关于广告语“Impossible is nothing”意思的探讨

北京奥运会的合作伙伴之一Adidas的广告语是“Impossible is nothing”。这句广告语貌似与“Nothing is impossible”一样,只是“nothing”与“impossible”的位置颠倒了而已。那么,“Impossible is nothing”是否为“Nothing is impossible”的倒装句？两者是否传递着同样的意思？这句广告语有语法错误？通过对比研究“Impossible is nothing”与“Nothing is impossible”的信息结构和论题结构后发现,这两个句子是存在明显差别的,并且传达着不同的信息。     

一切皆有可能!

娱乐圈红人红事,依然历历在目,好男风云席卷天下,新人组合厚积薄发,一派热闹非凡的景象。2008新年新气象,歌手演员蠢蠢欲动,誓夺头牌王者之位。     

Theocratic pluralism is impossible

Educational diversification allowed and encouraged by pluralism is the opposite of diversity due to segregation: the one is tolerant and open, the other intolerant and restrictive. The education system of Israeli non-Jews is segregated, and administered by the Ministry of the Interior. Jewish theocracy justifies the discrimination post hoc and caused the Israeli education system to split into shades of religiosity, which is not pluralist as it breeds intolerance and narrow curriculum.     

"无为"是老子积极的人生态度

老子关于“无为”的论述，是后世争论的一个焦点。多数人都认为他的这一观点是消极处世的，甚至有人说他的这种观点是狡诈的。但如果我们剥开主流意识的哲学观念，立足于宇宙的全人类立场上看．这一观点无疑是十分积极的。     

Nothing Human

In this essay C. C. Wharram argues that Terence's concept of translation as a form of “contamination” anticipates recent developments in philosophy, ecology, and translation studies. Placing these divergent fields of inquiry into dialogue enables us read Terence's well‐known statement “I am a human being — I deem nothing human alien to me” as a recognition of the significance of the “nothing human” for contemporary humanism. By recasting Terence's human/foreign pairing through Freud's concept of the uncanny, Wharram draws a parallel between a “nothing human” that is radically interior to the human subject and an exterior agency of “nothing human” described by actor‐network theory and object‐oriented ontology. Only through an “alien phenomenology” (a concept borrowed from Ian Bogost) dependent on metaphors and translations that are necessarily approximate (or “contaminated”) can we begin to approach this “nothing human.”     

一切皆有可能——论网络穿越小说的基本特征

网络穿越小说作为数字媒体的产物,伴随着大众传媒的力量席卷而来,正以另类的姿态在文学转型期扮演着复杂的角色。强大的包容性、独特的叙事风格和狂欢色彩是其鲜明特征。穿越小说的出现使得传统的文学创作机制被推翻,规范的艺术规律被打破。但是为了迎合读者的心理需求,网络穿越小说又不可避免地走上娱乐性、游戏性的道路,逐渐演变为一种速食和消费文学。     

我们什么也没留下

布朗太太要外出一天。她锁好了房门,在门上给送牛奶的人钉了一张便条:"家里没人,请不要留下任何东西!"她当天晚上回家后发现房间门被撞开,房子被洗劫一空。在她留给送奶人的便条     

Something for Nothing

Once there was no zero.To writenumerals(数字)for sixty-three,peoplewrote 63. To write six hundred three.people wrote 6 3.The space theremeans“not any”tens.Sometimes peo-ple did not remember the space. Itwas hard to see and to read.     

凡事皆有可能

做项目最怕遇到突发事件,导致工期被压缩,原本计划一步一个脚印踏踏实实完成的工作,被时间这么一卡,一下子变成了mission impossible.遇到这种情况,谁都会着急上火,可往往时间紧任务重的时候才是检验人才的真正时刻.所以,是骡子是马,这时候就拉出来遛遛吧.     

没什么可抱怨的

一天,苏珊在街上碰见了她的朋友莉萨。她俩有很长时间没见面了,因此她说:"我们要好好聊聊。这样吧,我们去那家咖啡店,要壶茶和点心怎么样?"她指着最近的一家咖啡店。     

不做别人，只做自己

Q＆A· Part 1 Q：去到台湾地区后最大的收获是什么？ 高宇：段黄巍的普通话变好了（笑）。     

Nothing is new,but everything has changed: A viewpoint on the future school

PROSPECTS - This Viewpoint argues that the debates about the future of education and the need to rethink the school model started long before the pandemic crisis. But the situation we are...     

主谓一致正误例析

Penguins (企鹅) live together, but each pairhas a little of ground oftheir own. When a pen-guin wants to walk through its neighbour‘s ground, it must ask for permission(允许). If it doesnot, it will have to fight. Penguins come and go allday. They fight fish and look after children.     

大道·自然·超自然--老庄思想同源异趣略论

道家文化以老子为源头,由庄子光大,老庄思想既同源又异趣.其同源在于二者都以大道无为为本源;其异趣在于老子思想以无为政治为指归,以自然理想为最高境界;庄子思想则以人生为指归,以超自然理想为最高境界.但二者无论是同源还是异趣,均共同有效地构成了中国传统道家文化的主体,对我国的社会历史发展产生了深远的影响.     

气之既昌无之不合--对张裕钊《论学手札》中书法气息的审美观照

张裕钊所书《论学手札》是其晚年书法艺术达到高峰时的行书代表作。从书法审美的角度来看，《论学手札》到处充溢着骨气、金石气、书卷气和跌宕之气，很好地体现了张裕钊所倡导的“气之既昌，则无之而不舍”的从艺治学理念。