Electronic Copyright Rights: Do You Have What You Need?

Publishing agreements have long operated with certain assumptions about what books are and what publishers do. These assumptions are increasingly at odds with the new technological forms in which books are created and marketed, from e-books and Kindle 2 read-aloud works to so-called “vooks” that incorporate on-demand streaming video and other internet-based features in conjunction with hard copy books. Publishers’ contracts need to be re-thought in light of these changed circumstances. Specifically, publishing contracts today should focus on the activities in which the publisher may engage, and not the form in which the work may be presented, a point that was made clear several years ago in the Random House v. RosettaBooks litigation. In defining these activities, contracts should track the language of the exclusive rights enumerated in §106 of the Copyright Act. Finally, to the extent that books are becoming “audiovisual works” publishers may be able to shift to a work-made-for-hire model for obtaining ownership, rather than relying on grants from individual authors.     

The Omnipaedia Is Here,But Where Is It?

Summary

Electronic access to information is transforming both the vision of future libraries and the way in which librarians today deliver information services. In reference service, especially in academic libraries, the wide availability of electronic access to periodical indexes and full-text periodical databases has raised speculation about the possibility of relying on purely electronic reference collections. A field test indicates that this is not yet a viable option and points to the continued vital role of the reference librarian as guide, interpreter, and integrator of print and electronic information sources. In the tradition exemplified by Charles Bunge's “Potential and Reality at the Reference Desk: Reflections on a ‘Return to the Field,’” this article rests on field experience and testing, and is written in part in the first person.     

Embeds' Perceptions of Censorship: Can You Criticize a Soldier Then Have Breakfast With Him in the Morning?

This study examines a survey of embedded journalists worldwide to explore their opinions about press freedom and the degree to which they believe their reports were censored during the Iraq War. Our findings suggest most journalists took a social responsibility approach to freedom of the press during the war in Iraq, saying the needs of the media and the military need to be balanced. Overall, embeds reported that they experienced little censorship in Iraq and explained that they did not self-censor their stories.     

The Reference Question–Where Has Reference Been? Where Is Reference Going?

ABSTRACT

This article describes the genesis for a seminal conference program at the ACRL National Conference of 2007, dealing with the future of reference service and the changes in technology that have affected reference over the past 30 years.     

Now You See Me – Now You Don't: Journalists’ Experiences With Surveillance

If democracy is a platform for many voices, and the voices of the many, journalists serve democracy by bringing these voices to the forefront of governance by asking difficult questions to those in power. It can be argued that journalists engage in the broader form of surveillance of power from below, or sousveillance [Mann, Steve, and Joseph Ferenbok. 2013. “New media and the power politics of sousveillance in a surveillance-dominated world.” Surveillance and Society 11 (1-2): 18–34.], which aims towards a form of relative equilibrium. In democracies, the institutional system of checks and balances forms the basis on which journalism pursues its watchdog function. This paper explores the experiences of journalists with surveillance and their impact on journalists’ sense of freedom to fulfil their watchdog role. The paper contributes to increasing research interest in “journalism after Snowden” by addressing the intangible conditions under which journalists may or should work, and ultimately also how widely accepted standards of democratic liberties are challenged.     

When Online Instruction Doesn’t Measure Up: How Can You Tell,and What Should You Do?

At Duquesne University, freshmen are required to take a one-credit information literacy course. This course has traditionally been offered mostly face-to-face, but has expanded into more online offerings. Unfortunately, the experience for students and instructors online was not as positive as those involved with the face-to-face version of the course. Assessment results on a variety of levels and anecdotal evidence indicated that students did not work as well together to learn as those did in the face-to-face version of the course. Not only did instructors receive lower student evaluation scores, but students did not perform as well on their final, collaborative project. While there will be barriers to learning online, especially when students work together in a group, instructors and instructional designers can take distinct steps to make the experience a positive one. Instructors must use particular interventions to increase student-to-student interaction that leads to learning.     

When Is a Book Not a Book?

No abstract available for this article.     

The Books Are Shelf-Ready; Are You?

Over the past 2 years, shelf-ready services, the outsourcing of cataloging and processing services, has become the hot topic in the library world. This article examines the implications of shelf-ready service, both operationally and organizationally, for both library and vendor. Using the format of a dialog between librarian and vendor, the article discusses the following questions: Why are you interested in contracting for (or providing) these services? What do you hope to gain? What are the stumbling blocks to implementing a shelf-ready program? What is the impact on workflow and staffing in your organization? How many and what kinds of jobs are affected? How do library/vendor responsibilities change when shelf-ready procedures are applied to an approval plan … to firm orders … to standing orders? How can quality control be assured? Which errors really matter? Are the same standards applied to vendor staff as to in-house staff? How are standards affected by shelf-ready? How do both library and vendor know when they’re “ready for shelf-ready” in a given situation?     

The US and UNESCO: Is it time to rejoin?

After a brief analysis of the founding and history of UNESCO, “The US and UNESCO: Is It Time to Rejoin?” examines the political, administrative and budgetary reasons why the United States withdrew from UNESCO in 1984, the several reforms undertaken by Director General Mayor in the last 2 years and whether the changes to date warrant US re-entry.After considering the arguments of both proponents and opponents, the paper sets forth three major criteria for rejoining: (1) budgetary and financial reform of UNESCO; (2) thorough reform of the secretariat; and (3) major programmatic changes with the intention of “returning UNESCO to the original ideals of its Charter”.While giving high marks to the personal integrity and remarkable energy of Director General Mayor, the paper questions whether he can persuade the organization to accept the radical reform he is proposing, noting the negative and even hostile response of the Executive Board and the General Conference to his Mid-term Plan.The paper concludes that it is premature for the US to make any definitive decision at this time, but predicts that the US will rejoin if the organization returns to its roots and concentrates on “practical achieveable projects”, not the “pretentious unrealistic goals” that have too often attracted UNESCO members and management.     

The More You Know … The More You Enjoy? Applying ‘Consumption Capital Theory’ To Motion Picture Franchises

In this article, we build on Stigler and Becker’s (1977) “consumption capital theory” and propose a novel conceptualization of film quality for the analysis of motion picture franchises. Generally, this theory predicts that the utility consumers derive from a particular good or service increases with prior consumption. We test our theoretical conjectures by drawing on the population of sequels that were running in the US between 1992 and 2011. The empirical results point to the explanatory power of the proposed framework. Film executives may use our findings to improve the profitability of their sequel productions. From a theoretical point of view, consumption capital theory allows for a more refined analysis of sequel performance along different dimensions. Moreover, it may provide a fruitful basis for the analysis of other serial media content, including books, TV, music, and games.     

The Future of the Library: What Is a Public Library For?

The author suggests that libraries have been transformed a third time. Originally, libraries were the only place that valuable, handwritten, rare books could be found. As mass production kicked in post-Gutenberg, the library became an efficient way for the community to access knowledge. Today, though, in a post-paper world, the library must adopt a new role, a place where the community finds ideas, inspiration and others on a similar journey. The librarian is no longer a guardian of valuable books, but a curator of curiosity, passion and interest.     

The Changing Cataloging Culture: What Do We Mean When We Talk About Cataloger Values?

ABSTRACT

The Program for Cooperative Cataloging (PCC) Standing Committee on Training was charged with the development of a training model to support the Program, promote the values of timely access and cost-effectiveness in cataloging, and to expand the pool of catalogers who cataloged to mutually accepted standards. This article describes the training philosophy developed by the Standing Committee on Training and adopted by the Program. The training model assumes that it is important to maintain an adequate supply of original cataloging; to accept the concept of a national cataloging standard; to increase acceptance of cataloging copy; to avoid duplicative cataloging; and to increase the timeliness of contribution to national cataloging databases.     

When Your Seams Get Undone,Do You Learn to Sew or to Kill Monsters?

New domesticity—which is a return to a lifestyle that centers domesticity “in the service of environmentalism, DIY culture, and personal fulfillment”—is taking shape in mostly Westernized DIY spaces. New domesticity exists in a neoliberal and digital DIY ontology that distinguishes itself from the domesticity of previous generations while also making claims to a “return.” This essay lays out some key issues that need to be taken into account regarding this emerging form of Wi-Fi gadget facilitated public engagement through domestic space while noting how the issue of unwaged labor resurfaces in the context of digital labor by women.