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Do not forget learning transfer while crafting your learning and development initiatives. A research‐driven model allows your organization to adapt quickly and make real‐time adjustments to your learning strategy. 相似文献
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ROBERTO CARNEIRO 《European Journal of Education》2007,42(2):151-172
The future learning agenda is fraught with uncertainty. This opening article attempts to pose broad societal questions that determine the learning agenda-setting as well as the emergence of new knowledge paradigms. It begins with a quick overview of the futures of learning agenda. Then, it moves on to depict the value chain that departs from industrial societies to reach post-knowledge learning societies, including a tentative explanation of the constitutive role of technology in such a transition. As a consequence, three scenarios leading to a learning society are offered. In the following section, the article discusses the related evolution taking place in delivery strategies that are moving up the ladder from ODL methods to flexible and new learning solutions.
The article advances a proposal of a new social contract combining the right to education with the duty of learning. This 21st century social contract serves both the goal of a more equitable distribution of knowledge and also that of a more inclusive learning society.
A final section provides the outline of the whole issue, as well as summaries of each specialised contribution comprised in the present publication. 相似文献
The article advances a proposal of a new social contract combining the right to education with the duty of learning. This 21
A final section provides the outline of the whole issue, as well as summaries of each specialised contribution comprised in the present publication. 相似文献
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"很"的语法化过程 总被引:10,自引:0,他引:10
王静 《淮阴师范学院学报(哲学社会科学版)》2003,25(4):557-560
先秦到唐宋,“很”一直用作形容词。中古至今“很”与“狠”同用。元明以后“很/狠 形容词”结构中,二的地位渐渐出现了不平衡现象。语意上“很/狠 形容词”以形容词为中心,语法上偏重于形容词作谓语,“很/狠”有了修饰色彩,作状语。到了清代,“很/狠”作程度副词的用法已大大多于形容词用法。此后,“很/狠”又分别用“很”和“狠”表示,“狠”用作形容词,“很”用作程度副词。现代汉语里,程度副词“很”又进一步虚化为表语气的副词。 相似文献
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《小学阅读指南(3-6年级)》2012,(8):46
Big Apple可不是"大苹果",而是一座大城市,即美国的纽约市。不过,Big Apple仅仅是纽约的别名,它真正的英语名称是New York。那么,Big Apple与NewYork怎么会联系在一起呢?据说,50多年前,美国的一群爵士乐(jazz)乐师常到各 相似文献
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刘志存 《语数外学习(初中版)》2008,(6):41-42
" You'll have to take care of the baby today," a woman told her husband. "I'm not feeling well." 相似文献
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《英语大王(小学)》2003,(2)
"Get up, Jack," said Bill. "This is the day I go to school with you and Rose." " Get up fast Jack. This is the big day!" 相似文献
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刘能强 《涪陵师范学院学报》2003,19(4):90-92
“画框”是艺术和现实之间的通道,是人类观赏现实的“窗口”,同时也为人类的精神生存提供了一片乐土,以此为平台,人类可以艺术地自由地把握世界。但现代艺术似乎正在消解“画框”,将现代的人们逐出艺术这片乐土,艺术化生态正在被严重的污染,艺术即需构建“画框”,以维护艺术生态系统健康正常地运行。 相似文献
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黄志文 《蒙自师范高等专科学校学报》2005,3(4):12-14,35
中国古典诗歌中哀婉的诗颇多,情思哀婉的诗尤具诗性的美。诗可兴、可怨以宣泄情感;诗自怨生,使穷贱易安,幽居靡闷。欢乐情感外张易散,是轻快短暂的体验;哀怨情感内敛凝聚,是沉重的体验,易郁结不散。欢愉之辞难工,穷苦之辞易好,易产生悲剧性审美效应,引起感情的共鸣。 相似文献
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宋韵声 《语文世界(高中版)》2008,(12)
"总有一天你会发现你办不到。"老太婆说。(不要忘了这个老妇人是个巫婆。)这个可恶的小个子听完就进屋去了。进屋后他想摘下自己的大红帽子,他抬起手来去摘,但摘不下来。他拉呀拉,拉了好多次,帽子还是摘不下来。 相似文献
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从戏剧人物的塑造、戏剧的结构以及作家在处理历史事件与戏剧题材关系的艺术手法等方面评述了包戈廷《带枪的人》所表现出的艺术风格和审美思想。 相似文献