Learning to Be: The Modelling of Art and Design Practice in University Art and Design Teaching

Learning to be an artist or designer is a complex process of becoming. Much of the early phase of ‘learning to be’ occurs during the time emerging artists and designers are students in university art/design programmes, both undergraduate and postgraduate. Recent research reveals that a critical role in assisting students in their maturing identities as artists and designers is played by artist/designer‐academics teaching in university art and design programmes. By maintaining active art/design practices and drawing from these in their teaching, artist/designer‐academics model professional practice to students. Witnessing and interacting with such modelling is part of the process of students learning the shared discourses, views and practices of the art or design worlds to which they aspire to belong. The modelling of professional practice is critical to an artist or designer's ‘learning to be’ experience because it enables students to access the tacit and nuanced behaviours, languages and cultures that constitute contemporary art or design practice. This article outlines findings from a recent Australian study revealing the role of professional practice modelling in university art/design teaching. It highlights the centrality of professional practice modelling to artist/designer‐academics in their beliefs and approaches to teaching their academic disciplines. In critically exploring the research data and findings this article describes the role that modelling of practice plays and how it comprises a core part of the value that artist/designer‐academic participants contribute to the teaching of art/design education.     

综合类院校艺术设计专业实践课教学改革初探

艺术设计实践课要与专业理论、生产实践紧密结合起来,以适应时代的发展,适应现代生产的发展。这要求教育工作者革新观念,整合教学资源,改革教学方法,根据学校自身的办学特征,进行与自身特色相适应的教学模式,实现教学模式的个性化,并建立与艺术设计学科自身的发展规律相适应的综合教学体系。     

论高校艺术设计专业实践教学模式的构建

本文分析了实践教学模式的内涵及构建实践教学模式的总体目标和基本原则,剖析了当前高校艺术设计专业实践教学存在的问题和不足,提出了构建艺术设计专业实践教学模式的基本思路。     

Using Thematic Analysis to Facilitate Meaning‐Making in Practice‐Led Art and Design Research

This article argues that thematic analysis could aid artist‐researchers in enhancing the arguments they construct in their fields of interest as they move through research projects. It discusses some of the distinctive features and obstacles of practice‐led research in art and design and relates them to the use of thematic analysis. Artistic research often includes acts of interpretation, where the artist‐researcher reflects on his or her artistic work process and the context of the artefacts created during the process. A systematic thematic approach is important for the whole process, because it supports the separate work periods of artmaking and conceptualising and binds them to the study. In its theoretical freedom, thematic analysis provides a flexible and useful research tool that can bridge the two realms of knowing in practice‐led research, potentially providing a rich and synthesised account of the creative experience. The benefits of thematic analysis will be demonstrated by examining two examples.     

构建艺术设计实训教学体系 培养应用型人才

在艺术设计中,好的创意或构思只有在得到应用和展示的时候才能体现其价值。而当今的艺术设计教育由于实践能力和创新能力培养的匮乏,缺乏将知识贯通和应用的能力,无法圆满的完成从知识到产品设计应用的整合。实训教学体系是实践能力和创新能力培养的有效教学模式,在教学探索中形成贯通式、模块化、多层次、开放式的新型的实训教学体系;教学中加强项目课题开发,增加学生应用、实践的环节;密切实训教学与社会需求的关系,不断调整人才培养目标使其更具时代性和针对性。     

对设计艺术类写生实习基地建设的思考

建立起恰当的设计艺术类写生实习基地,无疑将有利于学生建立起自己的艺术设计理念。当我们在选择写生实习基地的时候,首先会想到那些最能体现人与环境和谐共存的区域,那些传统艺术形态保存较好的区域,那些有利于学习与发展现代设计艺术的区域。     

艺术设计实验教学管理

艺术设计实验是一门新兴学科,其教学质量的好坏与教学管理水平密切相关。建立和完善实验室管理体制、提高实验师资队伍素质和管理水平,是实验教学管理规范化的重要基础和保障。     

Interdisciplinary Research: Practising the In‐Between

This article will demonstrate that practice‐led photographic research offers an example of dialogical encounter. Through recourse to an outline of my own practice and the experience of completing a practice‐led doctoral thesis, the article will account for photographic practice and interdisciplinary research in terms of dialogism. This will demonstrate that visual research is a productive nexus: it does not simply concern itself with the products of creative practice, but is a generative space itself. The article will also discuss interdisciplinarity from a personal perspective on practice‐led research, which, over time, has developed into an interdisciplinary mode of working. The radical notion of the dialogical self will be considered with specific reference to interdisciplinarity and practice‐led research. The dialogical encounter will also be considered in relation to transformative learning encounters and what is at play in learning through practice, an encounter which places its protagonists at risk. However, far from being a negative state of affairs, this interstitial space in which the researcher/learner/teacher is lost and found is in fact a highly productive place in which to be.     

创新背景下高校装饰艺术设计专业课程教学改革与实践探索

随着教育改革的不断深入,传统的课程教学方式已经难以满足装饰艺术设计专业课程教学的需要。在创新背景下,积极的进行课程的改革以及实践的探索,对于新时代的莘莘学子更好的在高校中学习装饰艺术设计专业课程有着积极的促进作用。本文从构建特色的专业课程教学模式、方法以及构建工作室教学方式三个角度出发,对高校装饰艺术设计专业课程教学改革与实践探索进行研究与分析。     

工作室教学对高等艺术设计人才实践能力的培养

在美术设计专业教学中,学生实践能力往往不能得到有效的提高。工作室教学模式的出现,在一定程度上解决了这些问题。本文主要从工作室教学模式的提出、工作室教学的主要内容及其对培养高等艺术设计人才实践能力的作用等方面,对工作室教学模式下培养学生实践能力进行相应研究。     

From a Disciplinary to an Interdisciplinary Design Research: Developing an Integrative Approach for Design

As the new generation of designers face more complex design issues, the forms of design research start to shift towards a user‐centred approach to problem‐solving. The cooperation and communication among various fields and specialisations are becoming more complex; in many practical design cases, in particular, technology developers face challenges in deciphering the creative ideas of designers and the needs and restraints of users, society, law and science. The emergence of integrative design based on a wide range of disciplines has prompted discussion and exploration among various participants. The direction of contemporary design research has already transformed from one based on production of artefact to one focused on the integration of varied knowledge and fields at different stages. We examine such design research based on a problem‐driven approach in two case studies characterised by interdisciplinary collaboration for solving complex problems. We focus on the transformation and implementation of integrative design research methods and suggest a ‘reflection‐in‐action’ problem‐solving process for strengthening the capabilities of multidisciplinary design research.     

建立中国的设计艺术学--李砚祖先生的设计艺术学思想

李砚祖先生的设计艺术学思想是博大精深的，他提出了建构中国设计艺术学的初步设想，并对建立中国的设计艺术学科做出了巨大的贡献。     

谈设计实践教学

加强设计实践教学,培养具有全面的科学文化素养和设计市场观念、良好的审美分析能力、判断决策能力以及创新型设计思维方法,并具备较好的沟通表达能力和熟练掌握本专业操作技能的人才,提高设计教学质量。     

动画艺术中美术设计与表现

动画艺术中美术设计与表现的内容十分广阔,作为电影的一种特殊形式,它涉及到电影的镜头语言、各种影片叙事手法、甚至蒙太奇的运用。动画艺术最大的魅力之一是能够创造一个虚拟世界使观众陶醉其中,而电脑动画技术的加盟无疑为这种魅力锦上添花。无论是西方还是东方,各自独特的历史文化背景始终影响和引导了各自动画艺术的创作。优秀的动画设计必须要有自己的特色,才能在这个多元化的时代生存下来。     

艺术设计的科学性

艺术设计从本质上看,是艺术与科学技术统合的产物,它以科学技术为基础,用艺术设计的方式创造实用与审美结合的产品,为人类的生活服务,满足人们物资和精神方面的多种需求。随着社会的不断发展进步,艺术设计越来越科学化,其技术性、科技含量也越来越高,艺术与科学技术将在更深层次上取得高度统一。     

实践教学与艺术设计课程教学研究

艺术设计是一门集艺术、科学、技术与经济为一体的综合性学科,具有极强的应用性与实践性。学生的实际操作能力与创新能力,将直接影响其职业发展前景。以实践教学在艺术设计类课程教学中的应用为研究对象,分析了实践性教学对于培养应用型专业设计人才的意义,阐述了课堂教学与社会实践的关联性,提出了通过社会实践提高艺术设计专业人才培养的具体举措,以期为艺术设计专业教育教学改革提供借鉴和参考。     

军事运筹方向本科毕业设计研究与实践

本科毕业设计是本科教学的重要阶段,尤其是对军事运筹方向本科毕业设计研究与实践而言,有着鲜明的特点。本文阐述了军事运筹方向本科毕业设计的特点,分析了其中存在的主要问题,经过详细分析,在实践的基础上,提出了相应的解决对策与建议。     

社会学方法论在我国艺术设计批评中的应用

对社会学方法论在我国艺术设计批评中的应用进行探讨,指出社会学方法论评判艺术设计的价值取向,分析了社会学方法论在艺术设计批评中的主要应用方式,以期为我国艺术设计批评的规范化和促进艺术设计的社会性功能的有效发挥作出努力。     

浅谈研究性学习在艺术设计专业设计史教学中的应用

艺术设计史课程应该依据应用型艺术设计人才培养目标及课程教学目的,改革传统艺术设计史课程教学方法,灵活地运用与之相适宜的研究性学习课程教学方法,采取具体的可操作性措施。通过分析现阶段设计史论课程教学过程中所存在的问题,从教学手段更新、教材改革、考试方法改进等方面,探讨新的、高效的教学模式。     

科学技术对艺术设计的影响

科学技术对艺术设计产生巨大影响,我们面临机遇和挑战。熟悉新的艺术设计表达方式和材料,需从表达模式和思维意识上给艺术设计赋予更新的涵义,拓展艺术设计的表现领域。