探寻小学语文古诗教学中的核心素养提升路径

小学语文古诗教学是培养小学生对古诗的敏感度以及中心思想理解的基础。基于核心素养开展小学语文古诗教学,使学生能够在思想的培养过程中,更加深入地了解小学语文古诗中的一些知识和内涵,有助于提高小学语文课堂教学有效性。本文首先简要分析了核心素养的内涵,随后分析了小学语文古诗文教学的现状,最后从三个方面分析了小学语文教学中提升学生核心素养的策略,以供相关人士参考。     

‘Coherence at Last’: Percival Gurrey’s Contribution to English

Reacting to incoherent English teaching in the 1930s, Percival Gurrey probed the psychological processes involved in literary appreciation. He sought ways of teaching poetry that avoided lifeless tasks such as labelling ‘poetic devices’. Later, in the 1950s, he wrote about the processes involved in learning to write. At a time when psychology dominated educational discourse, he was in touch with new developments in both literary criticism and linguistics, and he evolved a bridging theory of language, learning and development that spanned philosophy, psychology and literary theory. I connect Gurrey’s sense of wholeness of response to his reading in Coleridge. By returning to debates surrounding Coleridge I show how a new appreciation of what language accomplishes emerged. Gurrey discovered that writing has a central place in children’s development as a whole. From such hard-won discoveries a unified theory of development in talking, reading and writing duly emerged.     

得其趣而领其味:古诗词教学新探

古诗词是语文教学的重要内容,其短小精悍,韵律优美,意境深远,对提升学生语文素养、人文素质具有重要作用.在语文古诗词教学中,教师要以诗演绎,以画配诗,以诗解诗,以声配诗,尝试作诗,让学生得其趣而领其味,科学记诵古诗词,深入理解古诗词,提高古诗词教学质量.     

绘画教学中学生创造力培养初探

绘画教学中,教师可以通过培养学生的观察力,把临摹和默写、写生相结合,把写生同想象画相结合,在创作中培养求异思维和发散思维等手段来培养学生的创造力。     

But Is It Poetry?

At the beginning of the twentieth century, the number of poets whose works were intended solely for children was relatively small. At the century's end, poetry and verse for children is a burgeoning field, the roster of children's poets long and growing. Some critics find little merit in the genre, preferring that children be introduced instead to the works of acknowledged “great” poets. This essay explores, among related ideas, such questions as these: In today's abundance of children's verse, is there genuine poetry? What do critics and poets consider to be genuine poetry? Where do the children themselves stand on the subject of poetry?     

衍译：诗歌翻译的涅槃

本文提出诗歌难译,非不可译,而最好的方法莫过于“衍译”。本论文从东西方的角度阐述了“衍译”的由来,界定了“衍译”的性质,根据诗歌翻译具有的种种不确定性,提出诗歌翻译的最佳途径是衍译。衍译不是归化,而是最大程度地追求互文性,让译诗保持原文的精神和形式,让译者真正做到“一仆两主”。作者以所教学生的诗歌翻译为例,以说明“衍译”是如何在诗歌翻译教学中得到实践的。     

Understanding Imaginative Thinking During Childhood: Sociocultural Conceptions of Creativity and Imaginative Thought

Understanding imagination as both a cognitive and affective endeavor is crucial in order for educators to promote creative and imaginative thinking in informal and formal learning environments. It is the primary aim of this paper to develop the theoretical discussion of Vygotsky’s writings on young children’s imaginative abilities launched by Gajdamaschko (Teach Educ 16(1):13–22, 2005) and Lindqvist (Res J 15(2&3):245–251, 2003). This paper illustrates Vygotsky’s writings on the cognitive processes involved in children’s imagination and creativity and concludes with a discussion focused on the components of an educational environment that can either support or stifle children’s imaginative abilities. It is through this continuing discussion that, as researchers, we hope to extend and challenge current conceptions of the role of imaginative thinking in early education.     

浅谈英美现代及后现代主义诗歌的创作渊源和方法

20世纪以来,英美文学当中最重要的两种诗歌流派当属现代主义和后现代主义,无论从形式到创作原则,还是对创作主客体的选择上,后现代主义诗歌和现代主义诗歌都具有十分密切的联系。本文将简单分析现代主义诗歌和后现代主义诗歌在创作上的差异,比较二者的创作渊源、创作的主客体、动机及手段,希望能对有关人士有所帮助。     

Health literacy and social capital: what role for adult literacy partnerships and pedagogy?

This paper makes the case for adult literacy (including numeracy) practitioners to play a greater role in health literacy initiatives in Australia. The paper draws on data from a national research project that investigated adult literacy partnerships and pedagogy viewed from a social capital perspective. The primary purpose of the project was to produce guidelines on how to deliver integrated adult literacy and numeracy programmes using a social capital approach. Prior experience of partnerships was explored through a review of the literature and an environmental scan of adult literacy providers using an email survey and follow-up interviews. An in-depth case study of a health literacy partnership was trialled using action research. Partnerships between adult literacy and health organisations in Australia were found to be largely ad hoc and rarely documented. To enable sustainable health literacy programmes, partnerships are needed across the three interlinked organisational levels – micro, meso and macro, and in particular the latter, which is currently almost completely absent. The conceptual frameworks outlined for health literacy partnerships and social capital pedagogy in this paper are new and potentially of value to policy makers, researchers and practitioners in the fields of health and literacy.     

Considerate,convivial and capacious? Finding a language to capture ethos in ‘creative’ schools

Concepts of school ‘ethos’ or ‘culture’ have been widely debated in education since the 1980s. This is partly as a consequence of marketisation, partly because ethos has been identified as a low-cost route to school improvement. Corporate, authoritarian, and most recently ‘military’ models of ethos have been widely promulgated in the UK. Another significant strand of educational thinking, however, has emphasised ethos for and as learning: how schools might prefigure alternative, more socially just, worlds. This article argues that accounting for such divergent notions of ethos demands greater attention to the intellectual resources mobilised in interpreting educational processes. We discuss schools that used their work with the English creative learning programme, Creative Partnerships, to develop what we describe as ‘considerate, convivial and capacious’ school ethos. We aim thereby to value their achievements, provide tools to contest dominant discourses around ethos, and advocate more critical, reflexive approaches to researching school cultures.     

Writing: Crafting and Creating

This article argues, in the context of national concern about standards in writing, for a reconceptualisation of the teaching of writing that acknowledges both the significance of the writer's voice and the need to teach about how written texts create meaning. The teaching of writing requires the dual activities of creating and crafting: young writers need opportunities to express their ideas and support in developing understanding of how best to shape those ideas.     

20世纪香港新诗与外国文学关系浅探

20世纪香港新诗在工商业社会的重重经济压力下,仍然获得多元的发展,其中现代主义诗歌成就斐然。特别是50年代《文艺新潮》,不仅发表了战后香港文学史上最出色的一批现代诗,而且从理论上推动了香港现代诗的发展。70年代以来,伴随也斯等香港土生土长的青年诗人逐渐成长,这些充满创造活力和艺术潜质的现代主义探索者构成香港现代诗人的基本阵营,他们不仅创作了一批艺术起点较高的作品,而且极具潜力地把香港现代主义诗歌一直推展到八、九十年代。     

传承经典更新理念——英语专业英诗教学的思考

目前高校英语专业英语诗歌教学过程中,存在着学生理解和欣赏困难,诗歌教学枯燥乏味等诸多问题。要解决这些难题,可以从英诗教学活动中诗歌素材准备和改善学生诗歌学习心理方面入手,继承传统诗歌教学的精华,更要注重英诗教学理念和教学手段的革新。通过一些实用英诗教学方法的应用,改善英诗教学现状,使英语诗歌发挥其应有的功用。     

中英诗歌互译中的创造性叛逆及产生原因

翻译的过程就是创造性叛逆产生的过程,诗歌形式精炼、意象丰富的特点使其翻译中的创造性叛逆表现得尤为突出。诗歌翻译中创造性叛逆的表现形式主要是对原文信息的增减和意译,其原因与译者的文化背景、个人风格和不同语言间的根本性差异密切相关。     

在文艺作品的阅读鉴赏中培养学生的创新能力——对“文学鉴赏“课的教学设想

在<文学概论>课的教学活动中,文学鉴赏课占有举足轻重的位置.它对启迪思维、陶冶情操、提高审美创造力具有重要作用.因此,适当改革课堂教学方式,安排组织阅读鉴赏活动,做到理论联系实际,是提高教学质量、培养学生创新能力的有效举措之一.     

‘Korea … it's not really actually an Asian country’: Australian children's experiences of an intercultural school partnership programme

ABSTRACT

In Australia, intercultural understanding has been prioritised in education and curriculum documents at both federal and state levels. Alongside this educational priority, schools have also been encouraged to demonstrate ‘engagement’ with ‘Asia’, such as through a partnership with another school in the Asia-Pacific region. My research findings are based on an ethnographic study of Year 5 and 6 Australian children's experiences of an intercultural school partnership initiative through on-line classroom exchanges over a two-year period. Through a critical analysis of ‘complexity reduction’ I draw attention to the processes through which children made sense of perceived racial and cultural differences as part of their involvement in partnership activities and conclude with some reflections on the extent to which educational initiatives such as intercultural school partnership programmes that aim to foster intercultural understanding can do so without reinforcing unequal intercultural relations and stereotypes.     

中国古典诗词英译的三种策略

诗歌是民族文化的精华所在,由于其高度的审美价值,使得诗歌的翻译成为翻译实践中一座可望而难及的高峰。要在译文中尽可能的保存诗歌的审美价值,散文体译诗、创造性转换和＂意＂＂形＂兼顾的韵体译诗是追求诗歌翻译经典过程中行之有效的指导方法。