From Traders to Caliphs: Prosopography,Geography and the Marriages of Muḥammad's Tribe

ABSTRACT

When viewed prosopographically, the marriages of the Umayyad caliphs recorded within the Arabic genealogical literary tradition present us with a compelling insight into the evolution of the early Islamic polity. Following a brief outline of the methodology, this paper will then extract the marriages of the Umayyad caliphs and their sons and use these data to illustrate trends in marriage behaviour over the course of their dynastic reign. This will then be compared with the marriage behaviour of two other cohorts: those of Mu?ammad and the early Muslims, and those of the Quraysh of Mu?ammad's father's generation. By comparing the behaviour of these three groups we shall demonstrate the efficacy of the methodology and the accuracy of the source material and ultimately develop our narrative of Islamic history prior to the fall of the Umayyads.     

Christians and Muslims Faced with the Wrath of Abū Marwān al-Yuḥānisī, a Thirteenth-Century “Friend of God”

This article examines the nature of the wrath of Abū Marwān al-Yu[hdot]ānisī, a thirteenth-century Andalusi saint, and the protagonist of the Tu?fat al-mughtarib of al-Qashtālī. I have divided the study into two main parts. The first sets out and analyses various occasions on which the saint committed violent acts against Christians. Two of them died as a consequence of these aggressions. All the cases in this first part took place in the Muslim East during the saint's stay in this area. The second part examines cases of violence committed against Muslim people from al-Andalus. The victims suffered the consequences of the wrath of the saint, although he was not directly involved in the aggressions themselves. The stories are narrated by al-Yu[hdot]ānisī himself, and we do not know whether they really took place. Regarding these manifestations of violence, the hagiographic sources not only justify all the violent acts committed by the saint, murder included, but they present the saint to society as an “example” to follow, and indeed as a “hero”.     

Narrative Construction,Ideal Rule,and Emotional Discourse in the Biographies of Ṣalāḥ al-Dīn and Louis IX by Bahāʾ al-Dīn b. Shaddād and Jean Sire de Joinville

Bahā? al-Dīn b. Shaddād and Jean Sire de Joinville wrote two unrelated but remarkably similar biographies of the rulers they once served, ?alā? al-Dīn and Louis IX. Especially striking are two anecdotes in which both Ibn Shaddād and Joinville rebuke the ruler for excessive crying upon receiving the news of a close relative’s death. This essay explores the narrative logic that drove these authors to write their texts and these anecdotes in particular in such a similar way. By embedding their discourse on emotional restraint in the wider discursive matrix of advice literature circulating in the period, Ibn Shaddād and Joinville actively participated in narrative discussions on ideal rule. In this they did not only stress the importance of emotional restraint for a ruler, but also the necessity of employing good advisors, ideally exemplified by themselves.     

Fāṭimids,Crusaders and the Fall of Islamic Jerusalem: Foes or Allies?

The fall of Islamic Jerusalem to the crusaders during the first Crusade created a sense of agitation and anger amongst Muslims as Islamic Jerusalem had been under their rule for centuries before. A considerable number of scholars have pointed at the Fā?imids as the main cause of the fall of Islamic Jerusalem, claiming that the region would not have fallen had it not been for the alliance and collaboration between the Fā?imids and the crusaders. This article is an attempt to present a critical analysis of the historical narratives of Muslim and non-Muslim historians who have continued to accuse the Fā?imids of collaborating with the crusaders and depict them as the main cause of the fall of Islamic Jerusalem during the first Crusade. It also tries to answer the following two questions. Did the Fā?imids really invite the crusaders to invade al-Sham? And is it true that the Fā?imids misunderstood the crusaders’ aims and targets?     

The nexus of war,resettlement, and education: War-affected youth’s perspectives and responses to the Quebec education system

This article examines the realities of war-affected youth living in Quebec, Canada, and in particular, their experiences and responses to education upon resettlement. In our qualitative study, using both in-depth interviews and focus groups, we queried 22 young people affected by war. Our thematic analysis describes the challenges youth faced in school after having experienced war-related trauma and migration. Despite existing international and national education frameworks, education policies and provisions are largely lacking and ill-equipped to support refugees’ unique needs. Youth felt that teachers and support staff tended to overlook young people’s pre-migratory lives, as well as post-migratory realities. To facilitate resettlement, war-affected refugee youth sought connections beyond school – in the form of peers, surrogate families, or community members from the same country of origin. These non-formal educational supports demonstrate youth’s agency, illustrating high bonding social capital. To support youth at the nexus of war, resettlement, and education, our findings point to the need for greater consideration of both pre-and post-migratory experiences, as well as for increased bridging and social capital to strengthen the linkages across student-school-community in ways that both build upon and respond to the strengths and challenges of war-affected children.     

Kim Ki Duk’s promise,Zanussi’s betrayal: film festival,world cinema and the subject of the region

This paper, focusing on the short film, Dear Kim (2009), and a debate between Polish filmmaker Krzysztof Zanussi and Marxist intellectual P. Govinda Pillai at the International Film Festival of Kerala (IFFK) in 1998, attempts to understand the work done by the category of “world cinema” and the institution of the film festival in the formation of the subject of the region, in this case the south Indian state of Kerala. It focuses on the linguistic region formed in post-independence India, thought of as either mirroring or resisting the nation, and as a cultural resource necessary to inhabit the nation as a citizen. The paper argues for a conception of the subject of the region that is performative, where it negotiates multiple horizons of universality simultaneously. While the figure of the citizen provides it with one horizon of universality, the subject is not exhausted by it. In the case of Kerala, through the figuration of a conception of “world,” operationalized through the conduit of “world cinema,” often located in the institutional space of the film festival, the subject is able to access other horizons of universality, enabling it to transcend the particularities that a politics of location imposes on it.     

Exploring the Potential to Expand Cultural Exchange:A Review of CICA’s Past Work

China International CulturalAssociation (CICA) is a nationwide socialgroup under the direct guidance andsupport of Chinese Ministry of Culture.Since its founding on July 3, 1986, CICAaims to enhance understanding andfriendship between Chinese people andpeople of the rest of the world and hasconducted nearly one thousandexchange events and projects, includingperforming arts, design arts, publication,personnel exchange as well as variouskinds of multi-lateral exchange. Thoseevents and proj…     

The representation of ‘Asia’, ‘occupational forces’ and ‘women’ against the backdrop of post‐war Japanese culture: from the system of censorship to the present

This paper is one of the attempts to show how each East‐Asian regional country’s memory of the war has been related to the post‐war literatures and movies restricted by the structure of the Cold War. In particular, this paper takes up the issue of how the structure of Japanese culture after World War II was heavily influenced by the Cold War. When Japan was under the Occupational Forces, Japanese writers and film directors settling on the subject matter of the war were not free from the strain of the systematic censorship by GHQ. Translating into mechanisms of their works using the body or woman (comfort woman) by squarely facing the facts of the East‐Asian history, this paper reconsiders the body of post‐colonial Japan.