Expatriate adjustment in the digital age: The co-creation of online social support resources through blogging

Support provided through social contacts in the host environment has long been recognized as critical for expatriate adjustment. Internet technologies are changing the way individuals form and interact with social contacts and access social support. These technologies have the potential to offer expatriates new sources and means for accessing social support. We investigated the role of blogging technology in expatriates’ adjustment to foreign environments through a qualitative analysis of a set of blogs written by foreign individuals living in Canada between 2005 and 2012. We found that the blogging system, which is comprised of the blogging technology, bloggers, discussants, and co-created digital discourse, generated online adjustment support resources which were accessed by expatriates. Online adjustment support resources are social support resources, created and residing online, which may help expatriates deal with their experiences of uncertainty, ambiguity and anxiety and include information, interpretation schemas, and comfort.     

House of Netflix: Streaming media and digital lore

This article focuses on the emergence of a nascent streaming industry. The media industry studies conceptualization of “industry lore” can be read during times of transition for media industries. Streaming lore is a re-articulation of existing industry lore accompanying the advent of streaming technology and distribution. Contemporary streaming acts as a site of rupture, wherein industry discourses related to digital media are rendered visible. The article proposes three categories of emergent streaming lore and analyzes their relation to a growing streaming media industry. These categories include (a) Netflix as “quality” streams, (b) the algorithmic audience, and (c) cord-cutters and cord-nevers.     

The power of circulation: digital technologies and the online Chinese fans of Japanese TV drama

Focusing on the online Chinese fans of Japanese TV drama, this paper explores the way in which the fan subculture, in connection with digital technologies, has carved out alternative practices in the circulation, production and consumption of Japanese TV drama. As ‘minority audiences’ who are not targeted as the objects of capitalist interests, online Chinese fans invent spaces for Chinese transnational networking with self‐help and sharing, as a way of resisting the aloofness from marketing strategies of Japanese TV distributors in Asia. This case study reveals that the online Chinese fan clubs, the websites for downloads, pirated VCD markets, digital file conversion, and private VCD burning – all of these have linked endless networks for the digitalized circulation and consumption of Japanese TV drama. The online Chinese fans are guerrilla fighters in the politics of autonomy, network and low‐cost digital technology; they are attempting to break down time–space constraints and the official distribution hierarchy. Such fan practices shed light on the new trends of audio‐visual consumption via digitalization.     

The Corporal Punishment of Minorities in the Public Schools

Corporal punishment is still legal under various circumstances in the United States public schools. This practice is specified in the discipline policies of cities and towns in roughly twenty-two states. Corporal punishment usually takes the form of paddling with wooden paddles or sticks by school administrators with the consent of the parents. Research has shown that this type of punishment is disproportionately administered to minority school children. White students are paddled with far less frequency. Boys are paddled more often than girls over all. This practice teaches school children that it is acceptable for larger, older people to inflict pain on small, younger people. The behavioral and social ramifications for future behavior are ominous.     

Symbolic bordering: The self-representation of migrants and refugees in digital news

ABSTRACT

In this article, I combine theorizations of the selfie as an aesthetic and technological practice of digital self-representation with a theatrical conception of spectatorship, inspired by Adam Smith, in order to argue that the selfie has the potential to operate as a significant ethico-political spectacle in the spaces of Western publicity. I exemplify my argument by using the remediation of migrant and refugee selfies in mainstream news as a case study of “symbolic bordering”—as a technology of power that couples the geopolitical bordering of migrants in the outskirts of Europe with practices of “symbolic bordering” that appropriate, marginalize, or displace their digital testimonies in Western news media.