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1.
ABSTRACT

This article reveals the role of volunteers in the British government’s campaign to increase recycling during the Second World War. It uses their experience to deconstuct the idea of a 'people's war', showing how this concept was invoked in several different ways. The article demonstrates that voluntary recycling schemes were led from the bottom-up, shifted the balance of power between private citizens and local authorities, and highlighted difference based on age, socio-economic status, gender, and geographical location. It concludes that official appeals may have invoked the ‘people’s war’, but the way that these messages were received was of most importance.  相似文献   

2.
In this essay, we examine corporeality, its discursive framings and the salience of cultural contexts in the interpretation of embodied protest rhetoric on an example of originally Ukrainian and by now international feminist group Femen. We analyse the embodied rhetoric of Femen’s activism from various angles, with a special focus on the pivotal role of cultural locations in the interpretation of Femen’s embodied activism, in particular, and corporeal resistance, in general. With our findings, we hope to extend the existent knowledge on corporeal framing and politicalization of the body as a culture-specific site of resistance and social change.  相似文献   

3.
This paper, focusing on the short film, Dear Kim (2009), and a debate between Polish filmmaker Krzysztof Zanussi and Marxist intellectual P. Govinda Pillai at the International Film Festival of Kerala (IFFK) in 1998, attempts to understand the work done by the category of “world cinema” and the institution of the film festival in the formation of the subject of the region, in this case the south Indian state of Kerala. It focuses on the linguistic region formed in post-independence India, thought of as either mirroring or resisting the nation, and as a cultural resource necessary to inhabit the nation as a citizen. The paper argues for a conception of the subject of the region that is performative, where it negotiates multiple horizons of universality simultaneously. While the figure of the citizen provides it with one horizon of universality, the subject is not exhausted by it. In the case of Kerala, through the figuration of a conception of “world,” operationalized through the conduit of “world cinema,” often located in the institutional space of the film festival, the subject is able to access other horizons of universality, enabling it to transcend the particularities that a politics of location imposes on it.  相似文献   

4.
There is a growing number of various ethnic groups in Finland. The attitudes and categorizations that host country nationals have and make regarding migrants is frequently researched. The attitudes that migrants have towards other migrants has, however, been much less researched. This paper provides an in-depth analysis that considers what factors are behind the attitudes that migrants form of other migrants and how these impact categorizations and hierarchies. The empirical research material of this study is based on 77 qualitative interviews with migrants living in Finland, carried out in 2018–2019. In the analysis, various theories of minority relations are applied.The research finds that migrants evaluate other migrants according to their perceived advantageousness and, based on these evaluations, they form hierarchies, which are to some extent ethnic. Perceived advantageousness is based on being integrated (especially in economic terms), hard-working, non-threatening, pliable, similar to Finns (or an ideal of perceived Finnishness), “white”, and not being dependent on welfare benefits. As a fear of being lumped together and then discriminated against, migrants emphasise their distinctiveness from other migrant groups in a subjugating manner. Certain characteristics tend to be ascribed to certain backgrounds and ethnicities and, thus, migrant groups become categorized according to their positions in a hierarchy. Not being advantageous is attributed to personal shortcomings and even ‘racial’ attributes. A shared commonness of the majority population is presumed and functions as the underlying assumption which guides the idea of how and what people should be like in order to fit in.  相似文献   

5.
Abstract

This paper tries to analyze the historical change in the Third World in its emergent stage, in the authoritarian stage and in the current democratic stage and, thereafter, find a way to revive the Bandung spirit in the current globalization context. I define the Bandung spirit as one of a ‘non‐aligned self‐helped “organization against” the dominant powerful countries’; that is, spirit of ‘anti‐predominance’. This spirit has emerged on the base of such domestic orientation and realities as economic self‐reliance, nationally integrated political regime, convergence of the state and civil society around anti‐colonialism. However, according to intensification of the Cold War confrontation on the international level and its centrifugal influence, the early Third World changed to a ‘new’ authoritarian Third World. The Third World in this stage could be characterized by an exclusive authoritarian political regime, dependent‐developmentalist economic orientation and coercively repressed and mobilized, in the top‐down way, civil society. This authoritarian Third World began to be confronted with a strong struggle from the bottom for democratization. In order for democratization of the Third World to become its true revival in the context of globalization, the following tasks should be considered. First, the democratic Third World should be a great driving force for the institutionalization of the transnational public regulatory mechanism. Second, the democratic Third World countries try to go over a kind of ‘transformed’ dependent development strategy. Third, democratization should go along with recovery of political inclusiveness and openness of the state to civil society’s demands. Thereafter, I tried to construct globalist re‐interpretation of the Bandung, by way of conceptualizing the current globalization as imperial globalization, unlike the imperialist globalization which the historical Bandung wanted to confront. I argue that the Bandung spirit of collective self‐help organizations against the newly emerging dominant order should be revived in this worse imperial globalization context. In addition, I argue that a nationalist resistance is also one component of the multiple resistances in the current imperial globalization.  相似文献   

6.
ABSTRACT

J.B. Priestley has often been seen as representative of a nostalgic Englishness which rejected the modern world and, in the process, embraced anti-Americanism. However, as this article suggests, Priestley had a more complicated relationship with both America and modernity than has been accepted. Focusing on the 1930s, it shows how Priestley travelled widely in the United States and came to admire the democratic and collective aspects of American culture, whilst also developing a critique of what he saw as the lack of individuality and creativity in other elements of the ‘mass' society, anticipating arguments he would develop after 1945.  相似文献   

7.
This paper is one of the attempts to show how each East‐Asian regional country’s memory of the war has been related to the post‐war literatures and movies restricted by the structure of the Cold War. In particular, this paper takes up the issue of how the structure of Japanese culture after World War II was heavily influenced by the Cold War. When Japan was under the Occupational Forces, Japanese writers and film directors settling on the subject matter of the war were not free from the strain of the systematic censorship by GHQ. Translating into mechanisms of their works using the body or woman (comfort woman) by squarely facing the facts of the East‐Asian history, this paper reconsiders the body of post‐colonial Japan.  相似文献   

8.
Abstract

This essay considers the role that art and history might play together in public history projects. It discusses public history not in terms of ‘learning lessons’, ‘public debate’ and ‘transferable skills’ but instead in terms of creative thinking in the public sphere. The essay draws upon the author’s experiences of working with artists on a series of exhibitions themed around the history of an arts centre’s late Georgian and Victorian buildings and their inhabitants in Sheffield. It explores the synergies between artistic and historical ways of knowing and argues that collaborations with artists provide an opportunity for academic historians to reengage the imaginative aspects of professional academic history. It also explores the value of art’s expressive power and its potential to pose new questions and suggest new answers for both public and historians’ understanding of the past.  相似文献   

9.
ABSTRACT

This article explores the experiences of nineteenth and early twentieth century Indigenous and Euroamerican men who worked as guides in the Adirondacks for urban, upper-class sportsmen. It also examines entanglements between Indigenous and non-Indigenous Adirondackers in work and family contexts. The results create a complex understanding of the term ‘Native’ there as outsiders combined the two inhabitants to describe their wilderness vacation. This article argues that scholars who study the history of Indigenous societies should consider rural and urban culture alongside ethnicity, class and gender as important categories of analysis, especially in the nineteenth century and later.  相似文献   

10.
Abstract

The 1950s saw a wave of depictions of threatening male working-class adolescents in English novels, films and cartoons. However, these texts must be contextualised not only as part of the well-documented 1950s moral panic about youth but in relation to the popularized psychological concepts of the ‘normal’ and ‘deviant’ child and the increasing implementation of progressive educational ideas that artificially limited working-class pupils’ horizons. This makes this period not only another reiteration of the perennial moral panics about the rising generation that Geoffrey Pearson has documented, but an emergence of a new way of conceptualizing youth.  相似文献   

11.
This article reconsiders ideas of the public sphere in the seventeenth century, by focusing on how public opinion is shaped by the movement of information between media and between receivers. It contends that the scholarly preoccupation with a public sphere viewed exclusively in terms of politics obscures the fact that contemporaries did not distinguish between politics and subjects such as crime in their newsgathering. Examining the case study of James Turner, a burglar in the 1660s who became a cause célèbre in London and beyond, this article shows how crime news were eagerly exchanged, informing discussions and constructing public opinion.  相似文献   

12.
Crime fiction was, in its ‘Golden Age’ form, a new product of the interwar middlebrow. It was a particular and very popular way in which conservative-modern problematics about the domestic and about human emotional relationships but also about criminality and the law were talked through. This article examines the novels of Margery Allingham as an exemplar of this genre with reference to her own professional and gender identity as well as the broader cultural context. Crime fiction was one of several kinds of crime (particularly murder) stories, both fictional and ‘real life’, which circulated between the official discourses of the law and middle-class culture. This discussion explores Allingham's treatment of masculinities and of sexuality. It argues that narrative techniques that used the Gothic problematized the interrelationships of morality, modernity and history, and also inflected the pleasures of leisure reading with wider ‘middlebrow’ concerns about the gendered status of the modern citizen and more diffuse cultures of punishment and social responsibility.  相似文献   

13.
This article focuses on representations of mental illness on U.S. network television, particularly the “police procedural” Elementary. As a modern interpretation of the Sherlock Holmes character, Elementary is unique in emphasizing the detective’s struggles with drug addiction and mental illness, as well as a long road of recovery where intellectual labor is instrumental and “therapeutic” (rather than stressful and alienating). Despite its critical acclaim, Elementary’s progressive portrayals of symptoms of mental illness in Holmes are complicated by the series’s stereotypical depiction of villains that are “mad men,” “lunatics,” and “psychopaths” driven by financial gain and individual greed. The “acceptability” of mental illness in the series is measured by a character’s compliance with the dominant social order. While Elementary provides some positive messages about mental illness, its socioeconomic commentaries individualize “madness,” violence, and the pitfalls of late capitalism to support an increasingly problematic narrative of neoliberalism and mental health.  相似文献   

14.
Published histories of the British home front during the Second World War, both academic and popular, say little or nothing about civilian holidays; the implication is that for most people they did not exist. This article disputes that reading. Complementing earlier work on officially sponsored ‘Holidays at Home’, the article first looks briefly at 1930s holiday expectations, then summarizes government measures to restrain ‘unnecessary’ wartime travel. Using rail-travel statistics, memoirs and diaries, contemporary novels, local press reports, Mass-Observation and other surveys it shows that throughout the war large numbers of people took holidays much as they had in peacetime. This apparent contradiction is then discussed in relation to, for instance, ideas of ‘normality’ and ‘wartime’, the survival of class in Britain, the wartime economy and the debate on the ‘myth of the blitz’ view of civilian behaviour.  相似文献   

15.
This article examines infidelity discourse within women's magazines of the 1930s. Marking a departure from existing studies that have explored representations of ideal marriage, it uses discussions of marital breakdown as a lens through which to consider conceptualisations of love within marriage. It demonstrates how, in the interwar period, notions of mutual emotional investment were used to reinforce marriages that were deemed to be in breakdown. Muddying the perceived binary between individuals and the institution of marriage, this research highlights how the latter could be bolstered, rather than challenged, by recourse to the emotional worlds of spouses.  相似文献   

16.
This article broadens our knowledge of post-war holidaymaking (c. 1950–80) by adopting the Isle of Man as a case study. A popular holiday resort from the late nineteenth century, the Isle of Man experienced considerable political turbulence during the 1950s and 1960s about how best to stay competitive as a seaside resort, where authorities employed uniquely stringent methods to contain rowdiness and protect the island’s ‘respectable’ atmosphere. The first two sections examine the leisure habits of the young and working class in a holiday context, integrating this analysis with perceptions of their behaviour gleaned from oral interviews with local residents. The concluding section explores how the presence of holidaymakers on the Isle of Man – uniquely among seaside resorts in the British Isles – informed (and in some cases emboldened) a sense of national identity. Oral history, complemented by the Hansard reports of the Isle of Man parliament and local press coverage, sheds light on the activities of the post-war working class at play, and how the presence of holidaymakers fortified Manx national consciousness.  相似文献   

17.
正Appreciation of art is not a birthright. In the prehistoric primitive society, the ancestors of the Chinese people rooted in the harsh natural environment of t...  相似文献   

18.
This study explores the internet-only political debate held in the run-up to the 2012 U.S. presidential election between political-entertainment personalities Jon Stewart and Bill O’Reilly. Independently produced and financed through a version of crowd-funding, the debate offers a window into the fundamentally hybrid nature of contemporary mediated political discourse. A novel form of hybrid celebrity politics afforded by emergent technological, economic, and cultural forces, the so-called “Rumble in the Air Conditioned Auditorium” interwove televisual celebrity, political advocacy, affective spectacle, and deliberative exchange. In so doing, it spoke to the increasingly complicated nature of representation, authenticity, and the possibilities of political speech in a hybrid media age.  相似文献   

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