从通俗音乐与高雅音乐的特点谈当代学生的音乐欣赏

音乐作为一种特殊的语言,是我们生活中不可或缺的一部分。本文通过比较通俗音乐与高雅音乐的特点,引导学生如何正确认识和欣赏音乐,从而在音乐中陶冶情操,使身心得到健康、协调、全面的发展。     

The Effects of Three Variables on the Discrimination of Letters

Abstract

The authors examined the perceptions of preadolescent boys and girls regarding the characteristics of their significant teachers. Israeli elementary school students (N = 408; approximately 48% girls and 52% boys) studying in 5th and 6th grades, participated in this study. The findings showed that significant teachers were characterized as being, in descending order, learning facilitators, reliable, supporters, challengers, and antagonist individuals. They resembled, in descending order, an individual who will be missed in the future, a friend, a policeman or policewoman, and a mother. Significant differences were found between boys and girls: Boys more often characterized their significant teachers as being antagonist. Nevertheless, the size effects were modest. Our findings allude to the large potential influence that teachers may have on their preadolescent students.     

关于高师声乐教学中唱法选择的讨论

本文中,笔者就高师声乐教学的实践与高师音乐专业的生源状况,结合中小学音乐教学对人才需求的实际情况,对高师声乐唱法选择展开讨论,认为在高师声乐教学中,引入通俗唱法,将其与美声唱法、民族唱法并列,对于当前的高师声乐教学本身与我国基础音乐教育的发展都是必要的,在具体的高师声乐教学中具有可行性。     

流行音乐背景下的中学音乐教学

从“流行音乐不准进课堂”到“引什么样的流行音乐进课堂”这对于流行音乐来说无疑是一个划时代的举措。目前,理论界对流行音乐进入课堂的讨论转到了引什么样的流行音乐进课堂,如何引,引入后如何教学等一系列的问题上。课题组专门谋划了《走进流行音乐文化》专题,通过从爵士音乐寻根溯源、挖掘经典流行音乐现实意义、弘扬本土文化和对“偶像崇拜”现象以理性的启迪和情感教育四个途径,把握流行音乐进课堂的尺度,从不同角度诠释了流行音乐背景下的中学音乐教学。     

The effect of students’ subject discipline on their m-learning application preferences

The effect of students’ subject discipline on their preferences toward m-learning applications was investigated by using a mixed-method research design. A questionnaire on students’ preferences of m-learning application features was used to collect data from 181 undergraduate students. One-way analysis of variance found a significant difference among perceptions of students from different subject disciplines related to the “collaboration” and “learning” features. Follow-up interviews were carried out to further investigate students’ perceptions. Content analysis revealed that “availability” and “ease of use” were the most preferred features, and “collaboration” and “entertaining” were the least preferred ones. Interview results related to universities’ readiness for m-learning were categorized into (i) universities’ infrastructures, (ii) instructors’ skills and (iii) students’ skills for m-learning. Students indicated their universities’ infrastructures as “moderately ready” for m-learning. They ranked their instructors’ skills as “low”. However, students assessed their own skills as “moderate” for utilizing m-learning in their respective universities.     

浅谈流行歌曲中音乐元素的多样性

流行音乐的产生与发展都有它自身的规律。在科技迅猛发展的今天,人们对流行音乐的要求也逐渐提高,音乐人也开始不断创新,在音乐中加入了不同的音乐元素。音乐流行元素包括具有传统意味的中国元素,具有欧洲古典风的古典音乐元素和具有中国国粹的京剧元素等。流行音乐中的音乐元素的多样性表明我国的流行音乐有着自己独有特质。通过对流行音乐的概念、特点、发展加以阐述,针对流行音乐中的音乐元素的多样性作以研究,希望对流行音乐有更新的认识,对流行音乐的学习和教学有所帮助。     

Exploring students' learning challenges in environmental education

There is growing recognition of the significance of learning within debates about sustainable development. Within the field of environmental education research, however, there has been insufficient attention given to questions of learners and learning. In the light of this situation, this paper reports findings from two studies (one in England, the other in Sweden) that focused specifically on learners' experiences of and responses to environmental curricula in secondary school and higher education. Three kinds of learning challenges that can be experienced by students on environmental education courses are outlined and discussed. The main purpose of the paper is to highlight the complexity of the learning experience within environmental education and to draw attention to the need for improved research‐based understandings of environmental learning processes.     

A Canonical Correlation Analysis ofBehavior Problems and School Achievementfor Different Grades,Sexes, and Races

Abstract

Using education survey data from 6,883 Grade 6 students in 148 schools and from 6,868 Grade 8 students in 92 schools in New Brunswick, Canada, the author applied student and school characteristics to explain differences among students and schools regarding students' sense of belonging to school. Results of hierarchical linear modeling showed that in Grades 6 and 8, discrepancies in students' sense of belonging were mainly within schools, rather than between schools. At the student level, sense of belonging in both grades was affected more by students' mental and physical conditions and less by their individual and family characteristics. Students' self-esteem was the single most important predictor of their sense of belonging, followed by their health status. At the school level, school climate (academic press or expectation in Grade 6 and disciplinary climate in Grade 8) was more important than school context in shaping students' sense of belonging.     

In,out or somewhere in between? Disabled students' and teacher aides' experiences of school

Disabled students' entry to the (compulsory) education system in New Zealand is often conditional upon the presence of untrained teacher aides, who are frequently regarded as the ‘solution to inclusion’. This widespread practice has occurred within a research and policy void, despite the growing body of international research literature that contests its efficacy and equity. Drawing from the findings of a qualitative study, the purpose of this paper is to develop an understanding of the school experiences of disabled students, from their and teacher aides' perspectives. Interpreted within a framework of current disability, social justice and sociology of childhood theorising, the findings are presented as a continuum of educational contexts, in which students (and aides) were (1) fully included in all aspects of school, (2) partly included/assimilated in aspects of school life, and (3) excluded from regular school. The findings are consistent with those of international research in illuminating the pivotal, complex and ambiguous role that aides play in both helping and hindering disabled students' educational presence, participation and achievement. The paper concludes with an outline of changes that may be instrumental in bringing about a more inclusive education system for all students.     

论我国传统音乐雅俗交融的发展趋势

阐述了随着人类的发展,社会的进步,其中音乐的雅俗关系成为令人注目、关心的话题。雅乐与俗乐既相互对立又相互渗透,一个具有民族特点的雅俗共存的格局将是现代音乐发展的趋势。     

论流行音乐的地位与作用

流行音乐在我国自有史书记载以来就对人们的社会生活产生着巨大的影响。在创作形式和演出形式上都体现了这一乐种对时代的敏感性。因此,对流行音乐作一个正确的评价是非常有必要的。     

Adopting a “satisficing” model for school performance in students' views of learning

In many countries it has been noticeable how students’ use of information technology (IT) in education is often sporadic and inconsistent; at odds with the esteemed status that IT is afforded in educational rhetoric and policy. The traditional approach to the uneven take-up of IT in education has been to concentrate on the deficiency of the student in not using computers. In this way students’ avoidance of IT use is often framed in terms of a psychological inability or deficiency to react with computers. However, this article attempts to look beyond this traditional ‘discourse of deficiency’ and explore the myriad factors influencing students’ decisions not to use computers during their education. On the basis of data gathered from focus group interviews with 96 UK students, three main constructs underlying students’ rejection of educational computing are identified. The article discusses how educational computing can be ‘re-constructed’ in the light of these factors. Résumé Dans de nombreux pays, on a remarqué combien l’usage que font les étudiants des technologies de l’information (IT) en éducation est souvent sporadique et inconsistant, très loin du statut des IT généralement attribu? dans le discours rhétorique et politique sur l’éducation. L’approche traditionnelle de la difficulté a été? focalisée sur les déficiences de l’étudiant qui n’utilise pas l’ordinateur. Dans ce sens, le fait que l’étudiant cherche à éviter l’usage des IT est souvent formul? en termes d’inaptitude psychologique ou de déficience dans les réactions face à l’ordinateur. Cette étude cherche à voir plus loin que ce discours traditionnel de déficience de l’étudiant et explore la myriade de facteurs qui influencent les décisions de l’étudiant de ne pas utiliser l’ordinateur pour étudier. Sur la base de données recueillies lors d’interviews touchant 96 étudiants de Grande-Bretagne, trois types de rejets sous-jacents de l’informatique éducationnelle ont été identifiés. Le document discute la manière dont celle-ci peut être ‘re-construite’ à la lumière de ces facteurs.     

The conditions for establishment of an ideological dilemma: antagonistic discourses and over-determined identity in school music teaching

This article presents an analysis of video documentation of music teaching in Swedish schools. The article is based on a larger research project, funded by The Swedish Research Council, the purpose of which has been to study how market aesthetics and students’ everyday culture are applied to the teaching of music. The introduction presents a background for the study's focus on music teaching in relation to issues of student influence. Next, the theoretical and methodological starting points are presented. With discourse psychological microanalysis as a point of departure, the ideological dilemma that has emerged in the analysis of the videos is then identified and discussed. In addition, the different types of subject positions contained in the studied discursive practice are problematized. The article concludes with a discussion of a number of factors that contribute to the establishment of ideological dilemmas in school practitioners of music education.     

论民族音乐的流行化

随着民族音乐与现代流行音乐融合程度的不断加深,"只有民族的,才有世界的"这一特点越来越大地呈放异彩。这种结合不仅使流行音乐具有了新的艺术风格与特点,也使越来越多的人认识了中国的民族音乐,更加关注民族音乐。     

学习西方古典音乐需正确理解和诠释其精神内涵——对巴赫钢琴作品的研究与教学思考（上）

学习西方古典音乐,需要从巴赫的音乐特别是从他的钢琴作品入手,深入细致地进行分析,正确诠释巴赫钢琴音乐的原作内涵,从而启发学习者更好地学习、理解和传承西方的音乐文化。     

小学文言文教学方法例谈

小学生初学文言文,教师要保护、培养学生的学习兴趣,要贯彻落实课标中文言文学习的有关要求,精心设计教学过程,为学生找到一条有效的学习途径。     

音乐教育在大众音乐文化发展中的职责与任务

伴随着大众音乐文化的蓬勃兴起,音乐教育在大众音乐文化发展进程中的地位与作用日益凸显。大众音乐文化的健康发展离不开音乐教育,音乐教育也不能脱离大众音乐文化的发展轨迹而躲进自我欣赏的＂象牙塔＂,两者相互融汇,互相促进。音乐教育在大众音乐文化发展进程中责无旁贷地承担起了传授知识、培训技能、正确引领、提升水平等职责与任务,这对我们正确认识大众音乐文化对学校音乐教育的影响,以及如何在音乐教学过程中整合各类音乐资源,调整教学结构,提高学生审美意识、培养大众积极健康的音乐欣赏心理等,都有一定的帮助和促进作用。