论网络信息生产

网络信息生产主要有原创信息生产和数字化信息资源生产两种类型。网络信息生产的主要形式有 :网上信息发布、网络出版、数字化信息生产、基于信息加工的信息生产、网站建立等。要重视网络信息生产的质量 ,净化网络环境 ,提高技术保障水平。参考文献 5。     

大学知识生产管理初探

文章认为，知识复制是大学知识生产的最大特点，作为大学知识生产管理的对象，研究人员、教师和学生的知识生产呈现出不同的特点。在此基础上，文章还提出了大学知识生产管理的主要内容以及实现大学知识生产管理的方法。     

协同管理视角下产学研协同创新的基础理论模型及工作机制

产学研协同创新是产学研合作的深化。在对国内外相关研究情况简要回顾和对目前产学研协同创新研究 现状评述的基础上,立足我国产学研合作实际,运用协同管理理论,站在产学研战略联盟的高度,建立产学研协同创 新基础理论模型,探讨产学研协同工作机制（包括形成、实现和约束机制）。研究成果对于提高产学研合作的档次、推 动产学研协同创新实践具有重要的现实意义。     

论信息生产中的问题及管理策略

论述信息生产与信息生产管理的含义与重要性,指出信息生产过程中存在的几个主要问题,探讨解决这些问题的策略。     

对数字虚拟影像在影视创作中的一些思考

本文提出了当前数字影视制作行业中存在的问题,并通过对传统真实影像与数字虚拟影像创作过程中的比较,提出在数字影像创作中,如何借鉴传统影像创作的手段和观念,如何做到它们的完美匹配,以及如何使虚拟影像更加逼真.提出了在数字影视制作过程中,如何建立合理的前后期统筹安排的工艺流程.     

Empowering Youth With Radio Power: "Anything Goes" on CKUT Campus-Community Radio

Many forms of alternative media empower marginalized populations by providing the tools of media production as an outlet for their voices. Drawing on the experiences of youth collected from semi-structured ethnographic interviews, the preliminary research presented in this paper demonstrates how youth, in their own words, are empowered through their participation in the alternative media production process. Since the relationship between empowerment and radio production is currently unexplored, critical media literacy is applied to illustrate how production can enfranchise the creator. Although the production of the radio artifact initiates the process, it is the legitimacy of the discursive space that is truly empowering for youth.     

Quality Assessment of Television Programs in Israel: Can Viewers Recognize Production Value?

Television programs' production value is highly regarded by professionals as a crucial dimension of program quality. This study examines the degree to which lay viewers, rather than professionals, are sensitive to television programs' production value as a distinct evaluative dimension, their ability to pass educated judgments on production value, and the impact of these judgments on their overall program appreciation and quality assessment. Based on a large-scale survey of television viewers in Israel, we find that production value makes up a distinct evaluative dimension, indicating that viewers are sensitive to production considerations. Production value assessments also explain television program appreciation and quality evaluations. On the other hand, there are indications that lay viewers are not very good at discerning gradations of production value among different programs and genres. These findings are discussed in the context of the conflicting interests among Israeli program makers and television channel franchisers to cut costs or to invest in the quality and production value of domestically produced programs. Based on the findings, a deliberative procedure is suggested which can accommodate these conflicting interests by combining lay viewers’ quality assessments with professionals’ more considered and informed judgments.     

Quality Assessment of Television Programs in Israel: Can Viewers Recognize Production Value?

Television programs' production value is highly regarded by professionals as a crucial dimension of program quality. This study examines the degree to which lay viewers, rather than professionals, are sensitive to television programs' production value as a distinct evaluative dimension, their ability to pass educated judgments on production value, and the impact of these judgments on their overall program appreciation and quality assessment. Based on a large-scale survey of television viewers in Israel, we find that production value makes up a distinct evaluative dimension, indicating that viewers are sensitive to production considerations. Production value assessments also explain television program appreciation and quality evaluations. On the other hand, there are indications that lay viewers are not very good at discerning gradations of production value among different programs and genres. These findings are discussed in the context of the conflicting interests among Israeli program makers and television channel franchisers to cut costs or to invest in the quality and production value of domestically produced programs. Based on the findings, a deliberative procedure is suggested which can accommodate these conflicting interests by combining lay viewers' quality assessments with professionals' more considered and informed judgments.     

图绘新闻:信息可视化与编辑室内的理念冲突

文章通过对相关学术文献中关于可视化新闻生产的话语构成的检视,以及对瑞士五家新闻机构的可视化编辑的深度访谈,全面勾勒数字化新闻生产与传统新闻生产之间存在的理念冲突,以及这种冲突对于新闻业发展变迁路径的潜在影响.研究发现,可视化新闻生产逻辑将"真实"界定为再现层面上的操作性概念,主张将美学的维度纳入新闻专业主义体系,同时提出了重构新闻价值标准的要求,这对传统新闻理念的权威性构成了显而易见的挑战.文章进而提出可视化新闻生产所遵循的"科学-艺术"观念结构有可能导致整个社会公共空间和文化结构的变迁.     

数字信息产品生产线研究

在数字信息逐渐从“资源观”向“产品观”转换的背景下,从数字信息产品的角度分析数字信息产品生产过程与模型,提出基于人工构件变异和组件重用的数字信息产品生产线理论,并应用于地理信息产品中进行实证,有望提高数字信息产品的生产效率并节约生产成本。     

马克思主义社会关系生产理论探析

社会关系生产理论是马克思主义生产理论中一个十分重要的方面,高度重视和深入研究马克思主义社会关系生产理论,对于把握人类社会存在和发展的规律、促进和谐社会的构建具有重要的意义。     

知识生产视角下马克思主义译著特征与影响

文章研究新中国马克思主义译著知识生产主体、载体、客体三个维度的主要特征,并在此基础上分析马克思主义译著出版对我国马克思主义知识生产的影响。从知识生产主体来看,新中国马克思主义译著作者国别多样,以苏联为主;作译者群体具有较强的专业性;出版机构的政治性、学术性较强。从知识生产载体来看,新中国马克思主义译著与社会发展紧密结合,具有跨学科性。从知识生产客体来看,新中国马克思主义术语中国化,篇章内容精准化。马克思主义译著出版有助于促进我国马克思主义知识生产主体专业化,推动我国马克思主义知识结构不断完善并影响着我国马克思主义知识生产进程,促进马克思主义知识再生产,有利于马克思主义知识生产的专业化、中国化。     

Television director communication as perceived by production personnel

This study explored perceptions of television production crew members regarding production situations and communication behavior of a television director. Results suggest that calm communication behavior is related positively to perceived appropriateness of the director's communication, to social and task attractiveness, and to production crew outcome satisfaction. In support of attribution theory, agitated communication behavior produced more favorable evaluations in a threatening as compared to routine situation. These evaluations, however, were less favorable than the effects of a calm manner, regardless of the production situation.     

新闻“透明性”原则:规避虚假新闻的可能性探讨--基于《新闻记者》2010—2018虚假新闻研究报告的分析

互联网时代的新闻传播环境发生了巨大变化,虚假新闻及其传播也呈现出新特点。作为互联网技术条件下新闻生产过程的方法论变革,新闻“透明性”原则在实践和理论两个层面不断发展。本文结合《新闻记者》2010—2018虚假新闻研究报告,从“新闻生产前”“新闻生产中”和“新闻生产后”三个层次分析了虚假新闻产生的原因,论述了透明性原则在新闻生产各阶段对规避虚假新闻的生产与传播起到的作用,探讨了透明性原则作为一种新的理念引入新闻工作实践对规避虚假新闻的可行性。     

非物质文化遗产档案资源建设的生产特性及其治理需求研究

公共管理学视野下的生产特性源自对生产概念的如下理解：把生产仅看作将资源投入转化为产出的技术性过程;而生产特性,即在此技术性过程中呈现出来的特点。文本将非遗档案资源建设区分为“非遗建档”和“非遗档案保存”两类工作,将非遗档案区分为“非遗本体”与“非遗保护工作”两类档案,对非遗档案资源建设的具体工作内容及其生产特性进行了细致考察,并以考察结果为依据,从有效生产制度安排层面深入分析了非遗本体建档、非遗保护工作建档与非遗档案保存三者各自的治理需求。     

过程式多媒体作品版权保护技术

我们提出一种过程式多媒体作品版权保护技术 ,即把绘图过程中的操作记录下来构成作品标识 ,作者通过重复该记录的各个操作可以再现作品的绘制过程来证明版权归属。由于作品标识与作品是分离的 ,所以它具有优良的抗攻击能力和更高的可信度。     

Multicultural children’s books: An American fairy tale

Most analyses of multicultural children's books concentrate on published works by white authors and the implications of their depictions of non-white characters. This article explores the production process of multicultural children's literature. The differences between multicultural and culturally conscious literature are discussed. The production and distribution processes of children's books are described. Interview data is used to highlight areas of these systems which constrain the production of books by non-white authors.     

论图书馆信息资源数字化项目成本节约

图书馆信息资源数字化需要资金的高投入,应当节约成本。其成本主要包括:数字化内容选择,数字化生产准备,元数据析出,原始文献保护,原始资源替代品生产,基础设施构建,数字转换,文本抓取等。节约成本的主要方法有:减少人力成本,项目外包,自动化,优化生产流程,强化质量管理。表2。参考文献8。     

从国家社科基金项目看图书情报知识生产

作为知识生产的科学研究,特别是国家社科基金项目所支持的图书情报研究,是图书情报知识生产的主渠道之一。以历年图书情报学科在国家社科基金立项课题为统计数据源,通过分析图书情报立项课题的学科分布、区域分布、主要机构、核心作者等情况,在一定意义上展现当代中国图书情报学术生产格局,并反映科研成果的影响力。     

知识生产服务与知识消费服务——关于“知识服务”概念的哲学解析

通过概念解析的方法澄清有关“知识服务”概念使用上的混乱,并借助这种解析讨论知识服务与知识生产和知识消费之间的关系。提出知识服务是由知识生产服务和知识消费服务两部分构成的。虽然可以把知识生产服务摆在知识服务的核心地位,但对知识服务的理解不能只局限在知识生产服务方面。与知识生产服务相比,知识消费服务才是图书馆更为基本的知识服务。