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Alyssa 《中外文化交流(英文版)》2010,(12):44-45
Qujiang International Shadow Art Festival 2010 attracted numerous photoqraphers from around the world. Participant photographers were offered various photo tours through which they were greatly inspired by gorgeous sceneries and historical sites of Xi'an. Following the tour around Qujiang Site Park, my fellow photographers and I embarked on a pilgrimage to Famen Temple, a Buddhist temple that dates back more than 1000 years. 相似文献
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JANUS MØLLER JENSEN 《Al-Masaq: Islam & the Medieval Mediterranean》2003,15(2):119-137
Introduction Since Hans Eberhard Mayer published his Geschichte der Kreuzzüge in 1965 in which he called for a definition of the concept of crusade the issue has been much debated. I was not personally present at the first conference of The Society for the Study of the Crusades and the Latin East that was held in Cardiff in 1983, but according to one eye-witness account the issue was “hotly debated”, and has indeed continued to be so. Central to the discussion has been the question of whether or not crusades only went to the Holy Land or should the term be more generally applied to all papally proclaimed wars, that is between a traditionalist view and a pluralist view. Recently the debate has taken a d0ifferent turn and it has increasingly become a debate about whether the definitions given by modern historians are at all congruous to the medieval phenomenon. In the twelfth century at least there did not exist a term that is congruous to the modern construct of crusade and as John Gilchrist has pointed out, the elements that we are told constituted a crusade – indulgence, pilgrimage, the vow, the remission of sin, an enemy defined by the church – are absent from the canonical collections of the twelfth century. I would not like to say if this modern construct has become “tyrannical”, but it has led at least one English historian, Christopher Tyerman, to ask the question: “Were there any crusades in the twelfth century?” and then conclude in the negative. His conclusions are in fact parallel to the conclusions reached within the study of feudalism, where it has been argued that the concept of feudalism was “invented” by lawyers at the end of the twelfth century under the influence of new-style bureaucratic governments. Historians of the twentieth century, it is possible to argue, used the legal definitions that emerged towards the end of the twelfth century to create the modern concept of crusade. It is, however, obvious from the contemporary sources that people believed that something new was initiated by Urban II (1088–1099) at the council of Clermont in 1095. It is also apparent that the call to arms against the infidels made by Urban II contained some sort of institutional characteristic in the form of new privileges granted to people who wanted to embark upon the expedition to the Holy Land. This, I believe, should be ample reason for us, as historians, to use a word like crusade. But the main conclusion we have to draw from the work of Christopher Tyerman, I think, is to keep in mind that it is not possible to create a matrix of a crusade that applies to the whole crusading period: “The crusade cannot be adequately defined in its own terms because it only existed in relation to the dictates of its shifting western context”. 相似文献
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Li Guoping Xiao Mei 《中外文化交流(英文版)》2009,(8):12-14
He is an ordinary Chinese artist but his creations stunned former British Prime Minister Thatcher and Danish Queen Margaret Ⅱ, He was invited to many countries like USA, Japan, South Korea, Italy , Spain and Canada, His artistic career was covered by such prestigious International media as CCTV, Washington Post and BBC. AS a young artist, he was granted the title of "Chinese Folk Affist" by UNESCO. He was hailed as "Chinese Plcasso " by Western art critics. His name is Gao Dongsheng. 相似文献
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Visits to museums have been studied as hedonic and utilitarian forms of cultural consumption, though limited attention has been given to the access of museum collections online. We perform a unique historic analysis of the visibility of collections in a museum of ethnographic collections and compare 100 years of onsite visits to 5 years online visits. We find two main results: first, access to collections increased substantially online. From a selection of objects available both onsite and online, access grew from an average of 156,000 onsite visits per year to over 1.5 million views online per year. Onsite, the museum received 15.5 million visits in a span of a century while online, collections were viewed 7.9 million times in only the last 5 years. Second, we find a difference in consumer preference for type of object, favouring 3D onsite and 2D online (photographs of objects, particularly when showing them being used). Results support understanding of online heritage consumption and emerging dynamics, particularly outside of an institutional environment, such as Wikipedia. 相似文献
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Lou Shang 《中外文化交流(英文版)》2012,(7):20-21
<正>Weibo is a Chinese word for "microblogging". Over the past two years, this new Internet service has attracted users from every sector of the society. Message... 相似文献
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《中外文化交流(英文版)》2002,(6)
“Shanghai in Foreign Artists' Eyes” is an art exchange event jointly organized by the Information Office and the Foreign Affairs Office of Shanghai Municipal Government. 23 foreign painters from 23 countries and regions, including Australia, Finland, Singapore and the United States, were invited to stay in Shanghai for a while and create artworks that are involved with this rising international metropolis. Their works were then displayed in an exhibition entitled "Shanghai in Foreign Artists' Eyes". 相似文献
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自1953年郑州二里岗发现商城外城墙至今已经50年,在这长达半个世纪的时间内,商城的田野考古一直没有停顿,距今3500余年的商城的神秘面纱逐渐被层层揭去。近年来,随着新的考古发现的增加以及考古研究的深入,可以确定郑州商城是一座由宫城、内城和外郭城组成的规模庞大的城址,其总面积应超过16平方公里,是我国目前发现的最大的商城。 相似文献