本的影响却日渐式微。傅益瑶以弘扬水墨画为己任,承继并实践其父当年的努力,以创作水墨画为终生使命。在她的系列佛教艺术绘画中,长卷《佛教东渐图》、25幅的《圆仁入唐求法巡礼图》、36幅的《祖道传东》…     

李永安及其作品

在现代文化大潮中,观众企盼一支富有实验性与创造性的艺术新军。可喜的是,在近日一个绘画展览上,我们见到了这一类型的青年艺术家——李永安及其作品。“实验室艺术”的概念,是西方评论家在后现代信息社会中提出来的。西方的实验室艺术沿着西方的文化传统在20世纪显示翻天覆地的变化。21世纪的今天,中国画家面临极大挑战。如何发展我们的“实验艺术”?如何使中国百姓接纳我们的“实验性艺术”?如何摆脱西方文化中心主义的桎梏,又创作出富有中国民族特色的国际化的“实验性艺术”?青年画家李永安用她的艺术实践回答着上述重大的问题。李永安…     

行空天马姚迪雄

他用画笔创下了一项吉尼斯世界记录范曾称赞他的马“驰骋画史五百年无虞矣”香港回归庆典，他拿起画笔为史作证港商李嘉诚，方润华等以购买他画的马为荣     

画仙故事

客家,人杰地灵,善画芸芸;然堪称画仙乃凤毛麟角。武平李灿是也。     

He Duoling： Spring Wind Comes Again

He established his status in the arena of contemporary Chinese oil art with his landmark works “Spring Wind Comes Again” in the late 1970s. His creation later encountered popular artistic trends in the 1980s such as “nostalgia style”, “scared art” and “neo-realism”. Many of his artworks, including “On the Harvested Land”, “We Sang This Song Before”, “The Land with Prickles” and “The Body Under the Sky”, explored common feelings and formatic elements of his contemporarie…     

黑白：现实的另一层面

在一个没有色彩纷扰的世界里,画家孙杰的钢笔画一幅幅在面前呈现,穿越黑白迭替的时空,你仿佛走至现实的另一个层面。月华无色,阳光有形,风,雨,雪,无声无息。平民百姓的四合院、大杂院,长长短短的胡同,本该是北京城最喧闹、最嘈杂、最有生活气息的地方,走进去,却静得如入空巢,如入清流,如走回遥远的梦境——透过时光的斑驳,岁月的容颜,那被昨天的风摇曳的树枝,被昨夜的月映照的墙壁,被昨日的阳光转动的影子,静静地生动着,敏感着,沉湎着。这是画家生长的城市。他曾在昔日的恭王府中度过童年、少年,于普通胡同中完成小学、中学的学业。画面上的…     

Rong Tie and His Paintings

Rong Tie was educated in the Central Academy of Fine Arts, majoring in calligraphy, in 1996, he began his postgraduate study in calligraphy at Capital Normal University. He studied in the “elite class” at China Institution of Arts Studies in 2002 and became a visiting scholar at Peking University in 2003. His titles include: National First-Class Artist, academician of the China Artists Association, deputy secretarygeneral of the Traveling and Friendship Center of the China Artist Association,     

The Artistic Journey of a Chinese Painter

Hepingli, a working-class residential district developed in the 1950s in Beijing. At 9 am everyday, Duan Xiaoying appears in a first-floor apartment in the district after driving his daughter to school and his wife to office respectively. This small apartment is the legacy of his diplomat father who liked doing woodwork for leisure. Duan recalls that his first oil painting box was made by his father. Now the apartment becomes his studio where he spends the whole day for oil creation. Duan us…     

欧豪年：画锦还乡

由中国美术馆、中华文化联谊会、中国美术家协会主办的《欧豪年七十岁回顾展》于春暖花开时节,在中国美术馆开展。文化部孟晓驷副部长和首都艺术界知名人士及记者出席了开幕式。欧豪年系当代颇有影响的中国画画家,1935年生于广东茂名,早年移居香港,17岁师从岭南画派大师赵少昂。1970年定居台湾,于中国文化大学美术系执教至今。《欧豪年七十岁回顾展》共展出其100多幅作品,涉及山水、人物、走兽、花鸟、书法及诗文等众多题材,从中可领略他半个多世纪艺术创作的深厚功底及不懈的艺术追求。欧豪年的绘画重写生,他并不沉湎于即事取景,而是着重造…     

Along The Footprints of an Artist

Amdo Bvamsba is a Tibetan artist of great reputation over eighty years of age. At childhood, he became a sramanera or novice in compliance with the local tradition. When he showed his first talent in painting, he engaged himself fesolutety to learning the art of painting.     

A World of Colors——2005 Exhibition of Oil Paintings by China＇s New Young Artists

In China, artists born in the 1970s can always be identified by the variety and individuality of their works, Unlike the earlier generations who shared simllar strong social and political beliefs,the younger generation of artists doesn‘t really form schools with distinctive common features, such as the “scar arts” in the late 1970s, the “neoclassic” in the 1980s and the “new generation” as well as the “political pop arts” in the 1990s.     

形神达意铸真情——记客家已故国画家丘沺

客乡闽西自古书画人才辈出，明中后期的李源所作《风雨归舟图》，现藏于北京故宫博物院。清代有“扬州画派”巨匠新罗山人华喦、“扬州八怪”之一黄慎以及上官周、伊秉绶、李灿、应元、丘伦、陈公信、廖海村等数十位名人。近代有丘涸李云霄、宋省予、罗晓帆、罗丹、胡一川等闻名遐迩。其中，丘沺以诗书画皆精而在同辈人中享有极高的声誉，惜其英年早逝，宣传极少，鲜为外界所知。