More than Carpe Diem On the Theme of To his Coy Mistress

Andrew Marvell's famous poem To his Coy Mistress is commonly considered a seduction poem with the theme of carpe diem.The poet's massive dependence on the sexual imagery,the images of time,eternity,and the decomposition,however,transcends the tradition of the usual carpe diem theme of seduction poem,unfolding the pessimism clad in the erotic overcoat.     

先秦两汉文学中的“及时行乐”主题管窥

先秦两汉文学作品中的"及时行乐"主题萌芽于《诗经》《左传》,进一步发展于战国诸子散文,盛行于"古诗十九首"。该主题文学作品与战乱动荡的时代背景、集体无意识、对死亡的恐惧等密切相关,由关注物质层面的享乐到关注精神层面,更加注重人的个体价值。     

十六到十七世纪英国诗歌中“及时行乐”主题之原型分析

及时行乐,在生活中指一种今朝有酒今朝醉的处世哲学。在文学作品中,这一主题也屡见不鲜。大多是一些诗人求爱不果,便以青春易逝来打动少女芳心。这一主题在16到17世纪英国诗歌中尤为典型。本文将探讨"及时行乐"这一原型,并用原型理论对这一时期的诗歌进行解读。     

Tales of the Unexpected: supervisors’ and students’ perspectives on short‐term projects and dissertations

This study of the expectations of 22 supervisors of undergraduate and postgraduate projects and dissertations and their students revealed the supervisors’ more elaborated views. Responses were categorised into Educational Support & Guidance and Personal Support, with well over two‐thirds of both supervisors and students highlighting Educational Guidance and less than a quarter Personal Support. Students and staff mentioned an enabling approach which allowed student ownership of their projects. Staff and students also agreed on their expectations of the students’ role, with two‐thirds of the responses of both groups emphasising personal and organisational qualities. The apparent agreement of supervisors and students was questioned by means of two problematic cases. These raised questions of supervisory style, contrasting perceptions of process and the need to take continuous account of student needs as well as the academic aims of staff.     

《坎特伯雷故事》与《圣经》

国内学者多认为乔叟是一位人文主义思想者,其作品具有反宗教的性质.本文尝试从艺术、思想和结构等方面分析《坎特伯雷故事》与《圣经》的关系,以阐述《坎特伯雷故事》中的《圣经》典故、原型及思想,说明乔叟作品中的宗教色彩及其对基督教因素的吸收.     

The Indian and the researcher: Tales from the field

Conducting research in "native" communities is difficult. This article examines the tensions faced by an Indigenous researcher attempting to balance his identity as an Indian with his identity as an academic. Relying on field journals and personal experiences of change, the researcher explores how his attitudes toward the research participants and theories of authenticity changed over a period of time. Ultimately, there must be a way for Indigenous people to conduct rigorous research and maintain their Indigenous sense of self.     

传统与超越——评《榆树下的欲望》

美国戏剧之父尤金.奥尼尔熟知戏剧传统,在创作中又追求突破,力图在戏剧内容和表现形式上有所发展。继承与创新是解读其作品的密码。本文以《榆树下的欲望》为例,探讨了奥尼尔对象征主义、古希腊神话故事、自然主义以及超人哲学等传统元素的借鉴与革新,并在一定程度上实现了对传统的超越。     

格非《欲望的旗帜》中欲望的解读

欲望是后现代哲学与文学中的重要命题,是格非小说<欲望的旗帜>中的主题和核心,也是小说中人物自我发展和故事推进转变的原始动力.从现实层面、个体无意识层面和文化无意识层面解读<欲望的旗帜>中的欲望,可以发现正是因为欲望对现实的腐蚀、对超我的解构以及对"父法"的消解,构成了当代文明在现实、人性和文化中的困境,充分体现了"废墟的溃败".     

探测与重塑:古希腊文化精神中的"爱欲"

从历史、神话与美学三个层面探讨了古希腊文化精神中的"爱欲"问题,指出"爱欲"内部的二元划分是构成古希腊文化精神的阴阳两面,也是传统西方思想的内在对立紧张的源头之一。     

Death and Desire

Tennessee Williams’ successful drama,A Streetcar Named Desire is a world-classic.Its unique plot,well-established structure,and carefully arranged symbols and hints are so attracting that the drama and the characters has been studied and admired by readers around the world.To provide a detailed analysis of the character,this essay will discuss about and compare various aspect of the main character Blanche DuBois.     

尤金·奥尼尔的戏剧《榆树下的欲望》

尤金·奥尼尔(Eugene O'Neill)是美国最杰出的现代剧作家,他率先开创了美国现代戏剧,从此,美国戏剧迅速发展成为美国文学中与小说和诗歌鼎立的文学形式。榆树下的欲望(1924),是奥尼尔早期的杰作他以19世纪新英格兰的农村为肯景,讲述了一个乱伦的故事,表现出在金钱至上的社会中被扭曲了的人性和变态心理。在剧本中,老农伊弗雷姆·卡伯特是个深受清教主义影响而视自己的田地高于人类情感的人,为了使自己的土地有继承人,他娶了城市女人阿比·普特南,但阿比爱上了老卡伯特的儿子伊本,于是在这个繁荣的农场上,象征大自然的富饶和神秘的榆树,对这一对情人发展中的命运沉思着,他们开始时有利害冲突,但又不可抗拒地互相吸引着,爱情终于在这场冲突中占了上风,年纪轻轻的阿比嫁给老农,原本是为了贪图他的农场,可后来她那受压抑的情欲,变成了不顾后果的热情,在继母的频频挑逗和恋母情结的影响下,出于对父亲的报复,伊本接受了继母的爱并与她生了孩子,但伊本又怀疑阿比勾引他是为了继承遗产,便与她反目成仇,阿比为了表示爱,杀死了婴儿,她和伊本也重归于好但他们的爱情却通向了自我毁灭在剧的结尾,阿比和伊本双双被警察带走,只剩下老卡伯特厮守他那被整治好了的农场以下节选自戏剧的第3 幕第3场,阿比为了表示自己对伊本全心的爱,也为了留住伊本对自己的爱,残忍而疯狂地杀死了自己的婴儿。     

林逋的隐逸：仕进欲求的变形

传统看法一直将林逋视作红颜弃轩冕的“真正隐士”,但林逋的“隐逸”自始至终与“仕进”交织在一起,他对修齐治道心向往之,当仕宦的理想被残酷的现实击碎后,也会寻找安顿自己心灵之所,韬光养晦,等待时机,以图东山再起。     

The Unexpected Treasure:

No abstract available for this article.     

私欲与腐败控制

私欲可能导致腐败 ,人类社会还未超越私欲与腐败的历史阶段。腐败控制的关键在于如何控制私欲 ,控制的对策措施有三个方面 :一是加强道德教育 ,使人自觉抵制私欲的诱惑 ;二是加强对权力的制约 ,减少以滥用权力的手段满足私欲的机会 ;三是加大对腐败的惩治 ,威慑私欲引发的非份之念。     

Inclusion and Diversity from Hegelylacan Point of View: Do We Desire Our Desire for Change?

This paper discusses the problem of social exclusion, reported to be intrinsically connected to mathematical teaching from the perspective of Hegel's philosophy and Lacan's psychoanalysis. It provides a characterization of mathematics from a language viewpoint discusses the perennial demand for more mathematical achieving from the perspective of hysterics and obsessive symptoms and shows how desire is linked with the choice of values in assessment.     

萨特的“欲望”本体论——兼论萨特与德勒兹的差异

萨特的“反思”概念的本体论内涵与心理学的“反思”概念的差异:二者之间的对立首先体现于对时间性的理解,其次体现于思索“欲望”的不同的角度。心理学把“欲望”自在化、外在化、抽象化,而存在的精神分析则把欲望作为自为的根本存在方式。通过福楼拜的案例,萨特分析了个体根本性的生存欲望如何超越自在的语言而获得真正的“表达”和“写作”。最后,我们比较了德勒兹的欲望—生成的理论和萨特的欲望理论之间的区别。     

志怪小说与“鬼”

通过回答志怪小说"为何关注鬼"、"如何体现鬼"及"描写鬼的意义"三个问题,阐释传统志怪小说所描画之"鬼"其实只是思想观念上的一种寄托,其最高级和最终极的文学意义在于观照社会人生。     

志怪小说与"鬼"

通过回答志怪小说"为何关注鬼"、"如何体现鬼"及"描写鬼的意义"三个问题,阐释传统志怪小说所描画之"鬼"其实只是思想观念上的一种寄托,其最高级和最终极的文学意义在于观照社会人生.     

《红与黑》:介体欲望的悲剧

对《红与黑》的解读大多受到了政治思维模式的影响,存在着理解上的误区,基于勒内.基拉尔的三角欲望学说对《红与黑》做文本的阐释,则可发现他者在人物的欲望当中扮演着重要甚至决定一切的角色,由此应该认为《红与黑》是一部介体欲望的悲剧。