古籍文献中“图谱”的概念释义

“图”“谱”皆自三代而兴。“图”脱胎于石器时代的原始图画,其在诞生之初便广泛应用于国家政权的运作之中,承载和传递信息的实用特性成为了“图”的底层基调,同时也是它区别于“画”的最显著特征。“谱”的出现明显滞后于“图”,它应当属于文字成熟以后,吸收并糅合“图”简明直观特点的产物,早期也仅有谱牒的单一应用类型。经过长时间的发展演化,“谱”类文献渐趋成熟,不仅应用范围得到拓展,内涵也愈加丰富,又延伸出表谱、专谱两种不同的分支。“图”和“谱”由于形式、内涵的接近与互通,最终融合成为世所周知的“图谱”,但“图谱”的结合,又在不经意之间助推了“图”“谱”概念的泛化趋向,导致双方边界的模糊。     

姚振宗《七略佚文》对《七略》体例的复原及其得失

[目的/意义]《七略》久佚,清人姚振宗《七略佚文》在前人辑佚成果的基础上,参考《汉志》的目录框架,提供了最为接近《七略》原貌的文本.反思姚氏《七略佚文》的得失,有助于准确认读《七略》以及作为《七略》节本的《汉志》.[方法/过程]从姚振宗对《七略》序言、分类结构、文献著录和叙录四大目录要素的具体还原过程,分析《七略佚文》...     

关于《别录》、《七略》和《汉书·艺文志》两个问题的探讨

《别录》是由刘歆于校书工作全部完成后结集或主持编辑的。刘歆按照既定的几大部类,加上他对思想学术的理解和古文经学家的立场,为《别录》和《七略》两书设置了同一的类例。《汉书·艺文志》首先著录了卷数,而《别录》、《七略》仅仅著录了篇数。刘向书录是在文献还是以简策作为载体时撰写的,不可能见到缮写于缣帛后的卷数。刘向书录和刘歆提要佚文例称篇数而不称卷数。早期文献用篇而不是用卷来陈述《别录》、《七略》著录文献的总数。《汉书·艺文志》篇、卷并存,其中的篇就是《别录》、《七略》原始著录的遗存,而卷数是班固把宫廷所藏文献实物的卷数添加上去的。     

《墨子》三大传本系统

一《墨子》书,西汉成帝年间,刘向曾予整理;而任宏领校兵书,亦曾涉乎《墨子》。故刘歆作成《七略》,将前者著录在《诸子略》,后者著录在《兵书略》。班固承《七略》而为《艺文志》,在《兵书略》"兵技巧"类谓"省《墨子》重",而在《诸子略》"墨家"著录"((墨子》七十一篇"注曰"名翟,为宋大夫,在孔子后"~①。东汉时,《墨子》篇数有变化。高诱注《吕氏春秋·当染》云"墨子名翟,鲁人,作书七十二篇",却又于《吕氏春秋·慎大览》注     

郑玄注《禹贡》所引地理志系《东观汉记》之地理志考

郑玄注《尚书·禹贡》每每引用"地理志",此"地理志"与《汉书·地理志》记载并非完全一致,不合之处却可得到西晋司马彪《续汉书·郡国志》的印证,当为《东观汉记》之地理志。《东观汉记》地理志编纂于桓帝前期,此后马融在东观著述,以病去官,郑玄游学关中,在融门下七年,得以采地理志注《禹贡》。文本比勘显示出《东观汉记》地理志处于《汉书·地理志》与《续汉书·郡国志》之间,当为《郡国志》的直接文献来源。     

中古中国谱学的域外遗痕——《日本国见在书目录》“谱系家”发微

《日本国见在书目录》“谱系家”,著录七部谱系文献,包括“皇族谱”“姓望简谱”和佛教谱牒三类。其命名和著录文献方式,明显继承了《隋书·经籍志》“史部谱系类”。通过考察《日本国见在书目录》“谱系家”著录文献情况,可知它丰富了中古中国谱系文献的书目,也为中古谱学史研究提供了新材料,带来了新认识。     

《新唐书·艺文志》增补修订《旧唐书·经籍志》的三种文献来源

欧阳脩《新唐书·艺文志》补充、修订《旧唐书·经籍志》,存在三种文献来源,合《旧唐志》本身,《新唐志》实际由四部分组成:(一)《隋志》,即贞观见存书;(二)《旧唐志》,即开元见存书;(三)《崇文总目》等,即以馆阁藏书为主的北宋见存唐人书;(四)史传文献所载唐时所当有书。其中(一)(二)共同构成了《新唐志》的"著录"部分,而(三)(四)共同构成了《新唐志》的"不著录"部分,并对"著录"部分进行了修订。《新唐志》力图反映唐时藏书、著述之盛,综合了贞观、开元可以考知的官府藏书,补入了北宋犹存的唐人著述,更据史传文献推求了唐时应当有的著述。而根据《新唐志》讨论某书存亡与卷帙增损,甚至认为《新唐志》所载系北宋确有其书、实存其卷,都是不正确的。     

《畅叙谱》著者考

《观自得斋丛书别集》本《畅叙谱》一书,在文献著录中,都归为沈德潜之作,然是书体现的思想格调、作者性情及所用文体,均与沈德潜不符。此书乾隆刻本及顾沅《生花管》丛书本著者均署为"糟邱寓公",从经历、嗜好与志向来看,此人即沈德潜《怀友十二章》中的"马寓公"。为反清复明自蓟门来吴中石鼓山,后因清廷统治趋于稳定,其志意难以实现,便沉湎于酒以寄托忧愤。《畅叙谱》一书非寻常酒政之作,而是一部深怀隐衷的奇书。     

最早引入"读"的词谱——赖以邠《填词图谱》综论

《填词图谱》是一部多人合力编纂、以售卖为目的的实用词谱,传播广泛,颇具影响力。此书从《六十名家词》《词综》等书中采录了大量孤调、僻调,为清初发见词学文献的推广做出了重要贡献。《填词图谱》将“读”的符号引入词谱,早于万树《词律》,有开创之功,其简明易用的体例也直接影响了后代实用词谱的编纂。     

乾隆与四部分类法——四部分类法本质特征简论

四部分类法是我国特有的书目分类体系,它植根于儒家伦理教化土壤,萌芽于"独尊儒术"的西汉《七略》;发轫于图书日增、目录事业繁荣的西晋《中经新簿》;初立于玄理日盛的东晋《晋元帝四部书目》;确立于学术繁荣、版本著录发达的唐代《隋书.经籍志》。清乾隆皇帝视四部分类法为"古今不易之法",在他督导下编纂的《四库全书总目》集处理古籍的四部图书分类法之大成,使这一独具民族特色的分类体系臻于鼎盛,而《四库全书总目》也成为我国古代目录学史上的丰碑。     

Motion Pictures and Photograph

Reese V. Jenkins' Images & Enterprise: Technology and the American Photographic Industry, 1839 to 1925 (Baltimore: Johns Hopkins University Press, 1975—$20.00)

R. C. Smith's Antique Cameras (North Pomfret, Vt.: David & Charles, 1976—$12.95)

Gerald Mast's A Short History Movies (Indianapolis: Bobbs- Merrill, 1976—$7.50, paper)

Lix-Anne Bawden's The Oxford Companion to Film (New York: Oxford University Press, 1976—$24.95)

John Brosnan's Marie Manic: The Story of Special Effects in the Cinema (New York: New American Library Plume Books, 1976—$3.95, paper)

Ronald Gottesman and Harry Geduld (eds.) The Girl in the Hairi Paw:King Kong as Mtyh, Magic, and Monster (New York: Avon Books, 1976—$5.95)

Guy Phelps' Film Censorship (London: Victor Gollancz, 1975—about $10.00)

James Robert Parish, et al. Film Directors Guide: Western Europe (Metuchen, N.J.: Scarecrow Press, 1976—$11.00)

James Robert Parish and Don E. Stanke's The Swashbucklers (New Rochelle, N.Y.: Arlington House, 1976—$19.95)

Andrew Sarris' The John Ford Movie Mystery (Bloomington: Indiana University Press, 1976—$8.95)

Laurence Goldstein and Jay Kaufman's Into Film (New York: Dutton, 1976—$19.95/12.95)

Daniel Arijon's Grammar of the Film Language (New York: Hastings House, 1976—$27.50)     

Motion Pictures

Emerson, Naturalistic Photography for Students of the Art (1891)

Hicks, Words and Pictures: Introduction to Photojournalism (1952)

Bunnell, Nonsilver Printing Processes, $4.50

Lee R. Baker, Making Movies: From Script to Screen (New York: Harcourt Brace Javanovich, 1973—price not known, paper)

Johnny Minus and William Storm Hale's Your Introduction to Film-TV Copyright, Contracts and other Law (Seven Arts Press, 6655 Hollywood Blvd., Hollywood, Ca. 90028 1973— $10.00 paper)

Noel Burch Theory of Film Practice (New York: Praeger, 1973—$8.95)

Hector Currie and Donald Staples' Film: Encounter (Dayton, Ohio: Pflaum/Standard, 1973—$9.95, paper)

John G. Cawelti's Focus on Bonnie and Clyde (Englewood Cliffs, N.J.: Prentice-Hall, 1973—$5.95/2.45)

David Bordwell, Filmguide to La Passion de Jeanne d'Arc

Warren French, Filmguide to The Grapes of Wrath

Carolyn Geduld, Filmguide to 2001: A Space Odyssey

James Naremore, Filmguide to Psycho

E. Rubenstein, Filmguide to The General

Jay Leyda's Kino: A History of the Russian and Soviet Film (New York: Collier Books, 1973 reissue of 1960 original —$4.95, paper)     

Motion Pictures and Photography

William Kuhns' Movies in America (Dayton, Ohio: Pflaum/Standard, 1973 - $6.50, paper)

William Kuhns and John Carr Teaching in the Dark (same publisher, $4.50, paper)

Peter Wollen's Signs and Meaning in the Cinema (Bloomington: Indiana University Press, 1972 - $5.95 2.95)

David Shipman's The Great Movie Stars: The International Years (New York: St. Martin's Press, 1972 - $15.00)

The Silent Picture (quarterly, $4.00 per year)

Films Illustrated (monthly, $10.00 per year)

Slide Albums ($35.00 each)

Herbert Volkmann's Film Preservation (1965, 60 pp., $1.50)

Theodore Huff's The Early Work of Charles Chaplin (1961, 24 pp., 500)

Fifty Years of Soviet Cinema: 1917-1967 (1967, 30 pp., 950)

Rules for Use in the Cataloguing Department of the National Film Archive (1960, $1.20)

Literature/Film Quarterly (Salisbury State College, Salisbury, Md. 21801 - $5.00 per year/four issues, or $2.00 each)     

Motion Pictures

The American Film Institute Guide to College Courses in Film and Television (Washington, D.C.: Acropolis. Books, 1973—$5.95, paper)

Joseph McBride, Orson Welles (192 pp.)

Colin McArthur, Underworld USA (176 pp.)

Alan Lovell and Jim Hillier, Studies in Documentary (176 pp.)

Joel E. Siegel, Val Lewton: the Reality of Terror (176 pp.)

Arnold Gassan's A Chronology of Photography (Light Impressions, Box 3012, Rochester, N.Y. 14614, 1972—$10.50/ 7.95)     

Motion Pictures

Today's Film Maker (American Film Maker Inc. 250 Fulton Ave., Hempstead, L.I. N.Y. 11550, $3.50 per year for the quarterly which began publication in August)

William O. Brown's Low Budget Features (The William Brown Co., 1054 Cahuenga Blvd., Hollywood, Calif. 90038, 1971–$20.00 paper)     

Motion Pictures

Richard Bunce's Television in the Corporate Interest (New York: Praeger Special Studies, 1976—price not given, but about $15.00).

Ralph M. Jennings and Veronica M. Jefferson's Television Station Employment Practices, 1975: The Status of Minorities and Women (New York: Office of Communication, United Church of Christ, 1976—price not given, but about $10.00, paper)

Horace Newcomb's Television: The Critical View (New York: Oxford University Press, 1976—$4.00, paper)

Asa Berger's The TV-Guided American (New York: Walker, 1976—$8.95)

Vincent Mosco's The Regulation of Innovations in the Broadcasting Market (Cambridge, Mass.: Harvard University Program on Information Technologies and Public Policy, 1975—$3.00, paper)

James D. Scott's Cable Television: Strategy for Penetrating Key Urban Markets (Ann Arbor: University of Michigan Graduate School of Business Administration, 1976—$5.50, paper)

R.W. Chandler's Sparks at Sea: The Experiences of a Ship's Radio Officer (North Pomfret, Vt.: David and Charles, 1973, but only recently released in the U.S.—$9.50)     

Motion Pictures

Leonard Maltin's Movie Comedy Teams (Signet W4453, $1.50)

Edward Wagenknecht's The Movies in the Age of Innocence (Originally issues in 1962 by University of Oklahoma Press, re-issued by Ballantine at $2.95)

Jay Leyda's Films Begat Film (originally issued in 1964, re-issued by Hill & Wang at $1.95 paper and $4.95 hardback)

Rachel Madcluy, Stirling Sillipaant and Neil D. Isaacs' Fiction into Film: A Walk in the Spring Rain (University of Tennessee Press, $10.50)

Charles Sweeting, A Film Course Manual (McCutchan Publishing Corp., 2526 Grove St., Berkeley, Calif. 94704, $2.25)     

Motion Pictures

Gerald Mast and Marshall Cohen (eds.) Film Theory and Criticism: Introductory Readings (New York: Oxford University Press, 1974 -- $4.95, paper)

Jump Cut (3130 West Schubert, Chicago, Ill. 60647 -- $3.00 per year for Six issues)

Sam Ewing and R.W. Abolin's Professional Filmmaking (Blue Ridge Summit, Pa.: TAB Books, 1974 -- $9.95)

David Coynik's Movie-Making, (Chicago: Loyola University Press, 1974 -- $3.50 (2.63 to schools), paper with a teacher guide at $1.00, paper)

Lewis Yablonsky's George Raft (New York: McGraw-Hill, 1974 -- $8.95)

Al DiOrio, Jr.'s Little Girl Lost: The Life and Hard Times of Judy Garland (New Rochelle, N.Y.: Arlington House, 1974 -- $8.95)

Eileen Hsu-Balzer, Richard H. Balzer and Franciz K.J. Gsy's China Day by Day (New Haven: Yale University Press, 1974 -- $15.00/7.95)     

Motion Pictures

George Rehrauer's Cinema Booklist: Supplement Two (Metuchen, N.J.: Scarecrow Press, 1977– $15.00), a 482 page update to the main volume (1972–see 4:1:9)

Bab-bars Anne Price and Theodore Price, Federico Felini: An Annotated International Bibliography (Metuchen, N.J.: Scarecrow Press, 1978—$11.00).

Dennis R. Bohnenkamp and Sam L. Grogg Jr., eds. The American Film Institute Guide to College Courses in Film and Television (Princeton, N.J.: Peterson's Guides, 1978—$9.75, paper)

Ian C. Jarvie's Movies as Social Criticism: Aspects of their Social Psychology (Metuchen, N.J.: Scarecrow Press, 1978—$10.00)

Robert Stanley's The Celluloid Empire: A History of the American Motion Picture Industry (New York: Hastings House, 1978—$15.75/7.95)

Richard Koszarski, ed. Hollywood Directors 1941-1976 (New York: Oxford University Press, 1977—$4.95, paper)

Andre Bazin's Orson Welles: A Critical View (New York: Harper & Row, 1978— $10.00)

James Naremore's The Magic World of Orson Welles (New York: Oxford University Press, 1978—$15.95)

Paul Michael's The Academy Awards: 50th Anniversary Edition (New York: Crown, 1978— $14.95)

James Beveridge's John Grierson, Film Master (New York: Macmillan, 1978— $17.95)

John McCabe's Charlie Chaplin (New York: Doubleday, 1978—$10.00)

Leonard Maltin's The Great Movie Comedians, From Charlie Chaplin to Woody Allen (New York: Crown, 1978—$10.95)

S. C. Earley An Introduction to American Movies (New York: New American Library Mentor Books, 1978—$2.25, paper)

Ron Haydock's Deerstalker! Holmes and Watson on Screen (Metuchen, N.J.: Scarecrow Press, 1978—$12.50)

Matthew J. Bruccoli, ed., F.Scott Fitzgerald's Screenplay for Three Comrades (Carbondale: Southern Illinois University Press, 1978—$10.00/3.95)