试论电影影像符号的意义生成

影像符号的意义在电影艺术作品中的实现,离不开艺术家运用影像的目的与意义。在影像内容与形式的结构系统下,影像符号的意义被最大程度地发掘,其结构形式成为影像符号意义生成的重要环节。探讨影像符号意义多极化的生成,有助于更加深刻地理解影像符号在电影艺术中的表现力。     

Touching the void: arts education research in Australia

This article is an overview of arts education research in Australia. The authors argue that there is an urgent need for key arts organisations to form strategic partnerships with arts educators to provide stronger research in the area of arts education. This research base would enhance the ability of policymakers, arts administrators and arts educators to argue for a stronger presence for arts education in schools. Many arts educators and researchers believe that engagement with the arts has value beyond the specific arts subjects themselves. International studies have indicated that important cognitive and social processes and capabilities are developed in arts-enriched experiences, which can be particularly significant for students who are at risk, disengaged and/or underachieving. While this realisation has stimulated action in other countries such as China, Singapore and Japan, arts education researchers in Australia currently make do with small-scale and often ad hoc research in an attempt to argue their case. The conclusions and recommendations of this article call for a series of strategic partnerships to touch or even fill the current void in arts education research in Australia.     

Resilience at University: the development and testing of a new measure

While measures of resilience have been applied in university settings, progress has been hindered by the lack of a consistent measure of resilience. Additionally, results from these measures cannot be easily translated into practical curriculum-based initiatives which support resilience development. Resilience is linked to student mental health and well-being, as well as academic engagement and achievement. This positions resilience as a key skill for students. A survey was administered to 410 Australian undergraduate students. The survey consisted of an adapted version of the Resilience at Work (RAW) scale, the Subjective Happiness Scale and the Depression, Anxiety and Stress Scale. Data were subject to principal component analysis and scale reliability analysis. Results yielded a six-factor structure which closely replicated the seven-factor structure of the RAW scale. The research contributes to the development of a reliable and valid instrument of resilience for use in university. The new Resilience at University (RAU) scale shows promise as a valid and reliable measure of student resilience. Development and validation of the RAU scale is in its early stages and further research is required to explore the psychometric properties of the scale to ascertain whether it can be usefully applied in a university setting.     

The role of engagement in immigrant students’ academic resilience

Academic resilience refers to academic success despite chronic socio-educational adversity. Given increases in immigration across the world in the past decade (including in Europe), there have been calls to identify factors (e.g., engagement) that can better support immigrant students’ academic resilience. With a sample of N = 17,241 immigrant students from 18 European countries, the present investigation employed multi-level probit regression to determine the extent to which cognitive, behavioral, and social-emotional engagement predict academic resilience status at both the student- and school-level. Findings revealed that cognitive engagement and behavioral engagement, at both the student- and school-level, are positively associated with academic resilience (yielding moderate and large effect sizes), while the findings regarding social-emotional engagement were more equivocal.     

Widening participation creatively: creative arts education for social inclusion

University participation among students from low socio-economic backgrounds in Australia is low and nationwide strategies are in place to help bridge the gap. This article presents a preliminary evaluation of a creative arts-based outreach program to raise awareness and aspiration for university study among students from low-income backgrounds. The program is part of a national Australian federally funded initiative, the Higher Education Participation and Partnerships Program. It reviews an outreach advertising program facilitated by a Brisbane university. We argue that arts education has a particular role in provoking attitudinal change, due to the self-reflective, meaning-making and expressive characteristics of arts-based disciplines. In evaluating the advertising program, the value of creativity and trust as techniques of student engagement is considered. Evaluation occurred in two outer suburban high schools in Brisbane (a State capital city), using surveys and ethnographic fieldwork. The findings support an engagement model that employs creativity and uses student facilitators (undergraduate and postgraduate) to deliver the program, to meet the program's aims.     

Integrating Aging and Civic Engagement into the Curriculum

This conceptual paper is based on interdisciplinary work the authors have participated in as part of the renewed push for civic engagement, the various forms it takes, and the multiple constituencies involved in its promotion. We focus on what theoretical and empirical content could be incorporated into courses on aging so that students can be prepared to critically think about, understand, and analyze both practice and policy aspects of civic engagement and aging. We provide three learning cases that can be used as classroom exercises, suggest sample assignments, and examine implications of engagement for older adults. We append a sample syllabus that can be used as a framework to convey this content in an elective course or as a module of a social gerontology course. The call for civic engagement is being heard throughout the United States across sectors and across population groups. In this article, we begin with background information on the renewed push for civic engagement, the various forms it takes, and the multiple constituencies involved in its promotion. Following a brief contextual background, we focus on theoretical and empirical content that could be incorporated into courses on aging so that students can be prepared to understand and critically analyze the implications of civic engagement for older adults. Four units that could constitute a one-credit module or become part of an existing gerontology course are provided, complete with discussion questions, learning cases that can be used in classroom exercises, as well as sample assignments. We conclude with a sample course syllabus around which this module could be constructed in order to convey this content.     

Non-response in student surveys: The Role of Demographics,Engagement and Personality

What causes a student to participate in a survey? This paper looks at participation across multiple surveys to understand survey non-response; by using multiple surveys we minimize the impact of survey salience. Students at a selective liberal arts college were administered four different surveys throughout the 2002–2003 academic year, and we use the number of surveys participated in to understand how student characteristics such as demographics, engagement and Holland personality type affect cooperation. We find that survey respondents are more likely to be female and socially engaged, less likely to be on financial aid, more likely to be an investigative personality type and less likely to be an enterprising personality type.     

中日两国人口分布、迁移与城市化之比较

中日两国地处东亚,两国的人口发展不仅在人口转变以及由其所决定的人口增长与人口年龄结构变动方面存在较大的相似性,而且在人口和国土的相对关系上也表现出较大的相似性。考察中日两国深受人口与国土基本关系及发展水平影响的人口分布、迁移与城市化等人口现象可以发现,两国人口分布、迁移变动及城市化的发展,虽然不像人口转变、人口增长及人口高龄化那样形成比较明显的“东亚模式”,而是存在较大的本质性差异,但在发展过程及表现形态等方面也显示出不少共同特征。总结作为发达国家日本的相关经验,对中国具有很大的启示作用。     

The pedagogical logics of arts-rich schools: a Bourdieusian analysis

The arts are under threat in English schools. But some schools and teachers work against the trend. To understand how they continue to offer rich arts experiences to students, we bring Bourdieusian thinking to arts teacher practices that were common across the 30 secondary schools we studied for three years. In addition to a flexible approach to the curriculum which encouraged independence, intellectual challenge and risk-taking, teachers also engaged in arts brokerage – embodiment of arts engagement, ensuring students regularly visit cultural events/institutions, using local cultural resources, organising visits from artists/cultural organisations, enabling students to exhibit and perform for wider audiences, connecting students with arts workplaces and enhancing community arts participation. We approach this as a logic of practice associated with arts broker dis/positions drawn from teachers simultaneously occupying two chiasmatic fields – art and education.     

The Rehabilitative Role of Arts Education in Prison: Accommodation or Enlightenment?

The prisoner constituency is one of the most excluded in society. Addressing recidivism requires amongst other considerations, an enabling of these individuals to fulfil rehabilitative intent. The article argues that this necessitates an educational discourse and methodology that is embedded in concepts of emancipation and empowerment, where creativity and heuristic learning enable personal transformation. The arts are one of the agents that can naturally encourage spontaneous and participatory learning, enabling a more liberating and self‐directed rehabilitative process. Notwithstanding, arts education in prison illuminates the struggle between individual creative needs and social accommodation. Historically the shifting paradigm of penal policy has reflected a wider political intention. But there is an irony as the New Labour government that champions social inclusion has overseen the reduction of opportunity in prison to engage with the arts, replaced by an instrumental agenda concerning basic, key and cognitive skills. Furthermore, this has arguably been costly and ineffectual, hence the need to accommodate a more creative and expressive curriculum. The article has been divided into two parts. The first examines competing discourses of penal educational provision in order to assess the role of the arts. The second part examines a radical educational agenda of inclusion based on emancipatory theory, as a conduit for personal transformation, in which the creative arts have a central role.     

Engaging the creative arts to meet the needs of twenty-first-century boys

As we navigate through a new form of economic era where science, technology, knowledge and services will replace consumer goods as drivers of growth, and the workplace will increasingly value creative abilities, there appears a need for an educational paradigm shift. However, within an Australian context of increasing school accountability, a great deal of emphasis is placed on standards vis-à-vis improving literacy and numeracy skills for students, and measured by high-stake testing. This current Australian agenda is also part of an ongoing concern for improving the educational outcomes and life chances of boys. Through a social justice lens, this paper offers an exploration of how an innovative and creative arts curriculum has the potential to engage and enhance educational outcomes for all students, particularly for boys who are at risk of underachieving. First, this paper offers an explanation of the changing nature of workplace trajectories and the significance of the creative arts in this shifting economic era. Concurrently, as we prepare students for an unknown future, this paper examines how engagement in the creative arts has the potential to facilitate emerging understandings about learning while providing opportunities to develop learner engagement, motivation, cognitive capacities and academic achievement. Second, while avoiding essentialist accounts of gender and recuperative masculinity politics, we recognise that ‘some’ boys are underachieving in schools and that these boys are often from lower socioeconomic communities. We also recognise that many of these boys are disengaged and invest considerable energy performing masculinities that are in opposition to, and resistant to, the formal processes of schooling including participation in the creative arts. Third, we draw on findings from recent research, including a doctoral study, to discuss perceived barriers to boys' engagement with the creative arts and implications for educational practice.     

What can academic development learn from the health humanities?

The health humanities is a movement seeking to promote engagement with arts and humanities disciplines as a way of helping professionals, patients, informal carers, and members of the public to understand healthcare. Here, I draw parallels between health and learning and suggest a similar approach for academic developers. I indicate the potential scope for the learning arts and humanities, providing examples of existing practice in which the methods and sensibilities of literary studies are shedding light on learning and teaching in higher education.     

Engaged outreach: using community engagement to facilitate access to higher education for people from low socio‐economic backgrounds

Despite ongoing equity initiatives, there is still a clear discrepancy in regards to access to higher education for potential students from socially disadvantaged backgrounds. This paper reports on an action research initiative that has developed a model of engaged outreach as an alternative approach to traditional university outreach. Engaged outreach uses the principles of higher education community engagement to develop stronger relationships between universities and their local communities for the purposes of increasing aspiration and access to higher education. The project was designed using a reflective, collaborative process with local Pacific Island immigrant communities living in an area of high social deprivation in southeast Queensland, Australia. Research progressed in three key stages, which together form the basis of the proposed model of engaged outreach. While it is acknowledged that the success of engaged outreach will depend on its implementation as a long‐term strategy, preliminary results from this pilot project suggest that it demonstrates real potential to address this important but seemingly entrenched issue in Australian higher education.     

民法法典化和反法典化之分析

法律的发展,是和人类社会文明的进程对规则的需求分不开的。在人类文明的不同阶段,法律规则的表现方式存在着差异。这种现象在民事法律领域表现得尤为明显。民法典,是民事法律规则在较高层次阶段的必然表现形式。     

浅谈中国画的传统与创新

中国画是我国独具特色的艺术门类,在传统与创新的争论中,中国画的创新、发展,应在继承传统中有益的东西,发挥我们各种绘画传统长处和特色的同时,借鉴西方优秀的艺术特色.既不能固守传统,又不能完全模仿西画,而是需要以中国民族精神为根基,开拓和丰富中国画的表现力,创造出现代性的中国画来.     

The Arts and People in Institutions

The paper explores an important area of arts activity which falls between concepts of education and therapy. It examines the consequence of the increasing professionalisation of the arts in institutions which took place between 1950 and 1980, showing how it led to all arts activities in institutional settings being classified as therapy, training or rehabilitation. It charts the changes in attitude which have taken place over the past fifteen years and demonstrates that whilst freedom to become involved in creative activity should be seen as a basic human right, such engagement may, as a by-product, offer benefits of a therapeutic, educational, social, recreational and commercial nature. Important and innovatory work is being carried out by artists working on creative projects with people in institutions and effective techniques are being developed by them in order to draw adults, with no previous experience of this kind of activity, into arts education.     

Fostering of creativity within an imaginative curriculum in higher education

Psychology is frequently used as a foundation discipline in the training of adult educators because it addresses those questions which naturally emerge from an engagement with adult learning and teaching (Tennant, 1997). The professional context which forms the focus of this article is no different. By providing academic support for lecturers in a higher education institution in Ireland, there is a desire to develop a sustainable curriculum model whereby by working with them on designing and developing creative curricula in their various subject disciplines in the arts and sciences they, in turn, pass the benefits of this on to their students.     

Engagement,conduct of life and dropouts in the Danish vocational education and training (VET) system

This study provides support for the idea that school engagement is a central concept when trying to understand the dropout process. One of the strengths of this concept is that it involves understanding dropping out as a process, rather than as an event. However, the concept of school engagement also presents a number of problems. It tends to be functionalistic in nature: Processes of students’ school engagement and disengagement are partly the consequences of institutional initiatives – for example, how teachers act or how the school environment is organised. Furthermore, mainstream dropout researchers formulate the concept of engagement both simplistically and mechanistically by seeing engagement as something that the students possess to varying degrees. Inspired by critical psychology, this study includes a different concept of student engagement: We must take the students’ life conduct as the point of departure when approaching their school engagement and decision to drop out. The theoretical claims in the paper are substantiated by empirical results from 160 interviews with vocational educational and training (VET) students in the Danish VET system, and this paper will show how school engagement is closely related to the events in the other contextual settings of students’ lives.     

SOME THOUGHTS ON ATTITUDES: A STARTING POINT FOR CREATIVE WORK WITH THE ELDERLY

Teachers who share and facilitate creativity with the elderly are working in a new field in which research and training are in fledgling stages. This article suggests that a starting point for practitioners in this field should be an investigation of their own attitudes and of their elderly students. Further, the article attempts to bridge what is known about attitudes on aging and the aged with teaching and learning experience in the arts.     

Enhancing cancer education through the arts: building connections with Alaska Native people,cultures and communities

Building upon the dynamic traditions of Alaska Native people, which include the arts as a viable way of knowing, the expressive arts were woven into a five-day cancer education course for Alaska village-based Community Health Workers (CHWs). Cancer is the leading cause of mortality for Alaska Native people. Course learning modalities included moving, drawing, sculpting and storytelling. A total of six cancer education courses were provided for 57 CHWs. During extended-interval post-course interviews, CHWs described the arts as a culturally traditional way of knowing and talked about how the arts expanded their perspectives, sparked creativity and imagination, freed/transformed emotions, made learning more memorable/more meaningful, infused learning with laughter, created community and broke the silence that often surrounds the topic of cancer in Alaska rural communities. The expressive arts empowered adult learners to explore new dimensions of knowledge, create deeper understandings and expand their perceptions of possibilities.