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1.
In 2015–16 researchers from the University of Melbourne and Museums Victoria undertook a collaborative project which sought to visualise archival data from the museum as a means to investigate the structure and context of the Dorothy Howard Collection. This article introduces Dorothy Howard’s work, which is part of the internationally significant Australian Children’s Folklore Collection, and looks at the project’s processes and outcomes, including the initial visualisations produced. In doing so, the authors highlight the data-intensive nature of such work, suggest the potential of visualisations to reveal collection structures, and outline possibilities for future projects and collaborations. 相似文献
2.
Din Mohammad 《亚洲交流杂志》2013,23(5):407-420
This article explores how a particular kind of popular music of Dhaka city called ‘urban folk’ and the cultural identity of the rural migrants have been producing each other in an ongoing process of cultural communication. Following a discussion on the historical background of urban migration and its depiction in the prevailing pop music culture, this article uses the concepts of ‘cultural hybridity’ by Homi K. Bhabha and ‘political society’ by Partha Chatterjee to argue how the fluid structure of this hybrid form of music and its unconventional mobility between the folk and the pop have been in close association with the urban poor's formation of political society in contemporary Dhaka. 相似文献