‘Subtopias of Good Intentions’

ABSTRACT

This article investigates the cultural and political meanings of everyday landscapes in postwar Britain. Public discussions of these landscapes have moved beyond relatively narrow questions about the aesthetics or design of public space to consider broader issues of land use, national identity, historical tradition and the management of social change. They have fed into anxieties about postwar reconstruction and the spread of ‘subtopia’, national decline, and more recent concerns about conservation and heritage. The article argues that the recurrent fear that Britain is being colonized by standardized subtopian clutter has tended to ignore more subtle historical shifts, produced by changing relationships between government and commerce, public and private space, urban centre and suburban periphery.     

Desired,yet unwanted: Hugo’s gypsy bodies in popular media

Critical and feminist studies have continued to demand for accounts of the representational challenges confronting marginalized people, as various social and cultural platforms continue to other and discriminate. The Roma, or the Gypsies, in particular have been one of the most reviled and marginalized ethnic groups. This study examines textual representations of gypsies in contemporary popular culture, evident in a musical adaptation of Victor Hugo’s celebrated novel The Hunchback of Notre Dame and its accompanying worldwide press coverage. It finds that artistic and press representations of the gypsy woman Esmeralda embody characteristics consistent with historic stereotypes of the bohemian. It also shows that the novel’s band of Parisian criminals have been reconfigured for present-day global audiences to include critique of current political and popular discourses about immigration. International critics, however, miss this latter point and confine their reporting to dominant ideology and (continued) rhetorical colonization of the other.     

The making of Gòng/ Kyō – visual archive and the common in contemporary East Asia

ABSTRACT

This study will take two cases from East Asia to illustrate how visual archive/archiving has become or potentially becomes new space where image, heterogeneous temporalities and ideas of the common may lead to a redefinition or at least reconsideration of the binaries between public and private, between image and visual, between past and future. In contrast to historical archives, such visual archives not only aim for documentation and conservation but also become the sites of creating agencies and provoking critical reflections on the idea of the public. The first case is “Center for Remembering 3.11”¹ initiated by Sendai Mediatheque (SMT), where civic participation and the archiving of the post-311 Tohoku Earthquake images of the disaster-ridden region were solicited and made into an online archive. The second case is Multitude.asia, a digital archive initiated by Taiwanese activist and scholar Huang Sun-quan, who works in collaboration with students, artists, and researchers from Mainland China and Taiwan in sorting, interviewing, and editing videos and texts about alternative cultural activities and space in Asia. While discussions on the archive and the public discourse are predominated by theories from Europe and the US, the current study intends to contextualize the concepts of “the public” (gōng/ōyake), “the private” (sī/watakushi), and “the common” (gòng/ kyō) in Chinese and Japanese languages in the discourse of archive in cultural specificity.     

Cultural History’s Absent Audience

ABSTRACT

This article reconsiders Peter Mandler’s essay ‘The Problem with Cultural History,’ and the complexities of locating evidence of culture’s impact upon ordinary people, or ‘throw.’ A brief examination of the history of market research and public opinion surveys in the 20th century offers important lessons for the cultural historian faced with locating and interpreting evidence of audience response that is either rarely there, or more disturbingly, rarely meaningful by our current standards of interpretation. Ultimately this paper asks of my fellow cultural historians: Does culture matter as much as we cultural historians want it to?     

Cultural Trends of Audience Online Interaction with Vocal Talent Shows: A Comparative Study between China and the US

This study examined cultural reflections online of audience comments on social network sites regarding vocal talent shows in China and the United States. The study applied dimensions of cross culture to investigate audience comments on the official social networking sites of The Voice of China and The Voice. Findings reflect Hofstede’s dimensions as applied to social media and illustrate how individuals alter their “local” cultural norms in the new media environment. The study specifically enhances the exploration of cultural manifestations in cyberspace, which fewer cross-cultural studies have researched.     

Pi Village,with occasional music: notes on the New Workers Art Troupe

ABSTRACT

This paper focuses on music practice of the New Workers Art Troupe (NWAT, xingongrenyishutuan) that is based in Pi Village (picun), Beijing. During last 3–4 years, the troupe has gradually attracted the attention of young scholars and college students due to their public advocacy for the rights and benefits of migrant workers in Mainland China. Given structural marginalization of workers and peasants that ironically contradicts with the officially claimed principles of socialism, the NWAT should not be ignored as far as cultural activism in nowadays Mainland China is concerned. Many researchers have investigated NWAT’s practices according to approaches of various discipline, however, the cultural meanings and social-historical condition of its core art form, music, have been largely neglected. Whereas this neglect acts both as cause and consequence, discourses about the NWAT have gradually been overwhelmed by moral commitment or sympathy to “disadvantaged groups,” which eventually proves nothing more than the coming-being of a moral order dominated by the new-born Chinese middle-class. In order to comprehend the affects the NWAT’s music articulated, what need to be illuminated are not only what they are singing, but also where and how they sing, as well as the cultural mechanism behind their practice.     

Extinguishing Lady Liberty’s Torch? Online Public Responses to the U.S. Executive Order to Ban Immigrants from 7 Countries

ABSTRACT

In January 2017, a seven-country ban blocked immigrants from entering the U.S. When the story broke, many people posted comments on online news sites. Analysis revealed themes of rejection and acceptance. Rejection themes focused on security, demeaning Muslims, and exclusion. Acceptance themes called for inclusivity and providing a safe haven for immigrants. Comments aligned into partisan camps reflecting political branding of the sites. Analyses revealed both pro-ban and anti-ban emotionally charged comments. Hate speech was used to justify support of the ban on ultra-conservative sites. These analyses described the emotional response to admitting Muslim immigrants into the United States.     

Mapping transnationality and flexible citizenship in Ha Jin’s The Boat Rocker

ABSTRACT

This paper addresses the issues of identity crises caused by transcultural exchange, the political unconscious of the rise of China, and the cultural politics of transnationality in Ha Jin’s The Boat Rocker. The Boat Rocker is a novel which reveals the betrayal, displacement, and conspiracy lurking behind such concepts as national loyalty, trust in traditional values, and identification with one’s roots. The Boat Rocker is also a timely reflection of the momentous election year of 2016 in which it was written, addressing fears of foreign-sponsored sedition, propaganda and the manipulation of media, the malleability of public opinion, the unholy alliance between the U.S. and Chinese state governance, and the post 9/11 political environment which led the U.S. to that point. The novel takes the form of a self-reflexive dialogue in which China sees itself reflected in America and America in China. In the process of exchanging languages and culture, the Chinese characters adapt to the American way of life, producing a unique form of Americanness with special Chinese characteristics.     

Polygamy in the United States: How Marginalized Religious Communities Cope with Stigmatizing Discourses Surrounding Plural Marriage

This study explores the narratives of 20 members of “The Work,” a polygamist community in Centennial Park, Arizona, to better understand the ways in which religious minorities cope with the stigmatizing discourses of the larger United States culture. This paper examines (a) how participants understand and interpret public discourse surrounding plural marriage, and (b) participants’ communicative strategies for coping with this stigma. Grounded theory analysis revealed that the discursive cultural de-legitimation of plural marriage motivates co-cultural members to engage in network management. Four network management strategies were reported by participants: (1) withdrawing from mainstream society, (2) establishing ingroup solidarity, (3) concealing cultural identification, and (4) educating cultural outsiders.     

American and South Korean Engineering Students’ Communication Motives and Their Student–Instructor Communication Satisfaction

The purpose of this study was twofold. The first purpose was to compare American and South Korean engineering students’ motives (i.e., relational, functional, excuse-making, participatory, and sycophantic) for communicating with their instructors and their student–instructor communication satisfaction. The second purpose was to examine the extent to which both American and South Korean engineering students’ motives for communicating with their instructors are related to their student–instructor communication satisfaction. Undergraduate students (N = 168) recruited from public universities in the United States and South Korea participated in this study. The results of a multivariate analysis of variance (MANOVA), an independent sample t-tests, a series of zero-order Pearson correlational analyses, and Fisher z-tests revealed significant cultural differences and that the relationship between students’ communication motives and their student–instructor communication satisfaction largely are consistent between the two cultures.     

The Impact of Receivers’ Nationality and Cultural Orientation on the Effects of Fear Appeals in Health Communication

Participants from the Netherlands (n = 52), China (n = 50), and South Africa (n = 166) either read a self-targeted or a family-targeted fear appeal message about chlamydia. Seven aspects of individual cultural orientation were measured, and six effects of the different messages. Interactions between nationality and target of threat were found on perceived severity, perceived susceptibility, and danger control. Only for perceived susceptibility, a difference in cultural orientation partly explained this interaction. The outcomes add to the doubts about claims in earlier literature about the relevance of receivers’ nationality and cultural orientation for developing a fear appeal message.     

Preference for dating out-group members: Not the same for all out-groups and cultural backgrounds

The goal of the present study was to examine dating preferences across three different out-group backgrounds (race/culture/ethnic, religious, socio-economic status) in three different cultural settings (the United Kingdom, the United States, India). A second goal was to explore the role of social psychological factors (social approval, social identity, previous dating experience) in out-group dating preferences. Findings from an online study (n_UK = 227, n_US = 245, n_India = 220) revealed that participants were less willing to date individuals from religious out-groups than individuals from other race/culture/ethnic or socio-economic status out-groups. Individuals’ perceptions of approval from friends and family positively predicted out-group dating preference for all backgrounds and samples. How much individuals identified with their in-groups and whether they have previous experience dating someone from an out-group varied across outgroup backgrounds and samples in predicting out-group dating preferences. Together, the findings provide valuable insight into intergroup relations and reveal the importance of studying out-group dating preferences across different out-group backgrounds and samples.     

100 Voices after 100 years: Remembering the Armenian Genocide in diaspora

ABSTRACT

Relying on Marianne Hirsch’s work on postmemory, as well as theories about new media and memory, this study explores how a group of Armenian young adults in Toronto remember the Armenian Genocide from afar, 100 years after it happened. The data come from 100 Voices: Survival, Memory, Justice. Through a thematic and visual analysis of a sample of video clips posted on YouTube, this study argues that 100 Voices is a work of postmemory that stands at the intersection of prevailing ethno-nationalist constructions of Armenian identity on the one hand, and universal discourses of human rights and historical justice, on the other. Participants are positioned as the Armenian youth, performing a particular duty of memory to remember the genocide and transmit genocide memories to future generations. At the same time, 100 Voices enables these youths to emerge as activists who express their group-based claims through universal parameters of claim-making.     

‘Chinese’ Indonesians in national cinema 1

Abstract

Through much of post‐colonial history and particularly during the so‐called ‘New Order’ (under General Suharto), Indonesian citizens of ethnic Chinese descent have been caught in a strangely ambiguous position: they have enjoyed enormous economic power while at the same time being threatened with politico‐cultural effacement. This paper is an attempt to understand that ambiguity in relation to the Indonesian cinema – both around questions of industry history and around issues of representation of national and ethnic identity on screen. The paper traces the presence, the erasure and the absent‐presence of Indonesia's ethnic Chinese minority from the establishment of a film industry in Indonesia in the 1930s to the post‐New Order political shifts, opening up possibilities for a new public discourse of Chineseness. I argue however that the openness of current Indonesian culture and politics, while providing the necessary condition for re‐imagining the Chinese Indonesians, does not ensure a radical shift in a politics of representation, deeply embedded in the textual practices of the film industry and more widely in the cultural and political history of modern Indonesia.     

The politics of data collection: Gathering,analysing and using data about the subsidised cultural sector in England

The gathering of ‘evidence’ about the impact of the sector has assumed centre stage in the management of the subsidised cultural sector in England. It is closely associated with an extension of government control over the sector, and the tendency to value culture for its ‘impact’ rather than its intrinsic value.

This chapter of Cultural Trends considers what has been driving data collection, and how valuable its pursuit has actually been. While not disputing the importance of accountability within the public sector, the chapter observes that much of the data produced about the workings of thecultural sector have been criticised as methodologically flawed and that these say more about policy intentions than about actual impact. Until the collection and analysis of data is carried out more accurately and objectively, and until the evidence gathered is used more constructively, it could beargued that much data gathering in the cultural sector has been a spurious exercise.     

A Complaint with the Cadi,ca. 1896: an East/West Cultural Encounter

This article presents a case study of A Complaint with the Cadi (Algeria), ca. 1896 – a painting by the French Orientalist artist Marie Lucas-Robiquet (1858–1959). Using cultural and social history as prisms, it explores what Lucas-Robiquet’s visual record communicates to the cultural ‘outsider’ about Muslim social life in French colonial Algeria. Attention is given to this artwork because it depicts the Islamic judiciary system as practised in late nineteenth-century Algeria. This article argues that this painting and its subject matter are rare in the Orientalist canon; that the artist was female, is, I posit, crucial to the ways in which this work can be read. Lucas-Robiquet, a decorated Orientalist, used a Naturalist style of painting which was both nuanced and sensitive to Islamic cultural traditions. I contend that A Complaint with the Cadi (or qā?ī meaning judge) is an important work because it represents a locus of historicised forms of Otherness: the French female artist and the Algerian cultural attribute.     

Musical discovery,colonialism, and the possibilities of intercultural communication through music

ABSTRACT

Discourses of discovery have been important in a wide range of musical contexts, from early modern ideas about musical composition through to current forms of popular music production and consumption. Across these various contexts there are often inherent connections between discovery and colonialism, connections that become most apparent in non-Western socio-cultural and musical settings. In this article, I situate discourses of discovery within the “coloniality of power,” noting how colonial discovery can be more critically described as invention. From here, I turn to the genre of World Music as an example of how musical discovery is underpinned by inherently colonial perspectives, articulations of power, and relationships of dominance and subordination between Western and non-Western cultures. In contrast, I present the concept of interculturalism as a way of thinking about the possibilities of cultural in-between-ness beyond discovery, drawing on the practices of musicians who articulate intercorporeal and intercultural communication through performance.     

Social inclusivity,cultural diversity and online film consumption

It has been argued that the circulation of film online is a “democratising process”, evident in the breadth and depth of international film now available online, and in the greater ease of access to this content for audiences across the world. This is seen by some to present greater commercial opportunities for film-making from countries marginalised by previous distribution networks, and to foster a more globally diverse and inclusive film-viewing culture, with particular benefits for diasporic populations. Others, however, have pointed to the way in which audiences’ engagement with film online may be constrained by the economics and technology of online distribution and cultural competencies rooted in social stratification. These factors may limit how and what audiences watch, extending beyond issues of physical access to those of cultural access. As such, they raise questions regarding the demographic composition of the audience for online methods of film distribution and different types of international film. We lack sufficient understanding of these issues, however, due to the limited emphasis upon socio-demographic variables in existing academic research into online film consumption, and the limited consideration of particular film content in relevant market research. This article uses original audience research to interrogate the extent to which online distribution is able to connect audiences to a diversity of international film in comparison to other methods of distribution. It also considers some of the socio-demographic characteristics of the audiences for different methods of distribution and types of international film. In doing so, the article grants us a clearer understanding of the degree to which online film distribution fosters diversity and inclusivity through the connections it facilitates between audiences and content.     

Intergroup contact and prejudice toward immigrants: A multinational,multilevel test of the moderating role of individual conservative values and cultural embeddedness

We performed a multilevel, multinational analysis of the 2014 European Social Survey dataset (N = 33,597, nested in 19 countries) to study how individual conservative values and cultural embeddedness moderate the link between contact with immigrants and the attitudes toward them. A combination of frequency and positivity of contact with immigrants showed a negative association with ethnic prejudice while, conversely, participants’ conservative basic values were directly and positively associated with prejudice. National cultural embeddedness was not associated with the dependent variable. Neither individual conservative values nor cultural embeddedness moderated the association between contact and prejudice. Strengths, limitations, implications and future directions of this study are discussed.