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ABSTRACT

This article examines the status and meanings of heterosexual love in post-war Britain. It is situated within the burgeoning field of the history of emotion and draws upon recent work on interiority and modern selfhood. It argues that love became a central plank in the quest for self-actualization in this period. It explains why love triumphed over pragmatism in the remaking of British matrimony and how this impacted upon the institution of marriage itself. The article posits the immediate post-war years as a time of significant discursive change and emotional instability: expectations rose and critical introspection deepened. The ways in which love was fashioned in the 1940s and 1950s were central to the dramatic social and cultural changes that occurred in the decades that followed.  相似文献   

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This article examines the significance and ideological character of the landscape preservation movement in England before 1914. In these years, preservationist discourse had considerable resonance across all sections of society. At a time of change, mainstream English culture increasingly valued natural landscapes seen to be ‘relics' of ages past, or associated with historical figures, events and customs. This historicized reading of landscape was bound up with patriotic sentiment, but did not reflect the dominance of any atavistic ideology of rural Englishness. In late Victorian and Edwardian England, the preservationist dispensation ran with the grain of modernity, not against it.  相似文献   

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This article argues for a departure from previous conceptual frameworks that have categorised early modern coining offences as ‘social crimes’ similar to poaching, smuggling and riot. It seeks instead to complement the work undertaken by Malcolm Gaskill, Carl Wennerlind and Nicholas Tosney by contributing to their holistic interpretations of the offences from a variety of legal, economic and cultural perspectives. Through an analysis of elite views, cheap print, and the textual content of Mint depositions and trial summaries, this article argues that the ways in which contemporaries understood the practicalities of clipping, counterfeiting, and uttering as illicit depended largely on individual factors. These included the morality of work and labour, and specific roles and relationships of coiners.  相似文献   

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This article examines the strategies and tactics of surveillance that were used by Manchester City Police in relation to anxieties about gender, sexuality, juvenile delinquency and drugs misuse in post-war England. In the early 1960s the members-only ‘coffee beat club’ became a target of police activity, resulting in a series of raids, minor prosecutions and the intensification of the licensing laws. Commenting on the relationship between police culture and youth culture, including the leisure practices of adolescent girls, this article argues that the targeting of the ‘coffee beat club’ became a motif for the defence of an older imagined social order.  相似文献   

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Trousers have a history. The British-imperial biography of this garment reveals the significance of ready-made clothing production for naval and merchant administrations with global reach. This history demonstrates the significance of male sartorial experiments in colonial settings. And it also confirms the rising importance of imperial and maritime cultures in shaping masculine ideals and habits of dress. Ultimately, middle ranked and elite male Britons came to rethink their allegiance to breeches and hose, a mnemonic of the ancien régime. Social cross-dressing ensued, with men of higher status adopting the garb of nautical working men, at a time when mariners were increasingly esteemed. The study of trousers opens new vantage points from which to assess the forces altering British masculinity, forces that also reshaped material norms.  相似文献   

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The lead editors of The English Hymnal (1906), Percy Dearmer and Ralph Vaughan Williams, found Victorian hymnody in need of serious revision, and not just aesthetically. This musical book was intended as an expression of the editors' Christian socialist politics involving in the participation of the congregation. This article examines how they achieved this by the encouragement of active citizenship through communal music-making, using folksong tunes alongside texts which affirmed community. This article argues that the editors wedded religion and high-quality music with a focus on citizenship drawn from British Idealism; using a cultural movement to seek social change.  相似文献   

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This article examines how marital violence was articulated in and around particular places, spaces, and objects, to reveal the tensions embedded in the physical structure of the household and its control. It also demonstrates that space and objects shaped marital violence both as an idea and an act and did ‘emotional work’ in the sense that they operated upon people’s emotions and behaviour. Finally, it argues that an imagined material culture of marital violence contributed to the construction and maintenance of class stereotypes.  相似文献   

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Pigeon racing was immensely popular amongst male industrial workers in the nineteenth and early twentieth centuries. This article offers an overview of the history of pigeon racing in this period before moving on to explore the sport's multiple meanings for those who took part. Pigeon racing offered not only the thrills and excitement of racing but also the more sedate and intellectual rewards of breeding and rearing the birds. The pigeon loft was a masculine enclave and a retreat from the pressures of domestic life for some, although for others it was an opportunity to share time with their family. As such, pigeon racing demonstrates the complexities of working-class masculinity. Pigeon keeping was also expensive, time consuming and required space. The article thus concludes by arguing that despite the agency workers were able to exercise over their leisure, they were still restricted by wider material constraints.  相似文献   

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This article presents a new analysis of representations of T. E. Lawrence to explore how the media created celebrity identities in interwar Britain. Examining his appearance in seventeen national newspapers and in newsreels between 1919 and 1935, it shows how earlier press depictions that borrowed from Lowell Thomas’s portrayal of him as the mythical ‘Lawrence of Arabia’ were disrupted by a nascent media-driven celebrity culture which aimed to uncover intimate details of the lives of the so-called ‘real’ people that were believed to exist behind the outward personae of the famous. By the late 1920s, the press’s attention had switched from Lawrence as an imperial adventurer to focus on the intensely private man who lay behind the public image of the ‘Blonde Bedouin’. This shift in emphasis denoted a significant change in the way celebrities were presented by the news media in interwar Britain. Journalists intensified their exposure of celebrities’ private lives to amplify the empathetic connection between the public and the famous at a time when new modes of self-fashioning were configured through expression in private, domestic life. This shift was also informed by growing anxieties regarding how public figures communicated their social authority to the new audiences of the interwar mass media, newspapers and newsreels exposing famous people’s private lives to generate emotional connections with members of the public which would strengthen concepts of social leadership and trust.  相似文献   

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The figure of the hyper-patriotic middle-class father, happy to sacrifice his sons to the war, while remaining snug at home, was a recurrent feature of post-First World War literature. This article places this view of wartime fatherhood under scrutiny, suggesting that middle-class fathers with sons of military age rarely behaved as straightforward enforcers of the state’s call to arms. Alongside expressions of vocal pride in sons who conformed to the manly ideal by volunteering, there were resistance, silence and fear, while support for sons who sought to avoid enlistment was a good deal more evident than any determination that sons should do their ‘bit’ at all costs.  相似文献   

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Dress in Libreville, the capital of the French African colony of Gabon, reveals the complexities of cross-cultural interaction and cultural influences in the late nineteenth and early twentieth centuries. The Mpongwe coastal ethnic community in the town, long linked to Atlantic commerce, adapted elements of European dress as part of a lifestyle of assimilation to French culture. Free people with access to missionary education and economic employment with Europeans adapted foreign dress. This cultural hybridity provoked dismay from some European and American observers who presented Mpongwe interest in western clothes as signs of their degeneration. Some Mpongwe rejected these criticisms by upholding assimilation as proof of their equality with Europeans. Mpongwe people also combined older fashion trends and ways of displaying foreign objects in ways that show the survival of older forms of status and wealth.  相似文献   

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