东坡词的艺术成就

宋代著名文学家苏轼(1037—1101).字子瞻,号东坡。他的文学成就是多方面的,散文和诗都是宋代开派的大家,然而最值得称道的,还应当说是他对于词的贡献。东坡词现存三百多首。比起他留下的近三千首诗来,数目是微不足道的。但是,这些词的艺术成就异常出色,在中国诗歌史上占有特殊重要的地位。本文想就龙榆生《东坡乐府笺》所收词粗略地论述一下东坡词在艺术方面所取得的一些主要成就。     

姜白石的爱情词浅析

姜夔的词千百年来一直受到文人雅士的激赏,而对他的爱情词谈及的却不多.当然是由社会和词作本身的含蓄两方面的原因所造成的.姜夔的爱情词一反四百年爱情词的余绪,具有独特的情感基调和艺术形式,将爱情词写得清刚深情,柔而不媚,实在中国词史占有独特的地位.     

清丽淡雅,婉约真挚——谈苏轼婉约词的艺术特点

苏轼的词向来以豪放著称,而其婉约词作也表现出独特的艺术魅力,他＂以诗为词＂,扩大了词的题材,开拓了词的意境,取得了极高的艺术成就。本文就苏轼婉约词作所表现的淡雅真挚的情感和所创造的＂以雅为美＂的意境来探讨苏轼婉约词的特点。     

论李煜诗

李煜为词名所掩，其诗歌研究长期处于空白状态。通过搜集整理李煜存世的全部诗作及断句，从思想内容和艺术特色两个方面分析李煜诗歌的类型与表现力，可以发现，李煜诗的成就不亚于其词。李煜诗是他人生观的写照，能抒发真实性灵，往往以小见大，语短情长，虚实相生，一叠三叹，有感人肺腑的艺术力量。     

谈温庭筠词中意象的运用

温庭筠是词之为体的奠基者。从他开始，词才独立于诗之外，成为一种新的体裁；并在传统的诗境之外，开辟了新的词境，从而丰富了中国诗歌的艺术。这篇文章我想从意象的形成、组合等方面作一探讨，以对温庭筠词的艺术作进一步的了解。     

苏轼农村词创作的思想动因探赜

农村词是苏轼词的重要组成部分。他之所以写作农村词，白有其思想基础：这是他进步的文艺理论思想所决定的；是他忧国爱民思想所导致的；是其归隐、归耕思想所诱发的；也是他对前贤山水田园审美精神的踵武。     

宋代词僧仲殊写景词的艺术特色

仲殊是宋代著名的词僧，以小令词最为人称道，而写景词在他的词作中最多，艺术成就也最高。仲殊写景词的艺术特色主要表现在三个方面：一、旖旎之景、富贵之气；二、清丽之风、和婉之美；三、炼句工整、着色鲜明。     

况周颐词学思想的传统艺术精神解读

从艺术思想渊源的角度解读，况周颐的词学思想在继承传统学术哲学的宇宙大化思想中确立了他的词体体性观，从儒道互补和达穷调和的传统艺术人格角度规范了词人之襟抱与性情，以传统诗教、写心及自然等艺术思想丰富了他的词作艺术观。浓厚的传统艺术思想如同一条红线贯穿在况周熙词学思想之中。     

纯任性灵纤尘不染--纳词艺术风格管窥

纳兰性德是我国清代词坛上的一位名家，他的文学主张和词作的艺术感染力曾在当时产生过积极的影响。尽管他对清代词坛的振兴有着不可磨灭的贡献，但这位才华横溢的词人却很少被后人所留意。对纳词艺术风格进行研究，希望能引起人们对纳词的重视，以便重塑其在文学史上的地位。     

谈李煜词的艺术特色

李煜是我国文学史上杰出的词人之一。他的词不仅有着鲜明的时代精神，而且极具个性特征，有着很高的审美价值和艺术成就。总的说来，李词具有感情真挚，注重细节，情景妙合，比哈恰切，语言明净，境界阔大等艺术特色，对宋代词风乃至以后词的创作有着深远的影响。     

试论左思的《咏史诗》

左思的《咏史诗》对历史事实进行了巧妙的加工处理,融入诗人的人生感慨;语言质朴,造语奇伟,显示出其独立的人格和强烈的个性色彩.     

诗关乎“才”更关乎“学”

诗歌创作决定的因素是“才”还是“学” ,古往今来有许多不同的争论。其实“学”与“才”是不同侧面互为作用的一个合体。首先是“才”的“大小”“奇”“犭益”离不开学。人在学与力索的过程中劳逸深浅不同 ,体现心智的灵明程度也不同。人在与外物沟通时有“耳听”、“心听”、“神听”的不同层次。所以体现在诗的境界上也有或“执情强物” ,或“超越其形” ,或“神凝形废”的不同境界。另者 ,“才”对艺术成败又起决定作用。诗人只有在怦然所动 ,灵性将至的情况下 ,才可生情 ,情可生文。总之 ,诗产生于性灵 ,博学又要以培养触激性灵。更重要的是诗以识为主 ,“非识则才学俱误”。     

Ramachandran and his Map

Conclusion  Ramachandran’s work bears testimony to his untiring dedicated effort towards advancement of science. His entire work was carried out in India, both at the University of Madras and at the Indian Institute of Science, Bangalore during a period when the facilities available were meagre compared to those available elsewhere in the world. Ramachandran angles, Ramachandran plot and Ramachandran map, which has successfully withstood the test of time will, no doubt, continue to be useful tools for those involved in any kind of studies on proteins and peptides. Being trained as a physicist, his work has the stamp of physics in every aspect, such as mathematical formulation, removal of ambiguity through rigid definition and exposition, which are the hallmark of a good scientist.     

Wilson and his sources

EXPERIMENTS ON MASS COMMUNICATION. By Carl I. Hovland, Arthur A. Lumsdaine, and Fred D. Sheffield. (Volume III of Studies in Social Psychology in World War II) Princeton: Princeton University Press, 1949; pp. x+345. $5.00.

SPEECH OF OUR TIME. Edited by Clive Sansom. London: Hinrichsen, 1948; pp. 228. $4.50.

AN INDEX TO ARISTOTLE. By Troy Wilson Organ. Princeton: Princeton University Press, 19.48; pp. vi+181. $5.00.

THE PREPARATION OF SERMONS. By A. W. Blackwood. New York and Nashville: Abingdon‐Cokesbury Press, 1948; pp. 272. $3.00.

PREACHING AND THE DRAMATIC ARTS. By E. Winston Jones. New York: The Macmillan Company, 1948; pp. ix +123. $2.00.

FEMALE PERSUASION. By Margaret Farrand Thorp. New Haven: Yale University Press, 1919; PP. 254. $3.75.

PLAIN WORDS. A Guide to the Use of English. By Sir Ernest Gowers. London: His Majesty's Stationery Office, 1948. Distributed by the British Information Service, New York; pp. 94. $1.15.

THE ART OF ACTING. By John Dolman. New York: Harper and Brothers, 1919; pp. xx+313. $3.50.

BUILDING A CHARACTER. By Constantin Stanislavski. New York: Theatre Arts Books, 1049; pp. xx+292. $3.50.

FROM NATIVE ROOTS. By Felix Sper. Caldwell, Idaho: The Caxton Printers, 1948; pp. 341. $4.00.

TWENTY‐FIVE BEST PLAYS OF THE MODERN AMERICAN THEATRE. Edited with an Introduction by John Gassner. New York: Crown Publishers, 1949; pp. xxvii+756. $5.00.

A MANUAL OF PRONUNCIATION. By Morriss H. Needleman. New York: Barnes and Noble, 1949; pp. cxxiii+323. $4.00.

PORTUGUESE‐AMERICAN SPEECH. An outline of Speech Conditions Among Portuguese Immigrants in New England and Elsewhere in the United States. By Leo Pap. New York: King's Crown Press, 1949; pp. xi+223. $3.00.

A MINIATURE TEXTBOOK OF FEEBLEMINDEDNESS. By Leo Kanner, M.D. Child Care Monographs, No. 1. New York: Child Care Publications, 1949; pp. 33. $1.25.

FUNDAMENTALS OF WRITING FOR RADIO. Drama, Talks, Continuities, and Non‐dramatic Features with Guidance in Program Planning, Production, and Marketing. By Rome Cowgill. New York: Rinehart and Company, 1949; pp. vi + 295. $3.50.

SPEECH METHODS IN THE ELEMENTARY SCHOOL. By Carrie Rasmussen. New York: The Ronald Press Company, 1919; pp. ix + 340. $3.50.

HOW TO SPEAK THE WRITTEN WORD. A Guide to Effective Public Reading. By Nedra Newkirk Lamar. New York: Fleming H. Revell Company, 1949; pp. 175. $2.50.

VOICE AND DICTION. By Victor A. Fields and James F. Bender. New York: The Macmillan Company, 1949; pp. viii+368. $4.00.

PRACTICAL DEBATING. By Luther W. Courtney and Glenn R. Capp. New York: J. B. Lippincott Company, 1949; pp. viii+308. $3.25.

YOU AND YOUR SPEECHES. By E. C. Buehler. Lawrence, Kansas: The Allen Press, 1949; pp. 226. $3.00.

38 BASIC SPEECH EXPERIENCES. A Guide for Student and Teacher. By Clark S. Carlile. St. Louis: John S. Swift Company, 1949; pp. xvi+153.     

莫里哀和他的《伪君子》

十七世纪法国文坛星空里最独特的一颗亮星矗是“无法模仿的莫里哀”,本文从莫里哀的身世谈起．涉及到《伪君子》的艺术创新。如现实主义角度开了塑造典型性格的先河：喜剧中插入了悲剧、民间剧、风俗剧等各种戏剧因素。     

Mercator and his map

In this article we present briefly some preliminary ideas of map projection, followed by a detailed account of the Mercator projection.     

富兰克林及其《自传》

《富兰克林自传》是第一部个人奋斗成功的杰作。无论何时何地，富兰克林都是一位伟大的人物，在他身上，精神与意志、天资与奋斗、力量与闲适、机智与雅都融为一体。     

芥川龙之介晚期创作及其自杀原因

芥川龙之介是日本大正时期小说家,日本文坛最影响力的作家之一。昭和二年,这位文学巨匠却选择用服药自杀的方式结束了自己的一生,引起文坛乃至日本全社会的轰动。芥川的自杀是由多种因素常年累积造成的,这些因素包括了自身心理、家庭负担、疾病困扰、对社会和人性的失望等等,而他的许多晚期创作都具有很强烈的自传色彩,直接或间接地将他的一生及其自杀原因反映了出来。结合芥川的部分晚期作品和芥川生平,通过对作品进行分析来探究芥川走向自杀悲剧的原因。