先秦卫国石氏

石姓历史悠久，早在先秦时期，中原许多诸侯国，如卫、郑、齐、楚、宋、魏等国部已出现了石姓。根据有关史籍记载，石姓主要有四个来源，三个出自姬姓，分别为春秋卫国大夫石诺；晋国大臣杨食我及郑国公孙段之后；一个出自子姓，为宋国公子段之后。     

The People Next Door: Getting Along With the Neighbors in Yoo-Hoo Mrs. Goldberg and District 9

Two different perspectives on the immigrant struggles are found in a documentary about the radio and television program The Goldbergs and a science fiction thriller about the treatment of an immigrant alien community. Yoo-Hoo Mrs. Goldberg is optimistic and celebrates the achievements of an established ethnic community in America and the woman who conceived and implemented the idea for the show. District 9, excites and terrifies with an imaginary future ethnic catastrophe. A third movie, Amreeka, deals with an ethnic immigrant drama of the present, neither sentimental about past ethnic struggles nor frightening about future disasters. It is, therefore, the most unsettling and least amusing of the three, in spite of its conventional upbeat ending.     

"梅竹双清"考

在中国传统绘画形式中,把梅、竹合画一幅之上称为“梅竹双清”。但这一称谓起源于何时,是谁先提出的?翻检很多书籍也不能最后确定。早先,无论诗歌还是绘画,都是将梅、竹分而吟咏图绘的。咏物诗作为一种文学品类出现很早,《诗经》中已有大量以花喻人的诗句,屈原更是遍咏香草,以比德君子。而咏梅诗最早应是南朝鲍照的《梅花落》、何逊的《咏早梅》,咏竹应是南朝沈约的《檐前竹》、谢的《咏竹》。直到元代才有以梅竹为题合吟于一首的诗作,有贡性之的《题翠竹红梅》,有泰不华的《题梅竹双清图》,这是见到最早以双清称谓梅竹的文字记载。从题目看…     

Mrs. Miniver's Girls: Plucky Girls in Hidden Figures,The Zookeeper's Wife,Their Finest,and Colossal

Four recent movies, Hidden Figures, The Zookeeper's Wife, Their Finest, and Colossal exemplify a new cultural version of the movie heroine. This version combines feminism with commitment to solving an overwhelming problem. These heroines, thus, display the character virtues of Wonder Woman and Mrs. Miniver. This new version reflects changing concerns about the cultural understanding of women and a new direction for women moviemakers.     

Voices of Refugee Women: Adaptation and Identification

ABSTRACT

Refugees and other displaced people have been the object of much research related to how people are adapting. Few have focused specifically on women even though women and children are by far the majority of refugees in general and especially in Utah. One of the few focused on narratives of newly arrived women refugees. Narratives are an important method for hearing authentic lived experiences versus assuming researchers can know the answers. However, questions arose about how those narratives might change after being in the U.S. for a longer period of time. Eleven refugee women who had been in the U.S. longer than 10 years were interviewed for this study.

Narratives allowed us to present this scholarship in a way that is accessible to anyone. Five themes were found: language, education, family, assistance, and transition. These themes demonstrate both the resilience of the women and the difficulty and complexity of long-term adaptation.