共查询到20条相似文献,搜索用时 15 毫秒
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Joanne Begiato 《Cultural and Social History》2018,15(1):39-59
This article examines how marital violence was articulated in and around particular places, spaces, and objects, to reveal the tensions embedded in the physical structure of the household and its control. It also demonstrates that space and objects shaped marital violence both as an idea and an act and did ‘emotional work’ in the sense that they operated upon people’s emotions and behaviour. Finally, it argues that an imagined material culture of marital violence contributed to the construction and maintenance of class stereotypes. 相似文献
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Anna Field 《Cultural and Social History》2018,15(2):177-196
This article argues for a departure from previous conceptual frameworks that have categorised early modern coining offences as ‘social crimes’ similar to poaching, smuggling and riot. It seeks instead to complement the work undertaken by Malcolm Gaskill, Carl Wennerlind and Nicholas Tosney by contributing to their holistic interpretations of the offences from a variety of legal, economic and cultural perspectives. Through an analysis of elite views, cheap print, and the textual content of Mint depositions and trial summaries, this article argues that the ways in which contemporaries understood the practicalities of clipping, counterfeiting, and uttering as illicit depended largely on individual factors. These included the morality of work and labour, and specific roles and relationships of coiners. 相似文献
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Elizabeth Foyster 《Cultural and Social History》2013,10(4):487-508
ABSTRACTIn the period c.1660–1800, there was an unprecedented interest in the spoken word in Britain, and for those who aspired to be polite, a new emphasis upon the sounds of their speech. But what did this mean for the lives of those who stammered, stuttered or had a lisp? How far were speech impediments experienced or viewed as disabilities? This article argues that in their quest for polite manners and refinement, the socially ambitious were prepared to invest time and money upon improving their speech. This created demand for the services of speech specialists, a new occupational group who forged their identity during this time. The consequences of their advertising techniques, which suggested that speech impediments could and should be overcome, are explored. Finally, this article examines how polite society set standards for listening and responding to the sounds of people with speech impediments. 相似文献
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AbstractThis article considers the effects of work in the south Wales coal industry either side of the turn of the twentieth century and, specifically, the ways in which work aged workers prematurely. It examines the consequences of working practices for miners’ bodies, the expedients utilized by miners to try and cope with the effects of premature ageing, and the consequences for their living standards, experiences and status. It situates these phenomena in the contexts of industrial relations and welfare provision. In so doing, the article engages with historiographies of the life-cycle, the aged, and pensions provision in modern Britain. 相似文献
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Sarah M.S. Pearsall 《Cultural and Social History》2013,10(3):289-293
AbstractThis article examines the strategies and tactics of surveillance that were used by Manchester City Police in relation to anxieties about gender, sexuality, juvenile delinquency and drugs misuse in post-war England. In the early 1960s the members-only ‘coffee beat club’ became a target of police activity, resulting in a series of raids, minor prosecutions and the intensification of the licensing laws. Commenting on the relationship between police culture and youth culture, including the leisure practices of adolescent girls, this article argues that the targeting of the ‘coffee beat club’ became a motif for the defence of an older imagined social order. 相似文献
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Edward Owens 《Cultural and Social History》2013,10(4):465-488
AbstractThis article presents a new analysis of representations of T. E. Lawrence to explore how the media created celebrity identities in interwar Britain. Examining his appearance in seventeen national newspapers and in newsreels between 1919 and 1935, it shows how earlier press depictions that borrowed from Lowell Thomas’s portrayal of him as the mythical ‘Lawrence of Arabia’ were disrupted by a nascent media-driven celebrity culture which aimed to uncover intimate details of the lives of the so-called ‘real’ people that were believed to exist behind the outward personae of the famous. By the late 1920s, the press’s attention had switched from Lawrence as an imperial adventurer to focus on the intensely private man who lay behind the public image of the ‘Blonde Bedouin’. This shift in emphasis denoted a significant change in the way celebrities were presented by the news media in interwar Britain. Journalists intensified their exposure of celebrities’ private lives to amplify the empathetic connection between the public and the famous at a time when new modes of self-fashioning were configured through expression in private, domestic life. This shift was also informed by growing anxieties regarding how public figures communicated their social authority to the new audiences of the interwar mass media, newspapers and newsreels exposing famous people’s private lives to generate emotional connections with members of the public which would strengthen concepts of social leadership and trust. 相似文献
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《Cultural and Social History》2013,10(3):287-300
The notion of charlatanism is central to the social workings of the eighteenth-century republic of letters. Starting with Johann Burkhard Mencke's famous treatise The Charlatanry of the Learned, this paper traces how accusations of academic and scientific misconduct put in terms of ‘charlatanry’ initially helped to produce the new species of the erudite ‘charlatan’. Facing a growing complexity of scientific culture, this new frame of meaning, structured by numerous examples of scientific misconduct, offered a way of mapping the world of learning. But besides its cognitive impacts, the discourse of charlatanry allowed the creation of symbolic boundaries, which determined decisions as to the affiliation or non-affiliation to this recently forming scientific community by separating honourable from dishonourable scientific personae. Speaking of charlatanry therefore always implied a social distinction as much as a scientific one. The discourses on charlatanry also mirror differentiations within the scientific field. At first dominated by a critique built on courteous or bourgeois values, the scientific field later developed its own criteria of appraisal, such as authorship, originality, transparency, etc. Attracting the attention of a growing public sphere, the explicit verbalization of claims which were not related to the value system of a republic of letters primarily concerned with the production and distribution of knowledge finally led to a more implicit moral economy of science. 相似文献
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《Cultural and Social History》2013,10(4):569-571
ABSTRACTThis article concerns the protest of an Aboriginal Australian man, Anthony Martin Fernando, who during an international gathering of Rome Catholics in the Jubilee year of 1925 handed out flyers outside St Peter's Cathedral in Rome. By protesting against conditions for Aboriginal people in Australia, Fernando brought the question of settler colonialism in Australia directly and in person to the Roman Catholic community arriving from around the world. Where the Vatican's ethnographic exhibition of that year rehearsed the more usual representation of injustices towards Australia's indigenous people as integral to an unruly nineteenth-century colonial frontier, Fernando aimed to link Australian settler colonialism with the British world in the present – a world he characterized as yet to be brought to account for its actions towards colonized peoples, particularly the Aborigines of Australia. The audacity of that protest, as well as the literal presence of an Aboriginal man living by himself on the streets of interwar Europe, forces us to reconsider Aboriginal Australian activism in the twentieth century. It requires firstly a more genuinely transnational account of the history of indigenous politics in Australia, and secondly a more dynamic account of the diversity of often-ephemeral forms of black political activism carried out within and beyond colonial settings in the modern era. 相似文献
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Tetsushi Marukawa 《Inter-Asia Cultural Studies》2013,14(2):274-281
This paper is one of the attempts to show how each East‐Asian regional country’s memory of the war has been related to the post‐war literatures and movies restricted by the structure of the Cold War. In particular, this paper takes up the issue of how the structure of Japanese culture after World War II was heavily influenced by the Cold War. When Japan was under the Occupational Forces, Japanese writers and film directors settling on the subject matter of the war were not free from the strain of the systematic censorship by GHQ. Translating into mechanisms of their works using the body or woman (comfort woman) by squarely facing the facts of the East‐Asian history, this paper reconsiders the body of post‐colonial Japan. 相似文献
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Beverly Lemire 《Cultural and Social History》2016,13(1):1-22
Trousers have a history. The British-imperial biography of this garment reveals the significance of ready-made clothing production for naval and merchant administrations with global reach. This history demonstrates the significance of male sartorial experiments in colonial settings. And it also confirms the rising importance of imperial and maritime cultures in shaping masculine ideals and habits of dress. Ultimately, middle ranked and elite male Britons came to rethink their allegiance to breeches and hose, a mnemonic of the ancien régime. Social cross-dressing ensued, with men of higher status adopting the garb of nautical working men, at a time when mariners were increasingly esteemed. The study of trousers opens new vantage points from which to assess the forces altering British masculinity, forces that also reshaped material norms. 相似文献
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Lena Liapi 《Cultural and Social History》2017,14(5):549-564
This article reconsiders ideas of the public sphere in the seventeenth century, by focusing on how public opinion is shaped by the movement of information between media and between receivers. It contends that the scholarly preoccupation with a public sphere viewed exclusively in terms of politics obscures the fact that contemporaries did not distinguish between politics and subjects such as crime in their newsgathering. Examining the case study of James Turner, a burglar in the 1660s who became a cause célèbre in London and beyond, this article shows how crime news were eagerly exchanged, informing discussions and constructing public opinion. 相似文献
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《Cultural and Social History》2013,10(1):109-111
ABSTRACTDrawing on Paul Ricoeur's notion of narrative identity and on his observations concerning testimony in Memory, History, Forgetting, this article explores the operation of memory under two aspects, that of narrative identity and that of witness. This exercise involves some related discussion both of the history/memory problem and of the relationship between written and spoken traces in engaging the past. The methodological focus for the work is a written text of an unusual kind, comprising an extensive and detailed eyewitness account written, forgotten and re-discovered by the same individual – Lionel Curtis – after an intervening period of half a century. 相似文献
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Yu Jung Lee 《Inter-Asia Cultural Studies》2018,19(2):180-205
This article examines the ways in which multiple traditions of camp shows and the overlapping and relational layers of Imperial Japan and U.S. presence in Korea shaped Korean entertainers’ lives after 1945, producing their idiosyncratic performances in response to rapid shifts in Korea’s relations with Japan and the United States in the 1940s–1950s. When the United States sought to reposition Japan at the top of the newly emerging American hegemonic order of Asian countries, Korean entertainers who served the Imperial Japanese Army a few months earlier found themselves performing for American soldiers. The stage of the Korean native camp shows became a “strange and exotic” yet “familiar and even comforting” place where inconsistent logics, such as Imperial Japan’s pan-Asian ideology and American Orientalist fantasy, mingled. Under the complicated legacies of overlapping militarization and colonization in Korea, militarization has constituted a structuring force that enabled Korean women camp show entertainers generating their hybrid performance styles in ironies, contradictions, and complexities. Building on postcolonial theorists’ notion of hybridity, I argue that Korean entertainers’ performances were being shaped or negotiated in contact with different audiences and expectations as well as Korean entertainers attempted to navigate the acceptable ground of performances and womanhood in the constantly changing political and ideological environment. 相似文献