感觉：敞开与玩弄——当代艺术考察札记

感觉是人先天所固有的一种微妙的心理活动，需要用全身心地去感受才可能玄妙。艺术作品的效果有相似的倾向性，且能展示艺术家不同的生命状态，所以说艺术活动是艺术家整个生命过程的体现。如果艺术发展到玩弄感觉的程度，那则是艺术的悲哀。     

解读当代美国科学课程的变革

自20世纪90年代以来，美国的科学课程改革进入一个新的纪元，成为世界许多国家竞相效仿的范式。系统性、整体性、衔接性是当代美国科学课程改革的主要特点，它对我国当前的科学课程改革具有一定的借鉴意义。     

Art Teachers' Views of National Curriculum Art: A repertory grid analysis

There have been calls for a radical revision of National Curriculum Art. A number of prominent academics have argued that its inadequate theoretical base has led to unsatisfactory formalist and normative tendencies in school-based art courses. The paper describes a small-scale survey, using the repertory grid technique, of the opinions and attitudes of experienced heads of art departments in comprehensive schools. Although the results indicate some areas of dissatisfaction, there is a clear overall consensus for acceptance of the mandatory framework. Such views are clearly at odds with most published discourse about National Curriculum Art. It is suggested that the school teachers' attitude to art education is an essentially pragmatic one, which recognises many forms of accountability.     

Critical Perspectives on Colonisation of the Art Curriculum in Korea

This article examines some characteristics of art education in Korea. It takes the form of a historical overview using a postcolonial lens. The findings were that the predominant Western aesthetic concepts and theories as central culture embodied in Korean art education as local culture are: (i) ideas of art as self‐expression developed in Europe and the USA between the 1920s and 1950s; (ii) the concept of art in daily living in the USA in the 1930s; (iii) design elements and principles by Arthur Wesley Dow in the USA in the 1920s; (iv) Bauhaus design theory in Europe in the 1920s; and (v) the appreciation of nature beauty by John Ruskin in the late nineteenth century in England. These educational ideas have been influential on policy‐making in Korean art education, and therefore new concepts are integrated with these elements for curriculum changes. In this way, the characteristic of the colonised Korean art curriculum is so hybrid that it is difficult to understand the concepts and the practical implications of the various policies for art teaching. Consequently, it has not served the issues of cultural diversity and pluralism that are so problematic in twenty‐first century Korean society.     

The Implications of the National Curriculum Orders for Art for GCSE and Beyond

This paper sets out to emphasise the importance of providing some aspects of the curriculum in which children can experience a true sense of ownership and in which the content and learning methodologies are appropriate to their own ideas, perceptions, values and needs. Taking the position that the national curriculum and GCSE are assessment-led, the types of assessment provided by them are compared in order to define the value of formative assessment within the learning process, and its potential role in avoiding the type of teaching that results in orthodoxies. The paper concludes by speculating on potential 14–18 routes into higher education involving accreditation and continuity.     

当代中国民族声乐艺术的美学特征

当代中国民族声乐艺术秉承了我国传统的和谐统一的审美追求的同时,也受到了西方音乐美学思想的巨大影响,是中国古代音乐美学思想与西方音乐美学思想交融的产物,形成了如下的美学特征：“词情、曲情、声情相触合”的情感美学特征;“古为今用、洋为中用相交融”的创造性美学特征;“传统风格、时代气息相共存”的现代性美学特征。     

当代西方德育课程理论的特征及启示

德育课程是学校课程体系中的重要组成部分,构建本土化的德育课程理论既是我国德育理论建设的需要,又是课程理论建设的需要。正确认识西方德育课程理论及其特征不仅对于推进实施中学的思想政治新课程、高校的思想政治理论新课程具有一定的现实意义,而且对于构建本土化的德育课程理论具有一定的借鉴意义。     

新课程背景下教师教学观初探

基础教育课程改革已进入全面试验阶段。对国家试验区教师教学观念的初步调查证明,新课程的实施或说新课程背景下的教师培训,有利于教师形成与新课程相适应的教学取向。同时在研究中还发现教师教学观的转变需要经验和环境的支持,不可能一蹴而就,这将是一件须长期努力的工作。     

主体性发展的时代内涵

主体教育的核心与前提是对主体性的认识，随着时代的发展，人们对主体性的认识也在不断发展和变化。基于解决主体教育中主体性认识的理论与实践困境，社会性应是主体性内涵的重要组成部分。在主体教育中提出社会性内涵．不仅有其独特的理论背景，又具有其当代教育的现实基础。作为主体性特质之一的社会性主要表现在3个方面：和谐共存、协商对话和共同建构。