The internet as a celestial TiVo: What can we learn from cable television adoption?

It appears that the Internet is soon going to fulfill its potential to become a giant on-demand repository of television shows (and movies) available asynchronously, greatly increasing the variety of shows available at a moment in time. As companies such as Netflix and Hulu increase their activities in this sphere, there are many unanswered questions about the impacts of this transition. In this paper, we attempt to foretell the impact of Internet-induced increased variety on the amount of time individuals devote to viewing television. We use cable and satellite television’s impact on viewing as a proxy for the likely impact that future Internet transmission of programs will have. Using country-based panel data going back to the mid-1990s, we find that the increased variety brought about by cable and satellite has had virtually no impact on the amount of time devoted to television viewing. We discuss the import of this finding for Internet business models of television transmission.     

What should we do with our gut?

ABSTRACT

This article explores how breakthrough neuroscientific research regarding the Microbiome-Gut-Brain-Axis (MGBA) resonates with Catherine Malabou’s discussions of a delocalised, decentralised, plastic brain. Inspired by Malabou’s materialist methodology, as well as her confrontation of neuroscientific and psychoanalytic paradigms, the article unpacks the imbrication of symbolic and neuro-microbiological treatments of the gut and its excreta. Interlacing the thought of Julia Kristeva, Melanie Klein and Malabou alongside current MGBA research and critical studies of science and technology, I reveal how symbolic and microbial transmissions in early childhood development reflect a multimodal and multitemporal formation that challenges the established imaginary associated with functional gut and subject development. Secondly, I consider how MGBA research bears upon questions of difference, examining its further materialisation of Malabou’s otherness in a world without exteriority. Through this discussion I question the significance of this biological paradigm shift, as it disturbs notions of agency and the subject/environment distinction, opening to pressing ethical questions at this moment in human history. Through these varied interrogations and provocations, I provide a preliminary window into the potential of MGBA research to enable new departures for thinking the fragmentary movement of form and time underpinning Malabou’s motor schema of plasticity.     

Willingness to pay: how stable are the estimates?

The purpose of this paper is to examine the stability of WTP estimates when discrete choice models are applied in cultural valuation studies. This valuation technique has recently emerged and is expected to be more widely applied in cultural economics. However, little is known about whether or not WTP estimates that are derived using different functional forms and structures in the same valuation study are stable enough to be within an acceptable range. This paper tries to examine the stability of estimated WTP values when uncertainty remains in the selection of best choice models. A more careful selection of choice models might be needed to improve the valuation reliability.     

How can experts help governments think?: inaugural lecture

Britain’s exit from the European Exchange Rate Mechanism in 1992 and the Second Iraq War in 2003 are two infamous examples of disastrous policy, but governments blunder all the time – whatever party is in power. Infrastructure projects overrun. The aims and techniques of different departments clash. Scandals erupt among officials and politicians. Controversies stymie attempts at agreement and consensus. But why exactly do these failures happen? Are they more or less widespread than in the private sector? And can studying British governments’ decision-making across the twentieth century improve it in the future? In his May 2018 inaugural lecture, Professor O'Hara recommended a slow, deliberative, transparent, democratic and above all humble and sensitive approach in order to avoid another Black Wednesday or ruinous war – an approach in contrast to the populist tone of much recent debate.     

Cultural participation in Europe: Can we identify common determinants?

This article examines the extent to which demographic and socioeconomic characteristics influence the decision to visit and the number of visits to museums, art galleries, historical monuments, and archaeological sites. Using ordered probit models based on data for 350,000 adults in 24 EU countries, we find that the likelihood and number of such visits depend mainly on per capita household income, education, labor market status, and country of birth. Attained characteristics such as education and income have remarkably similar positive effects on cultural participation across the countries in our sample, while the effects of age and gender are both weaker and less consistent across countries. We conclude that cultural distinctions along the lines of socioeconomic attainment are stable even in very different country contexts with varying cultural policies and economic conditions. We discuss the way these results inform three research topics: identification of the characteristics of visitors to museums and historical sites in order to attract new audiences; the effect of public spending on culture on accessibility to cultural sites; and cross-national variation in cultural stratification.     

Where are the Missing Masses? The Quasi-Publics and Non-Publics of Technoscience

The paper offers a political-philosophical analysis of the state and publics in the age of technoscience to propose three distinct categories of publics: scientific-citizen publics constituted by civil society, quasi-publics that initiate another kind of engagement through the activation of ??political society,?? and non-publics cast outside these spheres of engagement. This re-categorization is possible when the central role of the state in its citizens?? engagement with technoscience is put upfront and the non-Western empirical contexts are taken seriously by Science, Technology and Policy (STP) studies. The paper argues that in most of the world the state maintains a political contract with technoscience to form a functional coupling as the state-technoscience duo, which shapes public engagement with science through different functional modalities of government. Civil society is the sphere of legitimate engagement and participation in technoscientific issues for the scientific-citizen publics. The quasi-publics choose to be in the shady zone of political society establishing a paralegal relationship with the state-technoscience duo, while the non-publics come into being due to conditions of extra-legality created by the duo. The non-publics are implicated in the political community paradoxically as an excluded category who cannot be included in deliberation because of their status as being expelled from political community in a ??state of exception.?? The paper proposes that the scientific-citizen publics are mobilized in contrast to the quasi-publics and with reference to the non-publics, helping STP studies to identify the ??missing masses?? of technoscience.     

How do your rivals’ releasing dates affect your box office?

In this paper, we study to what extent a movie’s box-office receipts are affected by the temporal distribution of rival films. We propose a reduced-form empirical model to measure and test competition effects among films released close to each other in a standard regression framework. Such an analysis is appealing in terms of its policy implication and may provide guidance to distributors to decide on their releasing dates of their firms. We estimate this model using information on the films released in five countries: the USA, the United Kingdom, Germany, France and Spain. The geographical dimension of our data set permits us to control for unobserved heterogeneity among films released using panel data techniques, which allows us to evaluate the individual and specific effects of each film. Thus we deal with one of the most relevant features of the movie market, namely the presence of highly differentiated products.     

Toward a moral economy of money? Money as a creature of democracy

ABSTRACT

This paper proposes a novel approach for understanding money users’ relation to monetary governance institutions. It first describes the stakes involved in monetary governance from a neo-chartalist/MMT perspective. In a second step, it discusses existing contributions on the relation between money issuer and money users, highlighting the literatures on central bank legitimacy and the social construction of money. It argues that neither allows for an analysis of the relation between monetary institutions and money users that takes the latter’s knowledge seriously. It then argues that the concept of moral economy can enrich scholarly analysis. Moral economies of money are defined as collective practices in which money users articulate demands as part of an understanding of money as a public good. Finally, the paper deploys the moral economy of money perspective to reconstruct the changing relation between institutions of monetary governance and money users since the Great Depression in the U.S. It shows how New Dealers silenced a moral economy of money, discusses fragmented moral economies after World War II, and the partial reemergence of such moral economies after the Great Financial Crisis. The paper concludes by discussing political implications and suggestions for further research.     

Busy as a Bee or Unemployed?: Shifting Scientific Discourse on Work

Changing images of work in discourse both portray and co-constitute the shift from an industrial to a postindustrial economy. Specifically, work metaphors appear in extra-scientific and intra-scientific discourse on workers and work structures in the natural and social world. An analysis of the entomological discourse from the late nineteenth century to the present shows changes in these metaphors that overlap with the discourse of change in human work and organizational structures. For instance, the metaphor of a busy bee within an efficient hive had traditionally evoked a comparison to the modern industrial workplace. The discourse on the hive currently more closely resembles a postindustrial conception of work. Discourse analysis can illustrate the role of language in co-constructing shared changes in image of work.     

How do theatrical box office revenues affect DVD retail sales? Australian empirical evidence

This study considers the Australian DVD industry using a data set of retail sales for over 44,800 titles 1997–2007. A sub-sample of 760 titles which also received an initial theatrical release reveals that the DVD revenue distribution has thicker tails than the theatrical revenue distribution implying the top-ranked DVDs earning a greater share of revenues than their theatrical contemporaries. A comparison of revenues finds not only a high degree of correlation between the two markets, but a relationship that is nonlinear and increasing at higher theatrical revenue levels. This finding is consistent with a word-of-mouth momentum effect and more institutional flexibility in the DVD market. The high levels of correlation are present across all genres/ratings and are observed to be stronger for large release titles. Finally, a seemingly unrelated regression structure is proposed to jointly consider the two markets, which is shown to be empirically valid.     

How much of the decline in sound recording sales is due to file-sharing?

Although most studies of file-sharing have concluded that file-sharing has decreased record sales, the extent of the decreased sales often seems uneven. This paper demonstrates that the results are more uniform than previously understood once a consistent metric is used to provide easy comparability across studies. This paper uses the percent of the decline in record sales that is due to file-sharing as a metric to translate the results of the literature into a common framework and then summarizes those results. What has not been previously noted is that the estimates from most studies imply that the impact of file-sharing was sufficient to have caused the entire decline in record sales that occurred from the advent of Napster up to about 2005. A smaller number of studies using post-2005 data indicate that the shift to digital formats may also have contributed to the sales decline that continued after 2005.     

Projectification of Doctoral Training? How Research Fields Respond to a New Funding Regime

Funding is an important mechanism for exercising influence over ever more parts of academic systems. In order to do so, funding agencies attempt to export their functional and normative prerequisites for financing to new fields. One essential requirement for fundees is then to construct research processes in the form of a project beforehand, one that is limited in time, scope and content. This article demonstrates how the public funding of doctoral programs expands this model of project research from experienced academics to the socialization process for the new academic generation. This process of “projectification” underlies funding-driven institutional changes in doctoral training. A multi-level comparative study of German policies, funding mechanisms and organizational frameworks for doctoral training demonstrates the emergence of a specific model of predefined PhD projects. The investigation of doctoral training practices reveals that socio-epistemic preconditions regulate whether research fields adopted or rejected this demanding model. This result contradicts widespread claims about a radical change in doctoral training and suggests focusing on the actual practices of field-specific doctoral research.     

How should cultural diversity be measured? An application using the French publishing industry

Despite the lack of a clear definition of the concept, “cultural diversity” has remained a core issue for more than a decade (WTO, UNESCO, etc.). The aim of this paper is to begin to fill this gap. We argue that cultural diversity is a multi-dimensional concept and that accurate metrics must rely on three criteria: variety, balance and disparity. We also stress that supplied and consumed diversity have to be distinguished. We apply this set of multiple measures of diversity to publishing data for France over the period 1990–2003. Our main result is that the situation of the publishing industry in terms of cultural diversity is highly dependent on the dimension considered. Hence, diversity increases when variety is the sole consideration, whereas taking balance or disparity into account leads to the opposite conclusion. This issue raises a series of questions about the use of diversity measures in a policy debate concerned with furthering cultural diversity.