Representations of Dictatorship in Contemporary Chilean Children’s Literature

This article addresses the disturbing fact that few contemporary Chilean children’s books deal with Augusto Pinochet’s dictatorship (1973–1990). It explores why dictatorship has such an elusive presence in contemporary Chilean children’s literature, how it has been represented in general, and how children are portrayed in books that do address Pinochet’s oppressive regime. Four Chilean children’s books are examined in detail: two that represent the dictatorship from an outsider perspective, produced by authors in exile, and two written from an insider perspective by authors that grew up under Pinochet’s dictatorship. While the former represent children as superheroes whose actions transcend the dictatorship’s repression, the latter depict children who are politically aware, but do not make the adults’ political fight their own. This key difference is problematized in terms of the implications for narratives of dictatorship produced for a young audience.     

The Polysystem and the Translation of Children’ s Literature

Polysystem Theory was developed in 1970s by Israeli scholar Itamar Even-Zohar,and was well known for its three circumstances.Children’ literature,as a special branch of literature,attracts more and more research nowadays.This paper explores the process of translation of Children’ s Literature in China under polysystem.     

The Young Man’s Madness in The Raven

The raven is a narrative poem written by American writer Edgar Allan Poe. It tells of a talking raven’s mysterious visit in a midnight to a distraught lover, tracing the lover’s slow fall into madness. The lover is lamenting the loss of his beloved, Lenore. The raven, sitting on a bust of Pallas, seems to further instigate his distress with its constant repetition of the word"Nevermore".     

The Young Man’s Madness in The Raven

The raven is a narrative poem written by American writer Edgar Allan Poe. It tells of a talking raven ’s mysterious visit in a midnight to a distraught lover, tracing the lover’s slow fall into madness...     

The Necessity of an Anthropomorphic Approach to Children’s Literature

The study focuses on the necessity of an anthropomorphic approach in deconstructing the symbolic understandings of animals in children’s literature, and considers how such an approach can be used to draw ethical attention to the unnatural history of animals in the Anthropocene. The paper analyses three children’s novels that depict animals without representing their subjectivity in characteristically human terms. These novels are Eva Hornung’s ferality tale Dog Boy (2009), Sonya Hartnett’s fable The Midnight Zoo (2011) and Kate Applegate’s animal autobiography The One and Only Ivan (2012). Informed by Jacques Derrida’s anti-anthropocentric views and the ethical discourse of creaturely vulnerability, this essay argues that the world’s present state of cascading environmental impoverishment demands an anthropomorphic approach that is not inherently anthropocentric, along with an emerging kind of creaturely consciousness.

     

Families’ Selection of Children’s Literature Books

This study examined families’ choices of children’s literature books for joint story reading. Teachers, parents, and their children from five kindergarten classrooms participated in the study. Over a 4 months period, family members joined other parents twice a week to learn and practice story reading techniques. They selected children’s literature books that were of interest to both of them and their children and were developmentally appropriate. Family members were interviewed and responded to a questionnaire before the intervention. The results provided insight in relation to the parents’ perceptions about literacy, reading with families, and story reading. All members of the families read to their children frequently or daily and engaged the children in conversations about the books read. The books chosen to be read to the children were categorized by genre, with modern fiction being the most popular genre.     

Conveying a Stance of Religious Pluralism in Children’s Literature

Religious discrimination is a global concern, as social dissonance and devastating violence result from religious intolerance. In order to develop socially competent, global citizens and create a peaceful society, religious diversity must be explored in public school classrooms; yet it remains a controversial and seldom addressed topic. Children’s literature that conveys religious pluralism can help teachers start this crucial conversation. A content analysis of 14 religiously pluralistic texts was conducted to understand how children’s authors enact a pluralistic stance. Findings indicate that fiction authors employ five main archetypes to express messages of religious pluralism: the questioner, one truth believer, counterpoint character, atheist, and coach. Both fiction and nonfiction authors confront issues of religiously disguised violence, provide educational information about religious beliefs and practices, emphasize commonalities between religions, maintain an assertive and respectful voice when describing religious beliefs, and highlight the existence of multiple spiritual paths. Implications of these findings for classroom practice are discussed.     

The Cartographic Eye in Children’s Picturebooks: Between Maps and Narratives

This article examines the place occupied by maps in children’s picturebooks. After a brief overview of the different roles that are assigned to maps in children’s books, the article considers five French picturebooks—Warja Lavater’s Le petit chaperon rouge (1965), Olivier Douzou and Isabelle Simon’s L’autobus numéro 33 (1996), Véronique Vernette’s Cocorico poulet Piga (1999), Rebecca Dautremer and Arthur Leboeuf’s Le loup de la 135 ^ème (2008) and Kochka and Fabienne Cinquin’s Dans ma ville, il y a… (2011)—in order to focus on how the narrative, whether enclosed, superimposed or linked to the text in some other way, is evoked by the geographic shape of the maps. It is argued that the particular use and function of a map depends on its shape or placement in a book, distinguishing between the incorporation of maps only as a significant picture (its use) from the subject within the whole narrative (its function). Thus the article articulates what uses a map can have within a narrative. It also explores the mechanics of the iconotext, showing that a cartographic picture fulfils a precise, rather than a general, function of spatialisation. Hence three main functions of spatialisation in maps and mapping are distinguished, whereby an author could use maps to help a character discover, conquer, or organise a space.     

Motor Impairment in Children’s Literature: Asking the Children

How do schoolchildren respond when they encounter a wheelchair user in a fictional text? This article describes a doctoral project where groups of children were presented with excerpts from books by Hilary McKay and Jacqueline Wilson in which wheelchair users play a significant role. The pupils were asked to discuss issues arising from these readings. The views pupils expressed were relevant, imaginative and positive. Only on two rare occasions did the pupils respond in ways that could be categorised as prejudicial towards disabled people. The article describes the methodology adopted for the study, directly quotes from and explores the views of the pupils. The teaching of children about disability and disabled people currently in the English curriculum for Personal, Social and Health Education (PSHE) is alleged to be inadequate; a weakness which could be addressed in the manner described, using literature for sensitive educational debate. This study is unusual in that the research subjects include a group of children who are motor impaired. The Doctor of Education who conducted the research for her thesis and authored this article is also herself a fulltime wheelchair user.     

Harmony,Home and Anthropomorphism: Representation of Minority Nationalities in Contemporary Chinese Ethnic Children’s Literature

Since the 1990s, Chinese ethnic cultures have balanced precariously between a passion for authentically-defined ecology in ethnic territories and a nationwide obsession with economic development, and this affects how ethnicity is represented in Chinese children’s literature. Within a context of growing homogeneity and vanishing minority cultures, this essay investigates contemporary Chinese ethnic animal literature for young adults through the lens of subalternity. Examining key concepts of harmony, home and anthropomorphism facilitates an understanding of how ethnicity and animality are translated into each other in selected children’s stories. A close reading and analysis of the texts reveals how the representation of Chinese ethnicity works through animals on one hand, and ethnic adolescents on the other, and how the ethnic predicament is accentuated by issues of identity, spaces and the assimilationist agenda.     

The Problem of ‘Power’: Metacritical Implications of Aetonormativity for Children’s Literature Research

This article takes as its starting point the concept of aetonormativity (the adult normativity germane to the discourse of children’s literature), coined by Maria Nikolajeva (2010) in an attempt to unify the increasingly power-oriented theories of children’s literature criticism within the past few decades. Acknowledging the usefulness of this concept, but wary of the fact that it could imply an easy transference of “adult” power theory to the study of children’s literature, I argue that an aetonormativity-centred system of children’s literature criticism crucially needs to reconceptualise the notion of “power” which lies at its heart. Any automatic connection between adult normativity and adult “power” would thus be questioned and critiqued. I propose a first conceptual split of “power” into “authority” and “might”, and a consequent redistribution of these two concepts to the adult and child parties in the children’s book. I then investigate the critical and metacritical implications, within the framework of an aetonormativity-centred criticism of children’s literature, of an increased subtlety in the use and handling of the concept of power when referring to the complex medium of the children’s text.     

“But The Soldier’s Remains Were Gone”: Thought Experiments in Children’s Literature

In this article thought experiments are uncovered as key stimuli of philosophical potential in children’s literature and their presentation and function is examined in a selection of focal texts, including: Lewis Carroll’s Alice’s Adventures in Wonderland (1865) and Through the Looking-Glass (1871); Even the Parrot by Dorothy Sayers (1944); Nina Bawden’s Carrie’s War (1974); and A Game of Soldiers (1985) by Jan Needle. The thought experiment is a device common to science and philosophy and has been recognised as an heuristic tool in literature generally, but here children’s literature is drawn into the conversation, revealing that—as a dynamic mechanism of children’s narrative—thought experiments have a long-standing and particular role to play in books for young people. This paper connects with a recent turn in children’s literature discourse toward the conditions of power in books for young readers; it moves on the debate by demonstrating that the apparatus of thought experimentation places the implied child reader in a position of philosophical responsibility and forward thinking. Presenting thought experiments in different ways, formal properties of the thought experiment—such as conversational mode, double engagement and modal positioning—are identified and shown to open up a philosophical space of subsequence in children’s texts.     

Wayward Warriors: The Viking Motif in Swedish and English Children’s Literature

In this article the Viking motif in children’s literature is explored—from its roots in (adult) nationalist and antiquarian discourse, over pedagogical and historical texts for children, to the eventual diversification (or dissolution) of the motif into different genres and forms. The focus is on Swedish Viking narratives, but points of comparison are established with Viking children’s literature in the English-speaking world. Differences and similarities are pointed out, but more importantly, patterns of reciprocity and influence are examined. Finally, it is shown how international representations of Vikings to a growing extent have replaced the ones that are nationally and regionally determined. The Viking has ultimately become a deracinated and commodified symbol: a free-floating signifier and a wayward warrior.     

Authenticity,Past and Present in Ghanaian Children’s Literature

In this paper we explore the portrayal of the “authentic” past in children’s literature in Ghana, as well as the problems it poses for the achievement of the broader goal of moulding children to fit into tomorrow’s society. We look at two main aspects: the social and moral settings portrayed in selected books. The social order refers to the time and place in which the story is set, as well as the nature of social organization pertaining to this setting. The moral order denotes the moral and psychological implications of the physical and social environment. Based on these criteria, we examine some unsuccessful texts and contrast them with successful ones. Our aim is to explore how tradition, more broadly conceived, can be effectively used in children’s books in order to combine the goal of cultural preservation and transmission with other equally lofty ones such as stimulating children’s imagination, arousing and sharpening their perception, developing their sense of observation and critical thinking, and shaping their emotional potential.     

Femininity,Homoeroticism and Heterosexuality in Yin Jianling’s Female Coming-of-Age Narratives

Children's Literature in Education - This article reads contemporary Chinese children’s author Yin Jianling’s novels The Paper Puppy (Zhiren) and Orange Fish (Juzi Yu) alongside her...     

Correction to: Examining Agency in Children’s Nonfiction Picture Books

Children's Literature in Education - In the original publication of the article unfortunately contained a mistake in the name of co-author Vera Sotirvoska.The correct name should be Vera...     

American and Greek Children’s Visual Images of Scientists

This study explores American and Greek primary pupils’ visual images of scientists by means of two nonverbal data collection tasks to identify possible convergences and divergences. Specifically, it aims to investigate whether their images of scientists vary according to the data collection instrument used and to gender. To this end, 91 third-grade American (N = 46) and Greek (N = 45) pupils were examined. Data collection was conducted through a drawing task based on Chambers (1983) ‘Draw-A-Scientist-Test’ (DAST) and a picture selection task during which the children selected between 14 pairs of illustrations those that were most probable to represent scientists. Analysis focused on stereotype indicators related with scientists’ appearance and work setting. Results showed that the two groups’ performance varied significantly across the tasks used to explore their stereotypic perceptions, although the overall stereotypy was not differentiated according to participants’ ethnic group. Moreover, boys were found to use more stereotypic indicators than girls, while the picture selection task elicited more stereotypic responses than the drawing task. In general, data collected by the two instruments revealed convergences and divergences concerning the stereotypic indicators preferred. Similarities and differences between national groups point to the influence of a globalized popular culture on the one hand and of the different sociocultural contexts underlying science curricula and their implementation on the other. Implications for science education are discussed.