再论“诗缘情”与“诗缘志”

"诗缘志"与"诗缘情"的诗论研究由来已经,"诗缘志"自从诗歌的相关文论定义出现的时候就存在,而"诗缘情"则是后来的发展演变出现的。关于二者关系的的界定方面多是认为二者是先后关系,区别巨大,甚至是对立关系。本文主要对两者的关系做进一步的探讨,二者虽不是对立关系,但是也不是可以划等号的两个概念。     

汉代诗论——“诗言志”向“诗缘情”发展的无意桥梁

“诗言志”与“诗缘情””是中国古代关于诗歌本质和功能的两个命题,它们的转变有一个很复杂的历程。虽然汉代诗学以诗歌作为政治教化的工具,但却多次不自觉地拈出所谓“止乎礼义”的“情”,无意中为“诗言志”向“诗缘情”的转化架起了一座桥梁。     

对20世纪以来“诗缘情而绮靡”说研究的回顾与思考

陆机<文赋>中提出的"诗缘情而绮靡"是与传统"诗言志"相对的诗学理论,它体现了古典诗歌的抒情特质.20世纪以来对"诗缘情而绮靡"的研究主要围绕"缘情"、"绮靡"的含义以及"诗缘情而绮靡"说在中国古代诗歌创作与诗论中的地位及影响等方面展开,对一些问题有了更深一层的认识,于继承中有所创见.但对"诗缘情而绮靡"说尚缺乏系统全面的专题性研究,其所受到的重视程度与其在诗歌发展史程中的地位颇不相称.     

由“诗言志”到“诗缘情”的流变

中国传统诗论中的两个重要诗学范畴分别是＂诗言志＂与＂诗缘情＂,在由＂诗言志＂向＂诗缘情＂的流变过程中,诗学观念逐渐由注重政教本位过渡到注重情感本位,这一诗学观念的演变与当时个体本位意识的复苏密切相关。本文试结合当时的社会思潮分析＂诗言志＂到＂诗缘情＂的流变过程。     

“诗言志”与“诗缘情”考辩

"诗言志"与"诗缘情"向有是非之辩,在中国文学发展史上,大致有两种说法:一曰"诗言志",二曰"诗缘情"."言志"与"缘情"是诗歌发展不同阶段的评述方式,体现了人类历史发展不同时期的文化诉求.诗歌是为了表现作者的内心情感和志意,情感于诗,犹根与本,考据渊源,探寻元典,辨析其语用异同,可以看出诗与情感的紧密联系.     

"诗缘情"与魏晋诗学自觉

魏晋诗学自觉的标志主要体现在“诗缘情”思潮。从理论新变来看,人们对诗赋具有审美愉悦的抒情性质的认识逐步深化,以致触及到诗歌艺术的本质特点;从诗赋创作而言,语言艺术的特点随着文学与音乐的分离而突现出来,从标题到内容都发生了变化。     

诗“言志”、“缘情”理论对后世咏物诗创作的影响——以沈约、谢朓和萧纲为例

诗言志和诗缘情是我国古代诗歌创作的两大理论源头,对后世诗歌创作产生了巨大影响。咏物诗滥觞于齐梁,以沈约、谢脁和萧纲为代表的咏物诗人一反言志派论诗的传统,注重自我情感的抒发,是齐梁诗坛的一大创新。     

“诗缘情”与魏普诗学自觉

魏晋诗学自觉的标志主要体现在“诗缘情”思潮。从理论新变来看,人们对诗赋具有审美愉悦的抒情性质的认识逐步深化,以致触及到诗歌艺术的本质特点;从诗赋创作而言,语言艺术的特点随着文学与音乐的分离而突现出来,从标题到内容都发生了变化。     

从“诗言志”到“诗缘情”——论魏晋《诗经》学之作用

"诗言志"与"诗缘情"说是中国古代诗学理论史上两大理论源头,对后世影响深远。二者关系如何以及如何从"诗言志"过渡到"诗缘情",学界说法不一。魏晋《诗经》学中重政教的内容、重"情"之解读方式正是体现二者之间的过渡。     

“诗言志”“诗缘情”与“温柔敦厚”诗教观关系之探讨

关于诗的本质和作用目的,中国古代向来有＂诗言志＂和＂诗缘情＂两种说法,通常认为＂言志＂是对政治理想的表达,而＂缘情＂则是自然情感的抒发。但在很多时候,＂志＂与＂情＂又似乎没有明确的界限。＂温柔敦厚＂作为儒家文学观的核心思想,无论在思想还是方法上都对文学创作起着巨大的指导作用,那么它对＂言志＂与＂缘情＂又产生怎样的影响呢？＂发愤著书＂与＂诗缘情而绮靡＂是遵照＂温柔敦厚＂之旨还是对其的突破呢？本文从＂言志＂、＂缘情＂的含义入手,对它们与＂温柔敦厚＂诗教观的关系进行探讨。     

语音的象征性与诗歌表达艺术

语音象征性是在关于语言符号的音义关系是任意性还是理据性的争论背景下诞生的一个理论成果。语音象征性理论不是对语言符号任意性理论的否定,而是对其有益的补充。它反映了音义在结合过程中语音与人们的生理和心理之间存在的象征性同构关系。这种象征性的同构关系对诗歌的艺术表现具有重要影响。诗歌表达中如果能够巧妙地运用语音的象征性,不但能够暗示各种不同的感情色彩和情调,而且对诗歌意境的营造也有重要作用,使作品达到以音示义,声义并显,以音造境,境音相合之妙。     

江淹赋的情感表现艺术

江淹赋充沛了浓浓的悲怨情感．本文从景物意象、句式、色彩、结构四个方面分析了情感的表现艺术。赋中的景物意象或烘托、或象征其微妙的情感活动,多样化的句式特征,给人强烈冲击的视觉色彩以及以情感为主线不居时空的结构也与情感相融相生。     

人生自是有情痴，此恨亦关风与月——宋代男性词人悼亡词的三种情感指向

两宋男性词人的悼亡词充满了生者对死者的深切悼念,情真意切,感人至深.但在深悲巨痛的笼罩下,因悼亡对象的不同而导致了男性词人情感指向的不同:悼念亡妻,庄重严肃,多写勤劳贤惠恩爱,不涉美色歌舞诗赋;悼念亡妾,亦庄亦"色",时涉美色歌舞诗赋,间写恩爱勤劳贤惠;悼念亡妓,声色并重,既写美色歌舞诗赋,又涉阳台"云雨"情事.     

诗史之风忠烈之情——张煌言诗歌分析

张煌言,号苍水,是晚明诗坛大家。其诗歌大都以抗清复国为主题,被称为“诗史”,既是他抗清斗争中严酷而艰苦生活的记录,也是他坚韧不拔、不屈不挠的战斗意志和忠烈精神的写照。     

The poetry explosion

Brian Merrick bas made a major contribution to the development of poetry teaching for younger children in the United Kingdom during the 1980s. CLE invited bim to look back over the decade and to select a personal list of favorite collections.ForCLE he has written on Poetry in Performance (issue 35) and Charles Causley (issue 70). The latter article was expanded intoTalking with Charles Causley for the National Association for the Teaching of English (1989). NATE has also published his influentialExploring Poetry: 5–8 (1987) andExploring Poetry: 8–13 (1990).     

The aims of lifelong learning through the dynamic of ambition

This article addresses the personal negotiations that lead individuals to pursue adult education. Analysing this process determines ambitions pursued, and thus makes it possible to identify how the individuals involved perceive their desired future as an improvement. This study found that ambitions were negotiated in order to make them acceptable to the individuals themselves, but that their negotiation also involved others; at the same time, it examined the aims and constraints implied by the process. This negotiation process draws on norms and rules related to the search for a better work–life balance. Three types of ambition were identified as models for negotiating the social organisation of time. The paper concludes with the benefits of studying ambition for the field of adult education, and on the potential contribution that can be made by considering these programmes as a support in the construction of identities, even though this aspect tends to be diminished by neoliberal hegemony regarding adult training programmes.     

The quiet revolution of poetry slam: the sustainability of cultural capital in the light of changing artistic conventions

This paper considers the educational and theoretical implications of an analysis into the artistic movement of poetry slam. Slam is a successful and growing global phenomenon, which both directly and indirectly sets itself against the dominant literary world. As such, it could be viewed as presenting a challenge to dominant literary conventions and thus to the cultural capital of those who rely upon such conventions. Using data drawn from an ongoing ethnographic study, employing semi-structured interviews with 44 poets, promoters and educators active in the slam community, and participant observation of 21 slams in four cities, this paper explores what poetry slam can tell us about the ways in which members of dominant art worlds and new artistic movements interact and the implications which this has for the sustainability of cultural capital in the light of newly emerging artistic conventions and discourses.     

论西方现代诗歌运动对新诗革命的影响

中国的新诗革命是世界现代诗歌运动的一部分,深受西方现代诗歌运动的影响.由于20世纪初的中国正处在政治革命和文化革命的激进时代,西方现代诗歌运动中的自由诗革命得到了中国新诗人的极端重视.19世纪末20世纪初,美、英、法等国的诗的自由化、散文化的诗体解放倾向被中国新诗人故意夸大,助长了新诗诗人对古代汉诗诗体的极端否定,使新诗革命由本应是纯粹的文体革命变味为政治性的文体革命,其破坏性不仅超出了汉语诗歌当时的承受能力,而且影响了新诗初期及以后百年的诗体建设.