A Qualitative Study on Book Clubs and Dialogic Literary Gatherings in Spain and Brazil

Some organizations in Spain that seek to foster innovation in reading are keen to establish book clubs or dialogical literary gatherings. However, there are notable differences between these two practices that are not always clear. This paper presents the results of an observational study based on participant observation and interviews with key informants that tackle their similarities and differences in school and social settings. The results show that their differences lie in origin, purpose, methodology, and coordination, among others. The conclusions show different paradigms behind these practices, and organizations should opt for one or the other.     

文学新闻学在美国的兴起、现状与发展

文学性新闻报道是目前西方报纸、杂志上常见的一种新闻报道方式。尽管美国学者对文学新闻学的研究源于 60、70年代盛行一时的新新闻主义报道 ,这种报道方式事实上早已存在于新闻实践中。本文试图探讨文学新闻学在美国的兴起、现状与发展。     

试论《诗品》的文学文献学价值

南朝梁钟嵘所撰<诗品>不仅开创了我国诗话之先河,为中国文学批评开辟了新的领域,还为我国文献宝库增添了新的样式.<诗品>异文则既为校勘相关文献提供了资据,也为正确理解钟嵘文学思想指引了线索.     

医学专业期刊导读的撰写要兼顾专业性和文学性

对医学期刊编辑撰写导读的现实水平分析后提出编辑撰写导读时要兼顾文学性和专业性.从策划选题、选择刊发的论文到编辑的专业知识和服务意识,探讨对导读的专业性产生的影响;从编辑自身的文学素养探讨对导读的文学性产生的影响;从分析优秀导读案例探讨编辑撰写导读时有必要兼顾文学性和专业性.     

影视媒介建构文学形象的叙事转换

影视与文学分属于两种不同的艺术门类,如何在影视叙事中转换文学形象,即从想象性、虚幻性的内心视象变为银屏上直观的视听形象,这样的形象转换是一个艰苦的过程。要将文学作品改编成影视剧,必须把握文学与影视两者之间质的差异,把握文学作品向影视剧转换过程中必然进行的移植、取舍、解构的方法。     

对本科阶段新闻传播专业文学教育的教改思考

本科阶段新闻传播专业文学教育的改革是新闻传播专业教改的重要内容。它要求培育学生的审美与思维能力,使之具有较为深厚的人文精神。相应地,在本科阶段新闻传播专业的文学课程上,应树立文学作品与审美体验的中心地位,调动多元的教学手段,加大写作能力的培养,以及考核方式的改革。     

King Demos and His Laureate

This article uses online archives of digitized American and British newspapers to examine the importance of newspaper publication to Rudyard Kipling. Taking ‘The White Man's Burden’ as its particular example, this article recovers the history of that poem's publication and initial reception. That history revises both the poem's date and place of first publication, from Britain to America. In the process, Kipling emerges as a more transatlantic poet than was previously thought, and as a figure who is more influential in America. He is seen to have a sophisticated understanding of the demands and nature of newsprint, of newspapers as a literary and poetic medium, and of newspaper poetry as a journalistic genre. Many agencies and interested parties are seen to be involved in the poem's publication, and the nature of its cultural success offers further evidence for a transatlantic press history.     

试述我国古代书厄观的历史演变

我国古代典籍的损毁古人称之为书厄。隋代的牛弘首次对我国历史上典籍的重大损毁事件进行了系统归纳和总结。两宋时期,学者们研究书厄的眼界已经拓展到政治、军事之外。明代是继隋代之后,我国书厄研究发展中的又一个重要时期,产生了大量相关著作,丰富和细化了古代书厄的分类研究,进而推动了我国古代书厄理论的发展。     

The Ladies' Home Journal, 'How America Lives' and the Limits of Cultural Diversity

Drawing upon studies of media history and print culture, this article analyzes the relationship among early-nineteenth-century Latin American periodicals, literary institutions, and new experiences of time and history. Framing these periodicals as a new medium which boomed during and immediately after the wars of independence, it underscores their impact upon forms of reading and writing, as well as their importance for concurrent and later debates on the norms governing literary institutions, including the status and definition of literature. Ultimately, this new medium gave rise not only to a new prose—which was described as accelerated and therefore ‘modern’—but also to new forms of discursive authority and to an unprecedented legitimacy for literary genres such as the novel. As such, this article departs from the nation-building paradigms that have governed studies of the Latin American nineteenth century, establishing instead a dialog between periodicals of the whole region, with an emphasis on Cuba, Chile, and the Río de la Plata.     

浅谈少儿图书馆文学图书的导读工作

从阅读文学图书的角度分析其阅读价值及少年儿童的阅读心理倾向，探讨少儿图书馆文学图书导读工作的开展。     

新中国初期的高校师生阅读

建国初期，教育的阶级性和功利性成为高等教育的铁律，政治运动和政治性学术批判，对高校师生阅读产生了重大影响，红色苏联文化作品成为当时主要课外阅读时尚。     

文学经典的重复出版及其图书采访问题

书籍的危机在过去主要表现为书籍被毁,现在更多的是书籍泛滥。文章揭示了中国文学经典和汉译外国文学经典"穷凶极恶"的重复出版现状及其图书采访工作面临的棘手问题。     

Analyzing the Contemporary Czech Literary Web

ABSTRACT

It has become difficult to evaluate and gauge the extent of the ever-expanding Czech literary web. This article focuses on analyzing the current status of the Czech literary web and associated online repositories. For purposes of this article, the author examined twenty open access Czech sites whose subject matter is Czech literature. Out of these twenty websites, the author analyzed five sites in great detail. The data for the analysis was extracted initially in December of 2014.     

中国版权代理机制的比较思维

本文试图通过与西方版权贸易发达国家的比较,抓住版权代理体制创新做一些解析：在版权代理方面。其机构和制度都在中国有待发展,但是需要注意的问题不仅仅是规模化和人员培训等皮毛小事,还要思考如何培育版权贸易中的内生机制,使得内生性非盈利版权代理机构发展壮大,以此促进中国版权贸易的发展和应对来自国际版权贸易巨头的竞争。     

谈《南北朝文学编年史》中作品系年的问题

《南北朝文学编年史》中作品系年问题不少。本文归纳其致误的原因有四种情况,并共举十例分别加以辨正。     

数字图书馆数据安全技术的新进展及应用研究

数据安全对数字图书馆来讲至关重要,不可或缺.本文对当前国内外数字图书馆的数据安全技术发展进行了追踪和研究,从图书馆数据安全技术最新进展、数据安全技术的具体应用策略二方面对当前数字图书馆的数据安全体系建设进行了全面构建,并对数据安全技术未来的发展进行了简要分析.     

Diversity Literary Awards: A Tool for Assessing an Academic Library’s Collection

Abstract

Diversity literary awards and other sources were used to create a list of high-quality titles written by and about underrepresented groups. This list was used to assess the diversity and inclusiveness of the library collections of a land-grant university in the Pacific Northwest and compare it to peer institutions. Gaps in the collection and acquisition processes were identified and will be used to improve the processes to increase the number of diverse titles added to the library’s collections.     

走向知识服务的范式演进

走向知识服务已成为知识经济时代的必然需求.在服务转型过程中,需要向知识管理、知识技术、数字图书馆和知识构建的范式演进,而范式演进最终体现在数字图书馆知识构建的实现上.     

Australian Literary Journalism and “Missing Voices”

Australian author Helen Garner has written three of the most debated literary journalism texts in Australia in the past 20 years. All book-length, all literary in articulation, all dealing with traumatic legal cases—but all with crucial missing voices. Choosing to write into trauma as both witness and story-teller, Garner creates a certain inter-subjectivity throughout her work: her voice is witness to others’ traumas; and as a character within the texts, story-teller of those traumas. But there is a recurring component of voicelessness in each of the three texts which will be delineated and discussed in this paper, with the principal focus on her latest text, This House of Grief: The Story of a Murder Trial. How does Garner manage to tell the story ethically when the main protagonists refuse her interview? With this absence of voice, is this text still an ethical rendering?