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<正>"我爱北京天安门,天安门上太阳升,伟大领袖毛主席,指引我们向前进。"短短28个字的一首儿童歌曲,却传唱了近半个世纪,成为漫长岁月中成长起来的几代人共有的童年记忆。1972年,意大利电影大师安东尼奥尼拍摄纪录片《中国》,以此歌曲拉开了这部饱受争议的影片的序幕。1979年,邓小平访美时,美国儿童曾用生涩的汉语演唱这首歌曲欢迎他。而在2006年热映的喜剧电影《疯狂的石头》中,《我爱北京天安门》的歌声又成了强化幽默效果的"点睛之笔"…… 相似文献
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董福祥(1839-1908年),字星五,宁夏固原(固原原属甘肃,1958年划归宁夏)人,出生于一个贫苦家庭,汉族.他凭借自身的骁勇善战,成为清代甘肃籍官员中职位最高、且最有威望的一代名将,为后人留下了很多传奇故事. 相似文献
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Abstract This paper presents some personal perceptions about “drivers of change,” which have impacted the role and nature of museums since the 1980s, leading to the rise of the visitor‐centered museum. Such changes mirror developments occurring in society. In the case of museums, a decline in public funding has occurred at a time when increased resources are required to enable museums to successfully compete for the visitor dollar in the expanding “experience economy.” The authors suggest that the role and nature of museums in the future will be shaped by their responses to many challenges, the most important being: how to increase visitor numbers without negatively impacting on visitor satisfaction; how to adjust policy and practice as museums approach the limits of visitor growth; how to start to reverse the trend of declining public funding by demonstrating museums’ value to society through the adoption of community‐centered policies and practice; and perhaps the most unpredictable, how museums will adjust their policies and practices in the face of possible climate change. 相似文献
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