Project work in the graduate classroom: Teachers as students apply skills beyond the classroom

Abstract

Through the use of a long‐term project in a graduate teacher education course on the importance of play, students learned skills beyond those usually required in a graduate classroom. Students used their understanding and knowledge of play, constructive practice, and project work to develop a family play day at the university lab school. As part of the project, students helped to develop a play‐style instrument that served as a self‐study for their own classrooms as they observed the play among their own students. The project culminated with the students hosting the families of the lab school at a fun day and preparing a brochure that gave families information about the importance of play.     

论音乐心理教育对音乐教师的期待

音乐心理教育是根据音乐学科的特点,在学生感受、体验、表现以及创造音乐的过程中,施加心理影响并与学生自主构建相互作用,从而培养学生健康的审美情趣和良好的心理素质的一种教育.通过对音乐心理教育内涵与价值的探索,从转变角色、增强能力、提升素养、注意方法、讲究策略五个方面对音乐教师提出了期待.     

基于音乐教育视阈疏导高校流行音乐之研究

流行音乐在高校"堵不如疏"已成共识。文章论述了流行音乐在高校流行的各种因素,分析了流行音乐对当代大学生的正负面影响,最后立足音乐教育工作角度详细论述了如何正确引导大学生欣赏流行音乐的策略。     

Supporting collaborative reflection in teacher education: a case study

The aim of this paper is to understand how certain educational supports promote preservice teachers’ learning to reflect in collaborative settings. To address this issue, we present a case study on collaborative reflection among 14 preservice teachers and one teacher educator over the course of five weekly consecutive sessions. The results suggest that collaborative reflection can be supported by organizing the process according to a twofold dynamic: from analysis to synthesis, and from open facilitation to directive facilitation. Six different types of assistance related to this dynamic, and provided by the teacher educator, are identified and qualitatively described: framing, oppositional voice, counterpoising alternatives, asking for the dilemma, problematizing, and modelling.     

满族音乐文化及其对高校音乐教育的影响

满族音乐文化主要由民间歌曲、歌舞音乐和说唱音乐三大部分组成,更多地呈现为贴近生活内容的自然形态,而体现出质朴、粗犷欢快、铿锵有力的风格特征;同时,由于满族入关后脱离了其原有的生存环境,与汉族文化接触比较广泛,其音乐文化也融入了许多汉族音乐的内容与风格。满族音乐文化通过对我国高校音乐教育内容、乐器种类、高校音乐教育基本价值三个方面的影响,使该音乐文化增强了高校音乐教育的民族特色,与此同时,受满族音乐影响的高校音乐教育反过来对满族音乐文化的传承保护和开发利用也起到了至关重要的作用。     

论高师音乐专业视唱练耳课程改革的几个问题

高师音乐专业视唱练耳课程的改革应从其根本目的———训练和提高学生的音乐感知能力出发 ,遵循教学目的确立的全面性和层次性原则 ,把教学中心环节定位于乐音训练和音乐训练两个层面 ,并在教学内容的安排和教学方法的选择上配合上述两个层面的训练。     

Primary music education: the misrepresentation of the ideals of curricula in research

The author starts from a historical viewpoint to suggest that, at primary level, we have tended to perpetuate a nineteenth-century notion of music education. This is evident in the selection and organisation of musical content in curriculum documents, the scope of the teacher–pupil transaction implicit in these and the assumptions about music education which underpin research on practice conducted at official policy level. In light of the introduction of the 1999 Revised Primary School Curriculum, with its change in emphasis, she notes that it is timely to reconsider the situation. Central to this is the need to challenge the notion of music as a set of delineated skills, to explore the relationship between the primary teacher and music, and to move towards a notion of research which acknowledges the richness of multiple interpretations teachers bring to the curriculum.     

The case for interprofessional education in teacher education and beyond

In many PreK-12 school environments, individuals with a variety of professional identities and roles provide services to students. Typically, these individuals are trained with minimal interaction with each other, yet they must work cooperatively with each other in the schools. Interprofessional education (IPE) provides a model whereby students in different disciplines learn to collaborate. This article describes the origins and current status of IPE in the health professions; suggests strategies for applying IPE to educator training; describes a promising example IPE project involving two distinct school-based professionals, pre-service special educators and school counsellors in training, including outcomes documented through student reflections; and offers implications for implementing and sustaining IPE in schools of education.     

论音乐教育中的联觉心理应用

在阐明“音乐审美”和“联觉”基本含义的基础上,将音乐教育分为社会普及性质的音乐教育和专业音乐院校的音乐教育两个方面,并说明如何将“联觉”心理运用到实际教学活动中去．     

音乐教师教育专业化存在的问题与对策研究

近百年来,我国音乐教师教育在办学机构、政策法规、课程设置等方面做了大量的基础性工作,但距离专业化标准要求还有很大差距。如办学单位专业水准低、法规建设不够健全、课程设置不够合理等。重新评估音乐教师教育办学单位、继续建立健全音乐教师教育法规、尽快全面实施科学合理的课程方案等,是加快我国音乐教师教育专业化进程、提高其专业化水平的当务之急。     

论复合型音乐人才的培养

文章根据市场经济条件下的音乐人才培养方向,提出了办学决策者应站在时代发展的高度审视现在、展望未来,应准确把握时代对人才、对知识的要求,社会对人才优劣标准的选择,制定适应时代、适应社会、适应未来发展的人才培养目标。     

浅谈钢琴教学的读谱

读谱是钢琴教学和演奏成功的重要环节,本文就怎样读谱进行了详细的阐述.认真阅读谱面上的各种标示,仔细研究不同时代、不同版本,并与实践相结合.     

论师范院校音乐教育改革

社会的进步必然推动音乐教育的进步，当前，我国的音乐教育尚存在许多问题，笔者从改革目标、对高校以及对教师的要求几方面提出了相应的解决方案。     

歌唱教学在小学音乐教育中的应用

歌唱教学是小学音乐教学中的一项重要内容,它不仅对学生的品德、情感培养起着非常重要的作用。也是普及音乐教育的有效途径,同时还能增强学生的自信心和创造力。     

Reconsideration of the coexistence of Buddhist temple education and state education in Xishuangbanna,China

This paper presents data gathered in interviews with 29 informants in Xishuangbanna Dai Autonomous Prefecture of Yunnan, China – an administrative region with Theravāda Buddhist religious identity. The data highlight tensions between the traditional faith-based education provided by Theravāda Buddhist temple schools and secular state education. The paper concludes that a negotiated balance between traditional faith-based education and the state education system would best serve the interests of the ethnic minority in the region.     

乐教与儒家人格教育的审美建构

中国古代乐教是礼乐政治文化的产物,但其意义却并不仅限于政治。乐教发展过程中接受主体对乐的体验、认识与运用,拓展了主体深赋情韵的现实人伦关怀与道德理想,它自由无羁、充实光辉的人格精神冲破了有限存在及上下与天地同流的超越情怀。儒者在乐教中完成了人格精神世界的审美建构,其中含蕴的教育思想值得借鉴。     

贫困山区小学音乐教育存在的问题和对策探究

音乐教育不纯粹是音乐方面的教育,不仅仅是让每个学生在音乐上得到发展,它肩负着培养和发现其他方面的潜能。贫困山区小学音乐课该如何在新时期以科学、合理、有效的教学方式,发挥学生的主体作用?如何调动学生自主学习的热情?是广大音乐教育工作者必须担负起来的责任。贫困山区的小学音乐教育存在着许多问题,为了进一步提高贫困山区小学音乐教学质量,我们有必要针对贫困山区小学音乐教育存在的问题进行研究并提出相应的解决策略。     

高校音乐教育专业课外音乐实践现状与对策

开展课外音乐实践活动是培养合格的中小学音乐教师过程中不可或缺的一个环节,它不仅是课堂教学的延伸,更是学生把音乐课堂上所学的知识和技能技巧转化为实践能力的一个有效途径．然而,我国高校音乐教育专业开展课外音乐实践活动的现状并不令人乐观,普遍存在着教师认识不足、学生参与面窄、综合性活动缺乏、教育实习脱离实际等诸多不足．如何予以改善,进而切实有效地开展课外音乐实践活动是高校音乐教育工作者应该关注的一个重要课题．     

Field-based teacher education in literacy: preparing teachers in real classroom contexts

For the past two decades, scholars have advocated for reforms in teacher education that emphasize relevant connections between theory and practice in university coursework and focus on clinical experiences. This paper is based on our experiences in designing and implementing an integrated literacy methods course in a field-based teacher education program. We describe issues involved in helping preservice teachers learn to differentiate literacy instruction for diverse learners in urban schools and describe how we use Grossman’s framework of representation, decomposition, and approximation of practice to connect theory and practice. We offer insights about the importance of using recursive cycles of practice and carefully scaffolded learning through attention to different aspects of practice. Initial successes and challenges in implementing field-based literacy education are discussed.