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The ‘bloomers’ are rarely considered beyond their 1851 origins in the United States and subsequent appearance in Britain. This article expands dress reform scholarship by analysing print culture elsewhere in the British world, specifically Australia and New Zealand. The colonial press manufactured controversy over this fashion – a perceived transgression of gender norms – even though antipodean women rarely sported the outfit. This article focuses on the dress reform lectures and writings of Amelia Bloomer, Caroline Dexter and Dr Mary Walker. While certain continuities resurfaced alongside the bloomer-like rational dress popularised in the bicycling culture of the 1890s, dress reform was largely deemed far less controversial by the turn of the twentieth century.  相似文献   

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Trousers have a history. The British-imperial biography of this garment reveals the significance of ready-made clothing production for naval and merchant administrations with global reach. This history demonstrates the significance of male sartorial experiments in colonial settings. And it also confirms the rising importance of imperial and maritime cultures in shaping masculine ideals and habits of dress. Ultimately, middle ranked and elite male Britons came to rethink their allegiance to breeches and hose, a mnemonic of the ancien régime. Social cross-dressing ensued, with men of higher status adopting the garb of nautical working men, at a time when mariners were increasingly esteemed. The study of trousers opens new vantage points from which to assess the forces altering British masculinity, forces that also reshaped material norms.  相似文献   

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ABSTRACT

In the period c.1660–1800, there was an unprecedented interest in the spoken word in Britain, and for those who aspired to be polite, a new emphasis upon the sounds of their speech. But what did this mean for the lives of those who stammered, stuttered or had a lisp? How far were speech impediments experienced or viewed as disabilities? This article argues that in their quest for polite manners and refinement, the socially ambitious were prepared to invest time and money upon improving their speech. This created demand for the services of speech specialists, a new occupational group who forged their identity during this time. The consequences of their advertising techniques, which suggested that speech impediments could and should be overcome, are explored. Finally, this article examines how polite society set standards for listening and responding to the sounds of people with speech impediments.  相似文献   

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Owing to the growth of urban crime, the expansion of print culture, and changing cultural attitudes, a remarkably diverse range of positive and negative images of robbery were disseminated in eighteenth-century London. Attitudes in the 1690s were already ambivalent, but repeated negative reports in newspapers and trial accounts contributed to the identification, in the 1720s during a perceived crime wave, of the ‘street robber’ as a particularly threatening criminal. In response, the concept of the polite gentleman highwayman emerged, epitomized in representations of James Maclaine at mid-century. From the 1770s, however, the appeal of the gentleman highwayman began to wane, and all forms of robbery came to be seen as equally undesirable.  相似文献   

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In a recent article, Alistair Mutch suggests that twin concepts – ‘control’ and ‘interpretation’ – explain the evolution of the public house over a century of dramatic changes between 1850 and 1950. This article argues that these concepts are confusing, ambiguous and misleading. It was not regulatory pressures, the temperance movement, local politicians, pressure groups or magistrates that most shaped the history of drinking premises, but developments outside the brewing industry, most notably Progressivism. Emerging in the late nineteenth century, Progressives set out to reform drinkers and drink premises, first in the trust house movement, and then in the Liquor Traffic Central Control Board during the First World War. Appropriating their ideas and philosophy immediately following the war, England's foremost brewers launched the public house improvement movement, the most far-reaching attempt to transform the nature of public drinking in the twentieth century.  相似文献   

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Pigeon racing was immensely popular amongst male industrial workers in the nineteenth and early twentieth centuries. This article offers an overview of the history of pigeon racing in this period before moving on to explore the sport's multiple meanings for those who took part. Pigeon racing offered not only the thrills and excitement of racing but also the more sedate and intellectual rewards of breeding and rearing the birds. The pigeon loft was a masculine enclave and a retreat from the pressures of domestic life for some, although for others it was an opportunity to share time with their family. As such, pigeon racing demonstrates the complexities of working-class masculinity. Pigeon keeping was also expensive, time consuming and required space. The article thus concludes by arguing that despite the agency workers were able to exercise over their leisure, they were still restricted by wider material constraints.  相似文献   

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From the late 1950s onwards, the Netherlands witnessed a transformation of the emotional codes of politics. A culture of political leadership marked by notions of duty and restraint, made way for self-expression and authenticity. This article argues that the interaction between the spheres of politics and popular culture played a vital role in this transformation. The practices and discourses of popular culture became a significant part of the repertoire through which politicians articulated representative claims. The article traces how politicians negotiated their interaction with popular culture, started to cultivate a private persona and eventually turned into political celebrities.  相似文献   

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This article examines the place of the Chinese House (c. 1748) at Shugborough, Staffordshire, within the context of the mid-eighteenth-century craze for chinoiserie architecture in British gardens, and within the longer history of Sino-British encounters more generally. Drawing on evidence from published and archival sources, it argues that the expression of imperial ideology manifest in the garden at Shugborough represents an exceptional case for the period, during which more nuanced and ambivalent attitudes towards Britain's expanding presence in Asia generally prevailed. Attention is drawn to the need to locate the specific social settings of art objects within their wider historical contexts.  相似文献   

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Much cultural and social history fails to engage fully with business history, resulting in an impoverished view of central institutions such as the public house. Using the twin concepts of control and interpretation, and with a particular focus on managed houses, the article suggests that the degree of control exercised by companies over the character of public houses during the period has been exaggerated. While there was an increasing degree of control over public houses in terms of ownership and product range, this control was not necessarily used to influence the character of the house. Many companies left such concerns to their tenants, viewing their pubs as distribution points rather than retail outlets. Changes to the pub, such as the ‘improved public house’, were as much about the respectability of the trade in response to regulatory pressures as about meeting customer needs. An appreciation of contrasting business strategies can give a richer picture of the public house and its place in popular culture.  相似文献   

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Images of maternal distress and maternal deviance were frequently invoked in order to mobilise British women in support of her ‘heathen’ sisters overseas. Yet these accounts were not uniform in their interpretation of Indian maternity, or its relationship to emerging Victorian ideals of motherhood. This paper explores ideas of maternal danger, distress and deviance as they appeared in evangelical and colonial discourses of the late eighteenth and early nineteenth century, revealing complex and ambivalent responses and challenging the idea that Indian woman were simply one-dimensional signifiers of victimhood within gendered constructions of the ‘civilising mission’.  相似文献   

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