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贺伟 《文化交流》2008,(9):72-76
庐山拥有西式别墅近千栋,聚居着20多个国家的侨民,千古名山沐浴着欧风美雨,其间的很多人和事,在庐山的近代史册中留下记载。牯岭开发第一人李德立1885年初,22岁的英国传教士李德立来到中国,在南方传教、经商。南方夏季的酷热,使他苦不堪言。当他1886年7月登上庐山时,凉爽的气候使他惊喜万分。他照英文表达"清凉"的词"COOLING"的谐音,给庐山山上起了一个名字"牯岭"。  相似文献   

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ABSTRACT

Banned from the U.S. during the “war on terror,” the British/Sri Lankan hip-hop artist M.I.A. responded by recording her 2007 album Kala in multiple locations throughout the global South, collating indigenous musical styles and unorthodox recording techniques. Via a critical/cultural analysis, this paper explores M.I.A.’s work on Kala as subaltern resistance mobilized by “differential movement,” particularly in its mode of production, which operated outside of, and in opposition to, institutional mechanisms designed to expunge or neutralize politically subversive art and artists. Yet M.I.A.’s musical sampling also surfaces conflicts between creative freedom and cultural appropriation, emblematizing “postcolonialist/postmodern schizophrenia” (Vályi, 2011. Remixing cultures: Bartók and Kodály in the age of indigenous cultural rights. In K. McLeod & R. Kuenzli (Eds.), Cutting across media: Appropriation art, interventionist collage, and copyright law (pp. 219–236). Durham, NC: Duke University Press.).  相似文献   

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E.P. Thompson's work on working-class formation is widely recognized as one of the crucial contributions to Marxist historiography in the twentieth century. His emphasis on notions of agency and subjectivity is intimately linked to a radical recasting of the socialist agenda against the objectivism of an earlier, ‘orthodox’, Marxism and of a later, and more theoretically sophisticated, structuralism. Thompson's conception of working-class agency as the primary element in historical materialism parallels Antonio Negri's theorization of proletarian subjectivity as an expansive process of collective self-constitution. In particular, Negri's analysis of ‘power’ as an autonomous dynamic of social creation offers an essential development of Thompson's ideas and a fresh theoretical template for the political re-actualization of radical humanism.  相似文献   

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The supply and demand for cinema tickets: Some U.K. Evidence   总被引:3,自引:2,他引:1  
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《Minerva》1966,4(2):215-218
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Abstract

Guided by the intergroup contact hypothesis, this study tested two models examining the associations among Korean young adults' consumption of U.S. dramas, direct contact with a U.S. American person, and their attitudes toward U.S. Americans in general. Results demonstrated that personal contact and mediated contact had a positive effect on intergroup attitudes, but that frequency of personal contact was a negative contributor. Mediated contact had different and stronger influences on participants' intergroup attitudes when they did not have personal contact with U.S. Americans. In addition, intergroup anxiety played a significant role in the contact modes and attitudes links.  相似文献   

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This paper reviews the availability and quality of statistical evidence on the structure, visitor patterns and funding of the museum sector in the U.K. The policy context is discussed and the implications for cultural economics are reviewed.  相似文献   

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