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结合当前我国跨学科研究生教育的现状,介绍中南林业科技大学进行工程类跨学科研究生培养改革实践的整体情况与方法。以土木工程学科为例,从搭建科研创新平台、制订跨学科研究生培养方案和构建跨学科研究生知识结构等方面总结具有专业特色的跨学科研究生人才培养模式,研究成果可为改进跨学科研究生的教育与管理水平、提高培养质量提供参考。 相似文献
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国家战略的实施需要研究生教育提供创新性复合型拔尖人才。广大理工科院校不具备学科优势的经管类专业,需要打破传统单一学科的培养方式,实行研究生跨学科培养以满足市场对人才的需求。为探索这种跨学科培养模式,课题组对全国理工科院校的经管类研究生进行了网络问卷调查。调查结果表明,理工科院校经管类研究生实行跨学科培养不仅必要而且可行;培养模式中跨学科课程的内容、培养方式、选择标准以及导师制为被调查者最关心的要素;跨学科培养方式是未来研究生教育的主流模式。真正科学的理工科院校经管类研究生跨学科培养模式需要反复实践去检验。 相似文献
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跨学科研究生的学科文化融入及培养探讨 总被引:2,自引:1,他引:1
阐述了"学科文化"和"跨学科研究生"的内涵,说明了跨学科研究生培养的重要意义,分析了影响跨学科研究生实现学科文化融入的因素,阐述了跨学科研究生学科文化融入的过程和途径,最后提出了促进跨学科研究生实现学科文化融入的措施. 相似文献
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孟成民 《当代教育理论与实践》2011,3(6):37-39
跨学科研究生培养符合拔尖创新人才成长的规律,其培养质量受生源状况、导师培养能力、教育观念、培养方案设置及管理等方面因素的制约,从交叉科研平台建设、跨学科学位点整合、规范化培养管理、生源质量保障、学科文化融合等方面对跨学科研究生培养进行了探索与实践。 相似文献
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刘彩红 《赤峰学院学报(自然科学版)》2013,(13):183-184
不同学科的交叉融合是科学突破的生长点,这种学科之间的融合要求跨学科高层次专门人才的培养.跨学科研究生教育为此提供了一个很好的途径.目前我国跨学科研究生教育还存在着跨学科的观念障碍、课程体系、导师队伍、学术交流、资源共享平台等多方面的问题,本文针对这些问题对如何提高跨学科研究生培养质量提出了一些建议:我们要采取积极措施,积极树立大学科意识、完善跨学科研究生的课程体系、进行多学科多导师联合培养、举办跨学科学术交流、优化跨学科的组织结构等. 相似文献
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硕士研究生跨学科报考和录取随着研究生规模的扩大越来越普遍。跨学科硕士研究生面临学科和专业背景的差异,给硕士研究生培养方案提出了新的课题。跨学科硕士研究生也为创新性人才培养提供了契机。本文以蔬菜学专业为例,分析了跨学科硕士研究生面对的不利条件及其优势,提出了提高农科院校跨学科硕士研究生培养质量的可能对策。 相似文献
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探索跨学科研究生培养模式培养复合型应用人才 总被引:12,自引:4,他引:8
科技发展的历史和现实呼唤跨学科研究生培养。运筹学与控制论专业跨学科培养研究生的实践和初步成果对于推动跨学科研究生培养 ,发展高层次教育有着重要的启示作用。我国跨学科研究生培养是整个研究生教育体系中的一种补充模式 ,积极探索跨学科研究生培养的新体制 ,培养跨世纪的复合型人才是我国研究生教育的一个重要方面 相似文献
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本文开篇从学科发展趋势、国家政策导向、经济社会发展需求三方面论述跨学科培养研究生的必要性,通过对贵州大学民族学跨学科生源的分析,提出应对跨学科录取的研究生优势予以重视,最后结合贵州大学民族学的实践经验就跨学科研究生培养提出自己的思考与建议。 相似文献
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多学科交叉培养研究生已成为研究生教育改革的重要趋势。围绕“双一流”建设,提高研究生培养质量,践行高等教育内涵式发展的理念,依托河海大学水利工程、环境科学与工程两个“双一流”建设学科,通过构建交叉学科协同的研究生培养创新平台、建立交叉学科导师组联合培养方式、构建多维交叉的创新人才培养共同体以及加强研究生培养过程管理机制,在保持和发扬传统办学优势和育人特色的同时,积极探索“双一流”建设背景下港口、海岸及近海工程专业交叉学科研究生培养创新模式,促进研究生创新教育体系的完善,全面提高研究生培养质量。 相似文献
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Kylie Budge 《The International Journal of Art & Design Education》2016,35(2):243-258
Learning to be an artist or designer is a complex process of becoming. Much of the early phase of ‘learning to be’ occurs during the time emerging artists and designers are students in university art/design programmes, both undergraduate and postgraduate. Recent research reveals that a critical role in assisting students in their maturing identities as artists and designers is played by artist/designer‐academics teaching in university art and design programmes. By maintaining active art/design practices and drawing from these in their teaching, artist/designer‐academics model professional practice to students. Witnessing and interacting with such modelling is part of the process of students learning the shared discourses, views and practices of the art or design worlds to which they aspire to belong. The modelling of professional practice is critical to an artist or designer's ‘learning to be’ experience because it enables students to access the tacit and nuanced behaviours, languages and cultures that constitute contemporary art or design practice. This article outlines findings from a recent Australian study revealing the role of professional practice modelling in university art/design teaching. It highlights the centrality of professional practice modelling to artist/designer‐academics in their beliefs and approaches to teaching their academic disciplines. In critically exploring the research data and findings this article describes the role that modelling of practice plays and how it comprises a core part of the value that artist/designer‐academic participants contribute to the teaching of art/design education. 相似文献
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Sandy Alden Venda Louise Pollock 《The International Journal of Art & Design Education》2011,30(1):81-89
It is generally accepted that art and design related disciplines attract a higher proportion of students with dyslexia than traditional academic counterparts. Combined with this is a prevalent perception that dyslexia predominantly affects students’ writing and linguistic ability and it is this, as well as an increased visual‐spatial sensibility, that attracts students to art and design disciplines. This article examines these ideas through the experience of fine art students on a degree course with a mandatory written element. Drawing on focus groups and interviews with students, it argues that the studio component, in terms of its learning environment and teaching methods, presents an equally challenging context for students with dyslexia and that the written element or lecture‐based studies can provide students with a valuable counterpoint to their studio practice. 相似文献
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“艺术铸造”实践课程是工程训练中心专门为“本科生参加研究、实验计划”和选修实践课程而设置的一种新颖的实践形式。将艺术与工程相结合,让学生亲身体会到艺术创新与工艺制作的乐趣。 相似文献
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E. Alpay 《European Journal of Engineering Education》2013,38(1):58-69
Several European universities provide entry to general engineering studies prior to degree specialisation. The potential advantages of such entry include the provision of a broader foundation in engineering fundamentals, the option for students to defer specialisation until a greater awareness of the different engineering disciplines and the preparation of students for a more versatile career. In this paper, the attractiveness of general engineering (specifically in the first year of study) is explored through a national (UK) survey on pre-university students. Attention is given to gauging student enthusiasm for flexibility in engineering specialisation, combined degree options and exposure to other non-technical courses. The findings indicate that a general engineering programme is highly attractive to students who are currently considering an engineering degree. The programme is also attractive to some students who had previously not considered engineering. For both sets of students, the desire for education on broader topics is indicated, specifically in areas of leadership, teamwork and business skills, and more generally self-awareness and personal development. 相似文献
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作为利益相关者组织的大学——在职工程硕士教育系统是一个集知识传授、科学研究和人才培养等诸多组织活动的联合,是一个包括政府、大学、生源单位和学生等利益相关者的"共同体"。在职工程硕士教育质量的利益相关者分为外部利益相关者和内部利益相关者。外部利益相关者包括政府管理部门、生源单位和社会各界等;内部利益相关者包括大学管理层、教职员工和工程硕士学员等。不同利益相关者对教育质量保障的期望、价值和利益诉求不尽相同。为了实现利益相关者整体利益的最大化,确保在职工程硕士教育质量,需要在工程硕士教育质量保障方面,权衡利益相关者的利益,建立利益相关者共同参与的治理机制。 相似文献