我应该是一个诗人

作品蝴蝶效应一条狗落水了。一个人跳水了。狗活了。人死了。于是大家传开了——老王家的黑子追蝴蝶追到塘里了,老李家的小李子看到了就跳下去救狗,然后就没再上来了。     

我记得……

我记得,母亲上床休息,总是等孩子们在火炕上睡了,等进了窝的鸡睡了,等挂在屋檐下的镰刀睡了,等炉灶里冒着烟的火睡了,等储藏室里的叉子和盆子睡了,等对着井水照影子的苹果树睡了,等白鹳鸟巢(cháo)上空的云睡了,等被庄稼起伏摇荡的田野里的路睡了。     

盛开的樱桃花

春天到了,小草绿了,树叶长出来了。小鸟在树上叽叽喳喳叫个不停,好像在为春天的到来歌唱;溪水哗哗地流着,欢乐地拍打着沿岸的石头。草儿绿了,花儿开了,天蓝了,雪融化了。那樱桃花也盛开了,开得如此的灿烂,如此的美丽。我一看到它,就想起了我曾经听过的一段故事:     

以自己为圆心画个太阳

童年的一天,他在屋里玩,父亲沉默地坐在角落里。10分钟内,他做了11件事情:写了一个半字,画了一个没画成的苹果,看了几秒钟书,大叫了几声,踢翻了一个凳子,发呆半分钟,玩了三样玩具而且都扔到了门外,傻乎乎地唱了几句歌,欣赏了一下父亲没画完的画作,画了个女孩并哈哈大笑,最后发疯地叫了几声妈……     

我长大了

告别了充满童趣的低年级,踏入了洋溢着希望的高年级。虽然,课程增加了许多,作业的包袱也重了几分,玩耍的时间更少了,但是,我却真切地感到:"我长大了!"我长大了,告别幼稚,走向了成熟。我看问题的角度变了,变得更加客观、全面;我常常努力尝试依靠自己的力量弄清某个事物的原理。我长大了,告别依赖,走向了独立。我     

坚持作文走生活之路

近些年来,作文作秀的现象已成了众矢之的。梦境多了,真情少了;忧郁多了,天真少了;深沉多了,清纯少了;抒情多了,记叙少了;概述多了,素描少了;柔情多了,激情少了;历史多了,现实少了;排比多了,平实少了;感悟多了,经历少了;上帝多了,自己少了。学生作文越来越偏离了自己的感情世界和真实的生活。     

笑声送给了……

糟了糟了—— 春天被打翻了, 洒出了生机勃勃的笑声, 笑声送给了小草,小草高兴地发芽生长; 笑声送给了花儿,花儿露出了美丽的笑脸; 笑声送给了孩子们,孩子们尽情地欢唱。     

这些文字,句句读到心醉

1.走着走着,就散了,回忆都淡了;看着看着,就累了,星光也暗了;听着听着,就醒了,开始埋怨了;回头发现,你不见了,突然我乱了。2.我的世界太过安静,静得可以听见自己的心跳。心房的血液慢慢流回心室,如此这般轮回。聪明的人喜欢猜心,也许猜对了别人的心,却也失去了自己的。傻     

寻觅春天的踪迹——人教版八年级下册第二单元写作导引

"盼望着,盼望着,东风来了,春天的脚步近了","山朗润起来了,水涨起来了,太阳的脸红起来了",树绿起来了,小草青起来了,万物灵动起来了,我们的情思被惹起来了。朱自清眼里的春天"像刚落地的娃娃",像"花枝招展"的小姑娘,"像健壮的青年",是风和日丽、百花争艳、草长莺飞的季节。那你心目中的春天是怎样的,     

杀人的会考与创造的考成

自从会考的号令下了之后,中国传统教育界是展开了许多幕的滑稽的悲剧。 学生是学会考,教员是教人会考,学校是变成了会考筹备处。会考所要的必须教,会考所不要的就不必教,甚至于必不教。于是唱歌不教了,图画不教了,体操不教了,家事不教了,农艺不教了,工艺不教了,科学的实验不做了,     

艺术：柏拉图心中的结

柏拉图并非如通常所说的敌视一切艺术,他驱逐的仅是摹仿现实的艺术及其作者,而推崇呈现理念的艺术。这是因为,就其与真理的关系来说,摹仿艺术远离真理,而呈现理念的艺术接近真理;就艺术的社会功效来说,摹仿艺术会腐蚀读者的心灵,而呈现理念的艺术能培养读者的美德。按照柏拉图的逻辑,呈现理念的艺术是可能产生的,因为灵魂不朽提供了其产生的前提;去蔽提供了其产生的手段;虔诚和知识提供了其产生的基础;而神灵凭附是其产生的保障。不过,呈现理念的艺术很有可能使得艺术单一化并导致艺术的最终消亡。这正是柏拉图没有正面提出呈现理念的艺术的原因,也是柏拉图艺术理论遭人诟病的原因。     

抵押、质押与留置之异同

根据市场经济运行的需要,我国担保法确立了抵押、质押、留置三种担保形式,这三种形式各有其不同的适用范围,不同的操作方法,但都同属担保物权,是在债权上设定的物权,以担保债权的实现。三种担保形式的应用有其共同点,也有其不同点,注意它们的异同,正确理解三种担保形式的法律含义,熟练掌握它们的操作方法,是依法保障经济运行的前提条件。     

试论媒介对民族文化的传播与保护

当今时代,随着国际化、全球化、跨国公司的不断扩张,特别是欧美化的步步渗透,后进地区、发展中国家等第三世界的少数民族文化正面临着巨大的生存与延续压力,在迅猛狂热的全球化浪潮冲击下,如何通过媒介传播与保护本民族文化就成为各少数民族当务之急的一项重任.在媒介全球化及其高度发达的新时期,对民族文化,特别是相对弱势的少数民族文化的保护与赓延既有隐忧和挑战的艰难一面,同时又存在充满传播机遇与发展保护的优越一面,只要把握好传播与保护策略,民族文化的赓延应该是大有可为的.     

“诗言志”浅探

从中国历代诗歌的发展轨迹和中国传统文化积淀的角度,审视中国历代诗歌表达思想、抒发情性的文化美学现象,着重探讨其中爱国之志的抒发,对中国古代诗歌理论“诗言志”的内涵和源流进行了一些探索。     

Counterformal contacts of full toroidal continuously variable transmission

1 Introduction A traction drive is a device, which transmits powerby means of traction contacts among multiple rotatingbodies. Variable ratio power transmission is achievedby varying the system geometry so that the points ofaction of the traction force are varied. When this isdone in a continuous manner, it results in a conti-nuously variable traction drive varaitor. There areprimarily two types of traction drives that are ofinterest in the automotive area, viz., half toroidaltraction drive an…     

复合动词“-出す”的语义研究

主要研究复合动词＂~出す＂的语义。对于复合动词＂~出す＂的语义,一般可以从词汇和语法两个角度进行分析。动词＂出す＂有7种基本用法,复合动词＂~出す＂的基本用法可以分为3类。文章将首先介绍动词＂出す＂和复合动词＂~出す＂的基本用法,通过语料库的检索对作为动词＂出す＂宾语的高频词进行分析,并且从复合动词＂~出す＂前项动词的属性对其语义影响的角度出发,对复合动词＂~出す＂的3分类法提出不同的观点。     

汉语书信写作楷式

书信写作,大要有三：结构有序、用语恰当、书写谦恭。信封的撰写,包括收信者地址的写法,收信者姓名的写法,寄信者地址、姓名的写法和托人传送信的写法。本文旨在接续因某种历史原因而割断的汉语书信写作优良传统,提升读者的书信写作水平,更好地发挥书信在华人社会中的交际功能。     

Public education and the post-fordist accumulation regime: A case study of Australia

This paper discusses the current radical changes in the Australian education policy. Central to the argument is the claim that the radical restructuring of the public sector hastened the loss of the possibility of any critical evaluation of national policy.The paper argues that this shift has been forced on the Australian state by the objective conditions expressed in a new realignment of the dominant transnational capital with the subordinate domestic capital, and in the shifts in a global capacity for consumption. The argument is underpinned by the claim that a new, post-Fordist (or flexible specialization) regime of capital accumulation is at present replacing the Fordist regime of mass production and consumption.The paper further argues that in order to achieve the system-preferred changes in the Australian education policy, the Australian government introduced radical changes in the production rules of policy formation. This involved a narrowing of policy making context and, crucially, an exclusion of voices critical of the shift towards economic reductionism.This loss of a critical sensibility constitutes the central concern of this paper. To advance the argument, in Part One, the paper discusses the relationship between the Australian state and the post-Fordist objective conditions of capital accumulation. Part Two argues that the lack of intellectual tradition in Australian public life was at least partially responsible for the easy passage given to neoclassical economics¹ perspective in becoming a dominant public policy paradigm. Part Three locates the role of education within the context of the European philosophical tradition. It provides the link between critical sensibility, the project of Western civilization (which clearly extends beyond the modern vs. postmodern dichotomy), and the role of public discourse. Finally, the paper argues that education policy needs to take the issue of critical sensibility seriously. For this reason, it needs to be informed by a desire to go beyond the mere technical fit between graduates and the workplace, and allow itself to be inspired by new ideas, and new ways of seeing.Parts One and Two of this Article appeared in INTERCHANGE, Vol. 26, #2, 1995.     

Tunable polarization of high numerical-aperture objective with phase plate

The intensity distribution of depolarized field in the focal region of a high numerical-aperture optical system was investigated and found that the depolarization effect is tunable by the plate. The depolarization effect gains with the increase of the inner convergence angle of the phase plate, goes through a dramatic descent when the angle is larger than 30° and begins to come back when the angle reaches a threshold of respectively 60°and 65° for the orthogonal diffractive field and the longitudinal diffractive fields. This reveals two convergence points where the depolarization effect is the strongest and weakest, respectively, suggesting that the pure phase plate can be a promising method for altering depolarization diffractive fields and constructing optical instruments.     

论自然在诗学中的呈现

自然范畴在诗学中主要从五个方面被呈现出来：从本体维度上看，自然为诗的存在谋求到了合理存在的神圣性依据，使诗文具有了与天文、地文等同等的地位；从诗的生成维度上看，自然追求一种直寻兴会、无意天成的灵妙境界；从主体维度上看，自然表现为古人始终以虚静、修德的方式去追寻一种无拘无束的心灵自由状态和真诚无伪的处世态度；从作品之维度来看，自然就是合规律合目的的内容和形式的统一，文与人在自然价值的追求上同构；从风格维度上看，自然是诗人、作品、诗歌成熟与否的标志。