White Innocence Heroes: Recovery,Reversals, Paternalism,and David Duke

Abstract

For over a decade, critical scholars have exposed antiracist white heroes in popular discourse who reproduce white innocence, superiority, and privilege. This essay exposes claims of antiracist white heroics by former Klansman and Nazi sympathizer, David Duke. Critical analysis of Duke's letter to the editor, published 11 days before his Louisiana State Senate victory in 1989, reveals that Duke used implicit whiteness strategies of mythic recovery to justify his infamous civil rights reversals and white paternalism to rescue blacks from welfare and whites from affirmative action by restoring rugged individualism. Duke's rhetoric models ways for whites to sanitize personal and cultural histories of white supremacy, while reproducing white privilege. The recovery of white masculine heroes and rugged individualism myths is also found in the 2008 McCain-Palin presidential campaign. Critical analysis of such rhetoric challenges our scholarly knowledge about whiteness and exposes persistent constructions of white innocence.     

Racist Violations and Racializing Apologia in a Post-Racism Era

In theorizing the dialectic of public acts of white racial offenses and the in/sufficiency of apologia associated with white racial discourse, we examine racist violations and racializing apologia from 24 white public figures in the United States between 1996 and 2012. Analysis of racist violations reveals that each offense undermines race as a social and political marker, whereas racializing apologia makes explicit the constant force of racialization and latent nature of whiteness in apologia strategies. We view racializing apologia as potentially liberatory, capable of allowing for a defense of oneself and challenging reproduction of racial formations.     

Stigma,agency, and motherhood: Exploring the performativity of dual mother–female sex workers identities in Kathmandu,Nepal

ABSTRACT

Drawing upon the lived experiences of 35 female sex workers (FSW) in Kathmandu, Nepal, this article explores the performativity of sex work–mother dual identities. Performativity presents a way to rupture proscribed singular identities of being a sex worker and highlight agency through the act of expressing dual identities. Global South research has established a link between mothers’ vulnerability and the likelihood of sex work becoming the means of livelihood. Thematic analysis highlights performativity of the dual identities as well as highlighting agency of FSWs to navigate economic necessity, stigmatized societal conditions, gender inequalities, and motherhood through performativity of dual identities.     

Metaphorical and Non-Metaphorical Meaning in Ideological Discourses: an Examination of Technocratic Discourses and Counter-Discourses from the Progressive Era

Two contrasting visions of ideological discourse populate sociological treatments of culture. In the work of the British social theorist Margaret Archer, we find a conception of ideological discourse as essentially dialectical and reliant on logically compelling argument. In American sociology of culture, conversely, we find an implicit understanding of ideological discourse as a ‘performative’ mode of discourse built around emotionally resonant symbols, image, and metaphors. If we take either of these categorical conceptualisations of ideological discourse seriously, then the only discourses which can qualify as ideological are those discourses which are either fully metaphorical or entirely dialectical. In fact, many ideological discourses make use of imagery and metaphors and at the same time feature propositions meant to be interpreted as part of a logically compelling argument. As the paper demonstrates through a detailed examination of the discourses produced by the American technocrats of the 1920s and 1930s, elaborate ideological productions often include both metaphorical propositions and logically compelling argument. Moreover, metaphorical constructions and literal propositions often function as complements in effective ideological discourses. This is especially true when the discourses are addressed to knowledgeable and economically privileged audiences, such as the ‘new class’ of the pre-depression United States.     

FINANCIAL ENGINEERING,NOT ECONOMIC PHOTOGRAPHY

In recent years, significant studies of finance have explored, on the one hand, the ways in which a specific financial theory might act as a ‘performative utterance’ which through its use makes itself true and, on the other hand, the ways in which discourses and practices of finance might act as continuous performatives that constitute key categories of finance and the financial subject. On first glance, the idea of self-actualising financial theory might seem closer to J. L. Austin's original conception of the performative utterance. However, in this article, I argue for the need to reclaim the Austinian heritage for the broader and more generic understanding of performative finance as well. In this sense, I suggest, a return to Austin reveals the importance of maintaining a focus not only on the potential performance of financial theory, but also those discourses and practices of finance that make up the deeper layers of performativity. I use questions about the role of financial engineering in the sub-prime crisis to illustrate that it is only through a conception of performative finance as self-actualising theories and as discourses and practices that the often obscured layers of financial engineering in society can be fully understood.     

On the Spot: Seeking Acceptance and Expressing Resistance through the Bindi

Abstract

Originally indicative of adherence to Hindu spirituality, the bindi is gaining popularity beyond Indian shores as a trendy fashion accessory. This paper attempts a discursive analysis of the bindi as a performative indicator of acquiescence to the Indian way of life, and as a symbol of resistance to assert individuality and femininity in the pursuit of larger sociopolitical action. Research findings indicate that although it was once considered a quintessential symbol of Indian womanhood, the bindi as a performative identifier has evolved beyond religious significance to include Indo chic, political affiliation, pseudo spiritual identification, as well as feminism and social activism.     

MATERIAL,LITERARY NARRATIVE AND CULTURAL ECONOMY

In this paper I argue that thinking about the material in cultural economy has much to gain from culture itself. Specifically, I explore the potential of literary narrative for conceptualizing and writing material within a performative cultural economy. Drawing on the industrial short stories of Primo Levi (The Periodic Table, The Wrench, A Tranquil Star), I provide a literal reading of these works, highlighting their foregrounding of material encounters, the importance of process (and not just product), and materials’ instability in process, and their connections to theorizations of economies as assemblage. The paper also explores how Levi writes material to presence using the techniques of narrative discourse, particularly mimesis. The paper concludes by arguing that narrative is a means to writing a performative cultural economy and that cultural economy needs to rekindle the arts of story-telling. Paying attention to literary narrative shows how this might be achieved.     

The performativity of sports statistics: towards a research agenda

Statistical analysis has become increasingly integral to contemporary sports. Most existing studies, regardless of whether they endorse or criticise the growing influence of statistical analysis in professional sports, attribute agential capacities exclusively to humans. In this conceptual article, we challenge both what we call ‘instrumentalist’ and ‘romantic’ approaches by applying insights from the expanding literature on the performative effects of statistical models in economic markets to the area of sports. Rather than understanding statistics as mirrors of an objective reality, we conceptualise them as interventions in the analysis and conduct of sports. The use of sophisticated techniques for data collection and analysis by scouts, managers, referees and athletes has profound feedback effects on how these sports professionals come to understand their sport and seek to improve their performance. An interdisciplinary performative understanding of statistics allows for an unpacking of the socio-material mechanisms through which data-heavy analytical technologies shape processes of valuation, commercialisation and regulation in professional sports.     

Performing Difference: Repetition in Context

Abstract

In this essay, I sketch a performative, constitutive theory of difference that avoids the major trappings of this discussion in current communication scholarship. Building from Gilles Deleuze and Judith Butler, I argue that by focusing on difference in intercultural communication scholarship we can, as a discipline, create more complex understandings of people in cultural contexts. I first examine how difference has been written in communication scholarship. Second, I offer a reading of Deleuze and Butler who, together, provide the grounding for seeing the repetition of difference as political and contingent ontology. I conclude by examining an everyday context, showing how intercultural communication scholarship can benefit from this kind of analysis.     

Her Holiness: The Purohitas of Pune,India: Female Hindu Priests as Embodied,Emotional–Spiritual,and Aesthetic (Performative) Laborers

Abstract

Female priests are a relatively new phenomenon in Hindu Indian culture. Positioned as outsiders within, they have been marginalized from the male-dominated priestly profession, even as they continue to challenge normative expectations surrounding their unconventional occupational choice. This study presents findings from a multi-methods qualitative study that, in addition to analyzing media reports about female Hindu priests of Pune city, interviewed 12 practicing priests. Utilizing data-driven lenses of embodied, emotional–spiritual, and aesthetic (performative) labor, findings from this study revealed how participants communicatively and strategically diffused resistance and redefined competence by negotiating contradictory aspects of their professional realities.     

Machineries for Making Publics: Inscribing and De-scribing Publics in Public Engagement

This paper investigates the dynamic and performative construction of publics in public engagement exercises. In this investigation, we, on the one hand, analyse how public engagement settings as political machineries frame particular kinds of roles and identities for the participating publics in relation to ‘the public at large’. On the other hand, we study how the participating citizens appropriate, resist and transform these roles and identities, and how they construct themselves and the participating group in relation to wider publics. The empirical basis of our argument is a discussion of four different kinds of participation events in Austria. Building on these observations we develop conclusions about the public up-take of public participation in technoscience and the role of public engagement in current techno-political cultures.     

On the Symbolic Production of Digital Markets for Cultural Goods

This paper proposes and mobilizes a cultural economic framework to study the dynamic formation of digital markets for cultural goods. Adapting Hayek's theory of price to recent developments in the field of cultural sociology, it proposes the idea that an effective price system condenses information dispersed in society, and then enters into a performative process of symbolic communication that is perceived as ‘authentic’ by the consumers. After analyzing ‘artificial’ and ‘authentic’ current strategies aimed at producing digital markets for cultural goods, which are especially sensitive to the symbolic dimension of price, the article suggests the hypothesis that the digital market has been constructed as a zero- or quasi-zero-price economic space, and that it is the offline and material market of cultural products the one that collects the higher revenues derived from the ‘authentic’ generation of value taking place in the digital marketplace.     

The craft of urgency: performing prosperity,running capital,and the making of a buying crowd in home presales in Nanjing,China

ABSTRACT

This article examines home presales – the selling of future residential properties – at the urban fringe of Nanjing, China. It argues for an analytical focus on urgency as a temporal quality that creates the local housing market and facilitates urban accumulation. I examine how urgency, grounded in a linear imagination of urban development, motivates home presales for developers, estate agents, and homebuyers. In particular, to speed up the turnaround time of investment, developers conjure up a vision of prosperity by building extravagant sales centers to organize home presales. Estate agents working at the sales center organize promotional events to attract, register, and manage a buying crowd. If properly managed, the buying crowd could reach the size of a festival-like presale, whereby hundreds of apartments are sold within one day. Capital at the urban fringe accumulates through the synchronization of these activities in which the sales center crafts an affective temporality of transaction by cultivating and managing an exuberant buying crowd. The craft of urgency emphasizes the performative agencement that assembles the condition for urgency to come into being.     

Reactivity without legitimacy? Online consumer reviews in the restaurant industry

In recent years, web sites where individual consumers can rate and review goods and services have mushroomed all over the Internet. Restaurants are particularly affected by online reviewing. If the impact of online consumer reviews (OCRs) on the demand side of markets is now well understood and measured, few studies examine the reception of this new evaluation method by those who are assessed. Based on interviews with French restaurant managers, our research shows that OCRs systems reconfigure relations of accountability in the restaurant industry. We use the notion of reactivity to describe the mechanisms through which the new evaluation system transforms the activity of restaurants. We also examine the affects surrounding the reception of ratings and reviews by restaurant managers and the moral criteria that accompany their discourses on online reviews. Many restaurants consider online reviews as a brutal and hypocritical mode of judgment. The judgment produced by online ratings and reviews is not easily borne by restaurant managers, because it challenges the conventions of quality they had previously internalized as legitimate, that is, those produced by professional experts. We interpret this ambivalent reception as the unfinished movement of transforming a performative reputation device into a legitimate evaluation institution.     

Markets of Islam: performative charity and the Muslim middle classes in Turkey

ABSTRACT

This article examines the ways in which middle class Muslims in Turkey talk about Islamic ‘community’ and analyses these discourses in relation to the phenomenon of market Islam. The evidence is drawn from the author’s ethnographic fieldwork with donors, managers, and volunteers of a government friendly Islamic NGO, the Light House (Deniz Feneri Sosyal Yard?mla?ma ve Dayan??ma Derne?i) in 2009–2010, followed by subsequent trips in 2013 and 2015. I argue that Islamic charity is not merely a calculative economic behaviour or a reflection of deep-seated religious values, but rather a performative site of market Islam. In seeking to reconcile a faith-based understanding of charity with diverse interpretations of the neoliberal economy, I show that middle-class Muslims adhered to two discourses of ‘community’: whereas donors saw charitable giving as a market-enhancing mechanism, NGO managers defined their charitable work as part of an Islamic project focused on economic redistribution. Although they conceptualized the relationship between faith and markets in divergent ways, both discourses of market Islam posit ‘community’ as an intrinsic component of governing the poor in Turkey.     

(De)politicising and Ecologising Bicycles

Self-service bicycle systems are today being set up in a number of cities across the world. Seen as a means to promote a sustainable city and new forms of ecology, and valued for their ‘planet friendly’ character, these systems have become a hallmark for cities that want to become part of the so-called green culture. Drawing from the experience of the Vélib’ programme in Paris and adopting a pragmatist perspective, this paper analyses the controversies which developed as this transportation infrastructure was implemented, as well as the definitions of ‘ecology’ which were at the centre of the dispute. In doing so it shows the capacity of the private firm involved in the system, JCDecaux, to ‘hijack’ and integrate the ecological critique, its rather powerful capacity to persuade other actors, and the popularity that the project achieved through a hard-won process of justification. At the same time, this paper argues that the mobility turn played a performative role in the justification and the definition of this new transport project.     

PERFORMATIVITY,CORPOREALITY AND THE POLITICS OF SHIP DISPOSAL

This paper provides a posthumanist performative reading of spaces of disposal as sites of economic activity. Its empirical focus is ship breaking, as practices and political techniques. Drawing on the work of Donald Mackenzie, Karen Barad and Jane Bennett, it frames ship disposal as a boundary-making intervention in the world and as part of the demolition assemblage. The paper challenges the oppositional politics that characterise international debate about ship disposal. Through an articulation of the academic register and literary narrative, the paper develops a material politics of ship disposal which draws connections, rather than making distinctions, between labouring bodies in different parts of the world. It reconfigures ship disposal through a material politics that centres the proximate intimacy of human bodies, demolition technologies and vital inorganic materials, highlighting the importance of shared corporeal vulnerabilities, a biopolitics of occupational health and a material politics of globalisation where the long distance associations are temporal, of a ‘now’ and future-past ‘then’.     

The –ography of markets (or,the responsibilities of market studies)

How should we write about markets? What responsibilities does this writing bring upon us? This paper offers an immanent critique of ‘market studies’ scholarship, and through this a call to reflection and reformed action. Turning the intellectual framework of market studies upon itself, we come to see its texts as performative and agential. We discuss these qualities and the associated responsibilities via a reading of literature from the domain of ethnography. An auto-ethnographic sketch of market writing allows us to consider the problematic nature of expertise for market studies scholars and the agency and power of our texts. We find a dual moment of performativity from which our texts emerge more powerful than their authors. On this basis we offer a vision of critical interventions embedded in our texts, underpinned by the intellectual axioms of the market studies programme.     

‘Black Is’ and ‘Black Ain’t’: Performative Revisions of Racial ‘Crisis’

Abstract

Race is rigorously policed through, and predicated on, a crisis of maintaining a claim to supposed racial ontology. The language of crisis pervades race; yet crisis is only brought into focus – shows itself – when racial ontology is called into question or threatened as an axiomatic reality. This essay argues, however, that it is crisis, in the form of the imperative regulatory call to race or the intricate operations of racialising discipline that constitutes raced subjects. The crisis is one of belonging or of successfully representing a ‘racial truth’. The objective of this analysis is to demonstrate that it is when race is viewed as performative that crisis becomes evident as the ever‐present condition of racial identity formation. From this vantage point, the concept of crisis as a point of danger can be revised to be seen as a turning point when an important change can take place: then, crisis might be envisaged as a positive means through which to imagine and realise new enactments of racial being.     

THE CREATIVE ASSEMBLAGE

This paper contributes to theorizing contemporary art collaborations in the context of the mediatory labour required of artists, and the complexity of the collaborative contexts in which aesthetic production is now enmeshed. In order to account for this complexity without reducing its analysis to ‘structured fields’ or ‘systems’, we use elements of assemblage theory in a quite specific way: drawing on DeLanda's work on social and organizational forms; and Law's ‘method assemblage’ to analyse the specificity of working interfaces that craft new boundaries and working relations. We develop a case study of C3West, an Australian initiative encompassing arts institutions, businesses, and communities. The analysis traces assemblage processes that generate dispersed working arrangements (partnerships, intersectoral, and interdisciplinary working interfaces) across apparently incommensurable domains, yet without forming overarching structures or requiring common rationales for cooperation. To demonstrate the work of assemblage, we discuss the practices of French artist Sylvie Blocher and the multidisciplinary collective, Campement Urbain, who employ aesthetic and performative means to forge new institutional practices and alliances for intervening in urban planning processes in regional Sydney.