“底部”的颠覆:《秀拉》的狂欢化书写

托尼·莫里森在小说《秀拉》中创造了一个主流社会主宰下的黑人社区——“底部”,书写了“底部”的黑人勇士秀拉、伊娃、夏德拉克等挣脱白人压迫、建构主体身份的艰辛努力。在巴赫金狂欢化理论视域下,小说《秀拉》的三个狂欢化特征——狂欢化的"边沿"时空、狂欢化的怪诞人体和狂欢化的死亡形象,深化了作品的批判性主题,彰显了作家的创作意图。     

“双性同体”视角下的儿童文学翻译研究——以The Wizard of Oz为例

一些研究表明,表现出"双性化"人格的个体具备男女两性都具有的优秀气质特征,如自信、独立、沉稳、成熟等。文章从"双性同体"角度探讨儿童文学翻译中的性别气质,并通过对《绿野仙踪》两个译本的对比分析,说明儿童文学译者应充分合理地展现原作所体现的女性和男性气质,以便对儿童的"双性化"气质培养产生积极的影响。     

《绿野仙踪》中的副词与现代汉语副词的比较研究——以“更”“很(狠)”“十分”“竟”为例

《绿野仙踪》是清代著名的长篇白话小说,代表了清代中叶语言的整体状貌。文章选取小说中"更""很(狠)""十分""竟"四个副词与现代汉语副词进行对比,从使用频率、所表意义、组合能力、句法功能等方面分析其在现代汉语中的发展及原因。     

The Great Tunes of the Hough: Music and Song in Alan Garner's The Stone Book Quartet

Although song and music are often elements in children's books, little critical attention has gone into examining their literary uses. Alan Garner's The Stone Book Quartetis an example of four texts for children in which music plays a vital role. The several snatches of traditional songs found throughout the quartet bring to life the culture of the characters but also are tied to the conflicts that occur within the stories. An exploration of Garner's use of song uncovers the underlying theme of the book—the necessity of balance in our lives.     

习近平新时代中国特色社会主义思想的提出及其重大意义——基于党的十九大报告的解读

党的十九大报告提出并论证"新时代中国特色社会主义"的命题,形成了马克思主义中国化的最新理论成果——习近平新时代中国特色社会主义思想。习近平新时代中国特色社会主义思想有着科学的依据,是在"系统回答新时代坚持和发展什么样的中国特色社会主义、怎样坚持和发展中国特色社会主义"这样的理论命题基础上而创立起来的科学的理论体系。这个理论体系立足于新时代中国特色社会主义的实际,以新时代中国特色社会主义为研究对象,重点探索新时代中国特色社会主义的规律,具有八个方面的主要内容和十四条需要贯彻落实的基本方略。习近平新时代中国特色社会主义思想是马克思主义中国化最新理论成果,具有重大的理论创新价值和实践指导价值。     

《全清词·雍乾卷》辑补49首

文章从总集、别集、地方志等各类文献中,辑得《全清词·雍乾卷》未收之作品49首,其中17首为《全清词·雍乾卷》已收作者的佚作,32首为《全清词·雍乾卷》未及收录的作者之词作.凡未及收录的作者,略考其姓氏、字号、里籍、科第、仕历、著述及其他事迹.     

The Shaman and the ISness of TO BE

Russell Hoban has compared himself as a writer to a shaman—willing to admit the unseen and making himself a medium for the quality of the unseen in his novels. This article explores Hoban’s highly-regarded The Mouse and His Child (1967) with this comparison in mind. The writer interweaves Mircea Eliade’s study of shamanism with an examination of the experiences of the protagonists of the novel—The Mouse and His Child. In so doing, she reveals many elements of shamanism in the text which, it is argued, reaches a conclusion which is consistent with the central tenets of the Indian philosophical system of Advaita. Sharada Bhanu is a lecturer in the English Department of Stella Maris College, Chennai. Her research interests include establishing connections between Advaita and fantasy fiction for children and the devotional poetry of many cultures     

善必胜恶——以原型理论分析《纳尼亚传奇:狮子、女巫、魔衣柜》

《纳尼亚传奇:狮子、女巫、魔衣柜》是英国著名学者刘易斯的一部世界闻名的儿童读物,但在中国却没有得到应有的反响.有儿童文学评论家认为该书的宗教色彩影响了它在中国的畅销度.然而,应用诺思罗普?弗莱的原型批评理论将该部作品与《圣经》相联系,探讨故事在人物和情节方面的圣经原型,可以得出相反的结论,即该书的基督教主题———善必战胜恶,正是使它将会在中国立足的原因之一.     

从《宋诗别裁集》的选目看该书唐宋兼采的批评宗旨

《宋诗别裁集》是清代一部很有影响的宋诗选本,该书“唐宋兼采”的批评宗旨在其选目上有着鲜明地体现,不仅选取了众多具有典型宋调风格的代表诗人及其优秀作品,亦选录了不少颇近唐音风貌的诗人诗作。这一方面是编者的诗学观在实践中的体现,同时也是乾隆朝唐宋之争相对调和的背景下出现的结果。     

北洋法政学子的激情反击——李大钊等人对中岛端《支那分割之运命》的“驳议”述评

中岛端的《支那分割之运命》,体现了"日本侵华思潮中的乡野鸣叫"。对其虽然不能完全否定,但其基本倾向是鼓动日本参与分割乃至独占中国,这是不能否认的。李大钊等北洋法政学子,满怀爱国激情,将该书译为中文并加"驳议"。这些"驳议"的基本内容可以概括为:(1)殖民野心,理当痛斥;揭其实质,应属犀利。(2)愚忠本性,自应讽刺;拥袁甚力,亦属忠君。(3)共和政体,热切维护;民主人权,亦有述及。(4)良药苦口,多有借鉴;爱国情激,间出恶言。(5)全力拥袁,局限显见;仓促编就,差误难免。(6)"驳议"前多后少,缘由值得探讨。对中岛端的《支那分割之运命》和李大钊等人的"驳议"进行深入研究和客观评价,是深化李大钊研究的重要路径,也是深化中日关系史特别是日本侵华史、民国初年历史研究的切入点。     

手枪:词与物交织的文本实验——欧阳江河名诗《手枪》解读

名诗《手枪》是著名诗人欧阳江河在现代语境下所写的一首语言诗学实验之作,它充分利用手枪的物质性,并通过作为物的手枪与作为词的手枪的并置、交织,产生一种立体画般迷人的艺术效果,同时此诗包含了丰富的意蕴与深刻的哲理。解读诗人这首早年之作,可以窥见欧阳江河诗歌艺术面貌之一斑。     

《大唐西域记》异文考辨

以《大唐西域记校注》提供的版本异文和佛经音义书出具的引用异文为材料,利用文献学、训诂学、辞书学等方面的知识,对《大唐西域记》中一些有价值的异文进行了考辨。     

《文心雕龙》“赋颂歌赞,则《诗》立其本”说疏解

＂文源五经＂是《文心雕龙》文体论最重要的论点,具体到《诗》,刘勰讲＂赋颂歌赞,则《诗》立其本＂。在＂论文叙笔＂部分,《文心雕龙》实际考究的与《诗》有关联的远远超出上述四体。《文心雕龙》对《诗》的文体特点的总结和论述,鲜明地体现了刘勰的宗经思想,也恰当地见出了《诗》的文体价值。     

一花一世界 一叶一菩提——从《河南集》和《五代春秋》等细微处探讨尹洙的《春秋》观

尹洙是宋初古文家,同时是一位深于《春秋》的学者,然尹洙并没有关于《春秋》的专门著作。本文以其文集《河南集》和史书《五代春秋》为基础资料,从尊王攘夷、解经方式、正统观三方面来谈尹洙的《春秋》观,并分析成因。     

Institutionalizing <Emphasis Type="Italic">The Outsiders</Emphasis>: YA Literature,Social Class,and the American Faith in Education

The Outsiders if often credited with marking the emergence of YA literature. It was written by a teenager and was intended to represent honestly the difficult lives of other young adults. Despite the novel’s audience and purpose and its potentially provocative acknowledgment of the problems of social class, The Outsiders was readily institutionalized as part of school reading lists and educational curricula throughout the United States. Its institutionalization can be accounted for in part by the way it offers a palliative to the problems it depicts. The protagonist, Ponyboy, represents the novel itself as an intervention into those problems, but it works to reaffirm a notion of rugged individualism and a faith in American education. Such lessons ultimately disarm the novel’s class critique and render it safe for educational institutions.

Watching the Detectives: Mark Haddon’s <Emphasis Type="Italic">The Curious Incident of the Dog in the Night-Time</Emphasis> and Kevin Brooks’ <Emphasis Type="Italic">Martyn Pig</Emphasis>

Mark Haddon’s The Curious Incident of the Dog in the Night-Time was the cross-over publishing sensation of 2003. It has been the subject of widespread critical and commercial acclaim and has won prestigious UK prizes including the Whitbread Book of the Year and the Guardian’s Children’s Fiction Prize. It is still enjoying considerable commercial success in the best-seller lists. This essay reads Haddon’s novel alongside Kevin Brooks’ Martyn Pig (2002), winner of the Branford Boase Award and short-listed for the Clip Carnegie Medal. Brooks’ hero, Martyn has a troubled teenage life, and like Haddon’s Christopher, he turns to detective fiction in order to shape his own experience. The essay develops the idea that “every life is in search of a narrative” (Richard Kearney, On Stories, p. 4) and argues that detective fiction, in particular, provides structures that allow Brooks’ and Haddon’s first person narrators to make sense of their confusing worlds.Ruth Gilbert is senior lecturer in English at University College, Winchester, England. She has published on gender and sexuality in early modern literature. Recent research has focused on memory and identity in contemporary British Jewish fiction. This article stems from an ongoing interest in teenage and “cross-over” fiction and creative writing. She is currently writing a novel for teenagers.     

象征主义与现实主义的交融——论《喧哗与骚动》的创作手法

《喧哗与骚动》在处理文体与内容的关系方面颇具特色。文章在分析了福克纳的细节安排方式之后指出,他的创作手法是把象征主义与现实主义融合在一起,这种变换是为了适应主题的需要。     

宋代书会才人的君子观述略——以《醉翁谈录》和《绿窗新话》为视角

《醉翁谈录》和《绿窗新话》分别由宋代书会才人罗烨和皇都风月主人所作,是对前朝及当世小说进行摘选汇编和再创作后的文言话本小说集.二书虽以书写风月故事为主,但字里行间却体现了作者对君子之为的肯定和追求.因此,通过对《醉翁谈录》和《绿窗新话》进行文本分析,可以对宋代书会才人的君子观探知一二.     

走向双赢:“小延安”兴县农业互助合作的先期实践与延续历程

座落于吕梁山地区的兴县被誉为晋西北的“小延安”,其连续经历了中国共产党在全面抗战时期的减租减息和解放战争时期的土地改革,以及新中国成立初期的土地等生产资料所有制改造,15年的发展历程完整而生动地再现了党在农村的基本改革政策及实践努力。兴县作为中国共产党领导农村建设和推行农业互助合作的先期实践基地之一,其在新中国初期的农业合作化运动与原晋绥边区农民的互助合作一脉相承。兴县农业互助合作运动之先期实践呈现出先行性和连续性的特征,并一定程度上形成示范效应,在农民与集体的多元多重互动中表现出个人与个人、个人与集体之间的共利双赢态势。