高师美术教育实习指导浅谈

高师美术教育实习是培养和训练美术教师的重要一环。美术课教学有其自身的学科特点，实习指导教师职责重大，对实习生的指导工作直接影响着美术教育实习的质量。因此，要求实习指导教师必须以身作则，言传身教；对实习生尊重信任，严格要求；在指导中突出重点，发挥特点。     

美国数学教育实习的特点及其启示

文章以美国哥伦比亚大学教师学院数学教育实习为例,介绍了其数学教育实习的目的、内容及要求、对实习生的评价以及指导教师的作用,分析了上述各项内容的特点。其对我国数学教育实习有这样几点启示：应延长数学教育时间;拓宽数学教育实习的内容和形式;明确实习指导教师的职责;规范评价的体系;使实习生成为真正的反思者。     

师范生教育实习效果的影响因素及提升策略——基于X大学物理学专业实习生的反思材料分析

通过对某大学16份实习生的实习材料进行定性分析,研究了影响实习生教育实习效果的影响因素.研究表明：影响实习生教学能力发展的因素有实习生自身的努力,实习生的教学反思等.据此提出的建议是：编写符合实情的实习指南;以QQ群为基础搭建实习生集体交流平台;要求实习生拟写教学反思;高校指导教师定期检查、点评;以实习生所在实习年级为小组,建立实习共同体;实习结束之前,组内举行汇报性质的讲课比赛,中学指导教师当评委,以提高师范生实习的效果.     

数学教育实习中指导教师工作现状分析

中学指导教师在数学教育实习中扮演着重要的角色。调查发现,绝大部分实习生在教育实习的过程中获得了中学指导教师对他们的指导。指导的内容集中在课堂教学设计和教学技能方面。大部分实习生都认可指导教师的工作。在实习中大多数指导教师没有获得如何从事指导工作的培训机会及取得相关工作的资质;他们与高等教育机构联系甚少;指导实习生的过程中存在单打独斗的问题。     

幼儿教师如何指导实习生

当前．不少幼儿园接收学前教育专业学生来园实习,而教师则顺理成章地承担指导实习生的任务。在此期间,教师怎样指导实习生。不仅关系到实习生能否顺利完成实习工作,而且关系到幼儿能否达到既定的各项发展目标。以及班级常规能否保持正常。那么,指导教师该怎样对实习生进行指导呢？     

基于电子对话的混合编队教育实习模型

单科集中定点的实习模式有许多弊端,混合编队教育实习模式整合了多学科的实习生与指导教师到一实习点,容易得到实习学校的支持与认同,但在实践中存在的问题是实习生在教育实习过程中难以得到指导教师的专业支持。本研究提出了一个基于电子对话的混合编队教育实习模型,以此促进实习点、实习生与指导教师的协作与对话,提高教育实习指导效率,促进实习生主体意识的形成和完善教育实习评价。     

高师反思-自省实习指导模式的构建

以教师专业发展和教学反思理论为指导,结合职前教师的特点,确定高师反思一自省实习指导模式的目标和原则;分析了反思一自省实习指导模式的内容和途径.对两届高师实习生进行试验研究,形成反思一自省实习模式雏形.     

探究高师美术教育实习的指导与改进

教育实习是教学过程的重要环节之一,师范院校必须认真对待教育实习.美术教育实习有自身的特点和规律,需要认真研究,区别对待.搞好教育实习,必须认真做好深入细致的思想教育工作.实习指导教师必须依据教育理论和美术学科特点来指导实习教学,做到以身作则、言传身教,严格要求并尊重、信任学生,善于抓住主要矛盾搞好教育实习的指导.近些年来,中等美术教育已经发生了许多变化,应根据新形势的需要不断对美术教育实习进行改进和完善.     

怎样指导英语专业师范生的教学实习

教学实习是师范教育一个重要环节。它既可使实习生初步了解社会、学校以及教育对象、教学环节等;也为实习生提供了一个学习教学方法和教学技巧的机会。 英语师范专业的教学实习,与其它学科师范专业教学实习有相同之处,但也有不同的地方,所以,指导这一学科的教学实习,也应有其特殊性。 一、教学实习的目的 教学实习的目的是什么?概括起来有以下几点: （1）为实习生提供一个实践教学方法的机会。 （2）为实习生创造一个能自如地从简单教学过渡到复杂教学的机会。 （3）为实习生提供教学评估的机会。 （4）帮助实习生总结自己的教学方法。 （5）使实习生了解学生学习上的问题和影响他们学习的情感因素。 （6）培养实习教师对学生的责任感。 二、指导教师的任务和工作 为了达到上述教学目的,就要求实习指导教师在实习生实习的各个阶段做好以下工作: （1）分组 为便于指导教师对实习进行管理,需要把实习生分成若干个小组。要做到合理分组,指导教师必须对实习生有个全面的了解,包括他们的学习成绩、应变能力、性格特点等等。划分小组     

实习教师成长特性考察及理念探析

实习是教师专业成长的第一个"关键时期",通过跟踪观察一组实习生8周的实习生活,发现实习教师专业成长具有阶段性、差异性、启蒙性、双重角色性等特性。关键个人、关键事件、同伴群体、反思机制是实习生社会化过程的关键要素。提高教育实习的质量就要根据实习教师成长特点,确定指导实习教师的方法,促进实习教师观念的自我建构。     

外语教师在课堂教学中的角色转换

当前我国外语教学改革的重要课题之一,是深入研究教师在课堂教学中所应扮演的角色,并迅速完成其角色转换。外语教师应该花大力气去研究如何引起学生学和帮助学生学,以培养能力为目标,进行精心细致的备课,用实践活动作课堂教学的主线,使外语课堂教学从知识灌输型转化为能力培养型。如此,则必然给外语课堂教学带来革命性变化,实现大幅度提高外语教学质量的目标。     

器乐教学中慢练的重要性

器乐教学中,教师的教授和学生学习方法的配合是非常重要的。在练习中,慢练的重要性就更为突出。努力配合教师调整自己的学习思维方式和看待事物的角度,了解学习的规律,尽力去理解教师的教学意图和接受合理的思维过程和学习方法,进行正确的操作练习。慢练的目的是变得更快,一首完全成熟的作品,也需要慢练,在慢练中巩固意识,使自身的演奏更加细腻、更具感染力。     

Learning to Be: The Modelling of Art and Design Practice in University Art and Design Teaching

Learning to be an artist or designer is a complex process of becoming. Much of the early phase of ‘learning to be’ occurs during the time emerging artists and designers are students in university art/design programmes, both undergraduate and postgraduate. Recent research reveals that a critical role in assisting students in their maturing identities as artists and designers is played by artist/designer‐academics teaching in university art and design programmes. By maintaining active art/design practices and drawing from these in their teaching, artist/designer‐academics model professional practice to students. Witnessing and interacting with such modelling is part of the process of students learning the shared discourses, views and practices of the art or design worlds to which they aspire to belong. The modelling of professional practice is critical to an artist or designer's ‘learning to be’ experience because it enables students to access the tacit and nuanced behaviours, languages and cultures that constitute contemporary art or design practice. This article outlines findings from a recent Australian study revealing the role of professional practice modelling in university art/design teaching. It highlights the centrality of professional practice modelling to artist/designer‐academics in their beliefs and approaches to teaching their academic disciplines. In critically exploring the research data and findings this article describes the role that modelling of practice plays and how it comprises a core part of the value that artist/designer‐academic participants contribute to the teaching of art/design education.     

小练笔,大天地——论如何有效开展美术练笔教学

练笔在美术教学中占据着重要的地位,能起到温故知新、分层讲解、突出重点的作用。在美术练笔教学中,教师要为学生精选练笔内容,推荐练笔工具,设计练笔过程,优化练笔评价,提升学生练笔教学的质量,带领学生走进绚丽多彩的美术天地,让学生真正爱上美术,形成良好的艺术修养。     

Examining the discourse on the limit concept in a beginning-level calculus classroom

Existing research on limits documents many difficulties students encounter when learning about the concept. There is also some research on teaching of limits but it is not yet as extensive as the research on student learning about limits. This study explores the discourse on limits in a beginning-level undergraduate calculus classroom by focusing on one instructor’s and his students’ discourses through a communicational approach to cognition. The findings indicate that some of the limit-related contexts in which students struggled coincided with those in which the instructor shifted his elements of discourse on limits. The instructor did not attend to the shifts in his discourse, making them implicit for the students. The study highlights that the discrepancies among participants’ discourses signal communicational breakages and suggests that future studies should examine whether teachers’ explicit attention to the elements of their discourse can enhance communication in the classrooms.     

“I am Out of My Comfort Zone”: Self-study of the Struggle of Adapting to the Professional Identity of a Teacher Educator

It is often assumed that graduate students will develop as teacher educators simply by participating in a doctoral program. However, research has shown that doctoral students find the shift from teaching K-12 to preparing teachers to be a difficult transition. Within the context of a doctoral program community of practice established specifically for the purpose of examining this transition through self-study research, we sought to understand the shift in identity of a novice teacher educator working as an early field experience instructor with elementary science and mathematics preservice teachers. Our findings indicate that the process of self-study research, when supported within a community of practice, offered Jared the opportunity to recognize different aspects of his shifting professional identity, the dominance of particular aspects of his identity in certain situations, and the impact this was having on his students’ development as teachers. Developing this awareness of his adapting professional teaching identity from a classroom teacher to a teacher educator should help as he continues to develop his knowledge and skills working with teachers in different contexts and at different grade levels. Implications for how teacher education programs could better support the professional identity development of novice teacher educators through the use of a self-study focused community of practice are discussed.     

思维风格与教学

学生学业成就的大小不仅依赖其思维能力,而且依赖其思维风格。思维风格与环境要求的匹配是十分重要的,教学方法、评价方法与思维风格的适宜性会直接影响学生的学业成就。在教学过程中,教师只有根据学生不同的思维风格和学习风格,采用与之相适应的教学方法和评价方法,才能使每个学生都能从课堂教学中有所获益。     

李秉德先生的教学论研究及其方法论启示

李秉德先生在教育学的很多领域形成了丰富的学术思想。他创立了教学的＂七要素说＂,建构了完整的教学论学科体系。他认为教学论的研究要特别重视正确的态度和科学的方法。在语文教学思想中,他提出了构建语文教育学的构想。他认为解决教学理论与教学实践＂两张皮＂问题必须区分不同情况。李先生对教育无限热爱的情怀,对学习永不懈怠的追求,对学术深入研究的执着,对学生严慈相济的关爱,对人生老实做为的信念都给我们以深长的启迪。     

Understanding student evaluations of teaching in online learning

In this paper, we have developed a classification model for online learning environments that relates the Instructors Overall Performance (IOP) rating (according to students’ perceptions) with the course characteristics, students’ demographics and the effectiveness of the instructor in his/her teaching roles. To that end, a comprehensive Student Evaluation of Teaching (SET) instrument is proposed, which includes not only conventional teaching elements, but also items that encourage twenty-first century skills. The goal of the study is twofold: (i) to quantify the extent to which the selected variables explain the IOP rating, and (ii) determine which teaching and non-teaching variables most affect the IOP rating. The best performing classifier achieved a competitive accuracy, highlighting that the selected variables mainly determine the IOP values. Other important findings include: (i) the IOP value is mainly influenced by the effectiveness of the instructor in his/her teaching roles; (ii) teaching strategies that involve the cooperation between the technical and pedagogical roles should be promoted; (iii) the pedagogical role has the highest impact on the final IOP value; and (iv) the most influential demographic variable is the student’s status (working commitments and family responsibilities).