开篇笑话

需要安静我去过医院了。丈夫对妻子说。医生怎么说?妻子问。他让我好好休息,要绝对安静。这是他给开的安眠药。好的,我会照顾你按时服药的。不,这药是给你开的。丈夫说。     

钱文忠解读三字经(一)

人之初,性本善。性相近,习相远。苟不教,性乃迁。教之道,贵以专。初:初生,刚开始有生命。苟:假如。性:天性。教:训导、教诲。本:本来、原来。迁:转变、变化。性:性情。道:此处指方法。习:习染,长期在某种环境下养成的。贵:注重、重视。特性。专:专一。     

减肥

小袋鼠本很胖。"妈妈,帮帮我。我太胖了。""别担心。你可以少吃点。"但是本总是感觉饿。他不能少吃。"你应该多做些运动。"妈妈说。但是本不喜欢运动。一天,本在吃薯片。一只小鸟把他的薯片叼走了。"还     

神态描写十条

日出东南隅,照我秦氏楼。秦氏有好女,自名为罗敷。罗敷善蚕桑,采桑城南隅。青丝为笼系,桂枝为笼钩。头上倭堕髻,耳中明月珠。缃绮为下裙,紫绮为上襦。行者见罗敷,下担捋髭须。少年见罗敷,脱帽著帩头。耕者忘其犁,锄者忘其锄。来归相怨怒,但坐观罗敷。     

儿童三字经

我中华,五千春,好儿女,德为根。要立世,先修身。如建楼,地基深。根本固,负万钧。人之初,最纯真,自童年,怀爱心。爱祖国,为人民,践于行,铸于魂。岳武穆,怀忠丹;林则徐,烧鸦片;郑成功,复台湾;戚继光,抗倭蛮,名千古,功齐天。水有源,树有根,孝父母,敬老人。黄温席,莱悦亲,子和女,当报恩。蜡烛光,情最深,导言行,塑灵魂。对老师,敬而尊。杨立雪,传至今。学人长,补己短。常省身,莫自满。犯错误,不遮掩。做好事,要争先,讲公德,品行端。善帮困,乐助残。是非观,泾渭分,事求实,理求真。讲原则,树公心。言守信,意诚恳。无诚信,亲友分。季布诺,值千金。     

木心的“最后一课”

<正>文学是可爱的不要讲文学是崇高伟大的。文学可爱。大家课后不要放弃文学。文学是人学。至少,每天要看书。我是烧菜、吃饭、洗澡时,都会看书。汤显祖,鸡棚牛棚里也挂着书,临时有句,就写下来。电视尽量少看。西方人称电视是白痴灯笼。最有教养的人,家里没有电视。最多给小孩子看看。电视屏幕越来越大,脑子越来越小。理解事情,不可以把一个意思推向极端,我也看电视。鸦片、酒,都好。不要做鸦片鬼、酒鬼。什么事,都不要大惊小怪,不要推向极端。读书,开始是有所选择。后来,是开卷有益。开始,往往好高骛远。黄秋虹来电话说在看庄老,在看《文心雕龙》。     

我的母亲

你有很多旧而美的棉布衫。你越来越瘦。你蹲下身迎接我进入你的怀抱。你在我睡着时抚摸我的手和脚。你有时眼含泪光,但依旧在微笑。你给我喂食、洗澡、穿衣、擦拭。你大部分时间里总是寂静,没有话语。你教我背古诗。你在睡觉前给我唱歌。你亲吻我,说你爱我。你有时不知所踪,无声地消失。你又回来。你一     

我的朋友

刘舟(音)是我的好朋友。他是个中国男孩。他的英语说得很好,并且也会说日语。他喜欢数学.但是他不喜欢语文。刘舟高高瘦瘦的。他很希望变强壮。他的爸爸是名工人.他告诉刘舟要多做运动。所以刘舟每天都起得很早。吃过早饭后,他步行去上学。他大概要走一个小时才能到学校。放学以后,他再走着回家。他说:"我现在强壮了。"     

师魂之姿——写在第二十四个教师节来临之际

人的魂魄是没有形状的。唯物主义者从来都如是认为。可是,有的时候,人的魂魄却以一种异乎寻常的形状展现。比如师魂。没有预告。没有约定。没有号召。2008年5月12日14点28分,师魂,竟不约而同地以令人撕心裂肺的姿势,横空示人。     

快乐女孩

大家好,我叫张卉。我的英文名字叫玫。我今年十岁。我在第五小学四年一班学习。我家有三口人,我的爸爸、我的妈妈和我。我是个快乐的女孩。我有很多爱好。比如唱歌、跳舞和阅读。闲暇时,我经常在房间里读书。我认为这对我很有好处。我最     

Disillusionment of the American Dream——On An American Tragedy

Theodore Dreiser is now regarded as one of the pre-eminent American realistic novelists of the first half of the twentieth century.an anatomist of the American Dream.In his great work An American Tragedy,Dreis- er exposes and criticizes mercilessly the corruption and black side of American society.The disillusionment of the American Dream is an important theme of the fiction.This paper illustrates "An American Tragedy" is the re- flection of disillusionment of the American Dream in the perspectives of the tragedy of a mortal,the tragedy of American society,and the tragedy of the American Dream.     

弗洛伊德“性力升华说”探微

弗洛伊德坚持“性欲乃是人类取得的一切成就的源泉”，认为“本能的升华是最引人注目的文化发展的特征；正是由于升华，高级的心智活动、科学活动、艺术活动或思想活动才成为可能。”人们对此很有异议。其实，弗洛伊德是在对“性”的最广泛意义的理解基础上创建他的“动力心理学”的，他试图从他对人的个体心理理解的立场出发，来解释人类的全部历史、全部事件和社会生活的结构，并以此建立一整套关于人类精神生活规律的学说和理论。深入探寻弗洛伊德性学说的底蕴，澄清他的“性力”、“原欲”概念的内涵，真正领悟其“升华”思想的真谛，才有可能拓宽我们的视野，深化对复杂纷繁的人的精神世界的研究。     

Public education and the post-fordist accumulation regime: A case study of Australia

This paper discusses the current radical changes in the Australian education policy. Central to the argument is the claim that the radical restructuring of the public sector hastened the loss of the possibility of any critical evaluation of national policy.The paper argues that this shift has been forced on the Australian state by the objective conditions expressed in a new realignment of the dominant transnational capital with the subordinate domestic capital, and in the shifts in a global capacity for consumption. The argument is underpinned by the claim that a new, post-Fordist (or flexible specialization) regime of capital accumulation is at present replacing the Fordist regime of mass production and consumption.The paper further argues that in order to achieve the system-preferred changes in the Australian education policy, the Australian government introduced radical changes in the production rules of policy formation. This involved a narrowing of policy making context and, crucially, an exclusion of voices critical of the shift towards economic reductionism.This loss of a critical sensibility constitutes the central concern of this paper. To advance the argument, in Part One, the paper discusses the relationship between the Australian state and the post-Fordist objective conditions of capital accumulation. Part Two argues that the lack of intellectual tradition in Australian public life was at least partially responsible for the easy passage given to neoclassical economics¹ perspective in becoming a dominant public policy paradigm. Part Three locates the role of education within the context of the European philosophical tradition. It provides the link between critical sensibility, the project of Western civilization (which clearly extends beyond the modern vs. postmodern dichotomy), and the role of public discourse. Finally, the paper argues that education policy needs to take the issue of critical sensibility seriously. For this reason, it needs to be informed by a desire to go beyond the mere technical fit between graduates and the workplace, and allow itself to be inspired by new ideas, and new ways of seeing.Parts One and Two of this Article appeared in INTERCHANGE, Vol. 26, #2, 1995.     

“存在”之“光”——海德格尔美论研究

海德格尔认为"美"源自审美状态,而审美状态并非是主体的某种精神状态,而是"存在"的本然状态。美是存在者自身的显现,"存在"即是美的本质,也是美的功用,美不是显现的结果,而是"显一现"这个动态过程。存在之显现之所以美是因为,人无法在流变的世界中领会与观照存在之本质,存在必然在生活的日常状态中被遗忘,只有打破了这种遗忘状态,人才能获得真正的自由,获得存在之澄明,这种获得存在之澄明状态过程,就是获得美的本质与本源的过程,美就是存在者的澄明之光,是存在之光。     

矛盾的斗争性和同一性关系再认识

在我国构建和谐社会的实践中,对于唯物辩证法对立统一学说的认识需要深化。我们长期以来坚持的"矛盾的斗争性是无条件的绝对的,矛盾的同一性是有条件的相对的。矛盾的斗争性的绝对性体现了物质运动的绝对性,矛盾同一性的相对性体现了物质静止的相对性"的认识值得反思。实践表明,矛盾的斗争性和同一性都既有绝对性的一面,又有相对性的一面。运动的绝对性和静止的相对性是与矛盾普遍性的绝对性和矛盾特殊性的相对性直接相联系的。我们必须完整科学地把握马克思主义经典作家关于对立统一学说的论述,深化矛盾斗争性和同一性关系和作用的认识。     

言意关系的文化探源

言意关系有着深远的文化背景。言说形式、言说者、言说对象是言意关系的三个要素，这三个要素在历史文化背景下的演进描绘了人文奋进的轨迹；由巫术而祭祀、占卜再进而到哲理这三要素完成了言意关系在先秦的具体形态的展开。对具体言说形态的辨析归纳出言意关系的症结在于形式的意蕴能否包容对象的意义、言说的意图能否抵达目的对象这两种关系和言说形式、言说者、言说对象这三个要素。     

我国现代化进程中社会发展的不平衡性问题研究

不平衡作为社会发展的一种状态,在社会发展进程中是不可避免和经常发生的。在我国现代化进程中,社会发展的不平衡性主要表现在社会有机体发展的不平衡和社会区域发展的不平衡上。无论是哪一种不平衡都是我国社会全面、协调发展的制约因素。它是多种因素相互作用的结果。要防止和克服社会发展的极度不平衡,必须切实贯彻和落实科学发展观,坚持社会发展普遍受益的原则,强化社会控制,以经济的和非经济的手段对社会发展的不平衡性加以经常性的调整。     

中西方美学比较

中西方美学分别产生于春秋战国与古希腊罗马时期。先秦美学强调人与人之间的协调性、艺术对情感的表现性及善与美的教化性；古希腊美学强调人与自然的和谐性、艺术对现实的再现性及真与美的功利性。中国的艺术哲学产生于魏晋时期，《文心雕龙》完成了中国古代美学体系的建构。西方直到文艺复兴时代随着人性复苏、艺术哲学的发展，康德与黑格尔的美学体系才得以诞生。中西方美学体系形成之展开方式虽有不同，但基本规律一致。     

词义的召唤性与训诂的创造性

本文有感于汉语词汇学、传统训诂学和中国古典解释学研究的深层需要,尝试着提出了“词义的召唤性与训诂的创造性”的理论范畴。上篇论述词义的召唤性及其形成的根据与功能,下篇探讨训诂的创造性及其形成的根据与效应。从而强调：词义的召唤性,是词义的基本特性之一,它体现了人与词义、人与世界的关系;训诂的创造性,是训诂的基本特性之一,它反映了人与文化典籍、人与解释活动的关系。而词义的召唤性,又是训诂创造性的形成根据;训诂的创造性,又是词义召唤性的语用效应。二者互动共变。     

Graphemes as Motor Units in the Acquisition of Writing Skills

This study examined whether the graphemic structure of words modulates the timing of handwriting production during the acquisition of writing skills. This is particularly important during the acquisition period because phonological recoding skills are determinant in the elaboration of orthographic representations. First graders wrote seven-letter bi-syllabic words on a digitiser. We measured movement duration and fluency and evaluated reading performance. In Experiment 1, the words varied in number of graphemes and grapheme structure. In Experiment 2, the words varied in graphemic structure but the number of graphemes was held constant. The results revealed that the children wrote the first syllable of the words grapheme-by-grapheme, irrespective of the number of letters that composed them. They prepared the movement to produce the first grapheme before starting to write. The following graphemes were processed on-line. They then prepared the movement to write the second syllable. The progressive decrease of duration and dysfluency values towards the end of the word indicates that the children prepared the entire syllable in advance. Movement time and dysfluency measures presented very similar patterns in the two experiments. Furthermore, there was a significant correlation between reading performance and handwriting measures. The grapheme and syllable structure of the words therefore modulates the timing of motor production during handwriting acquisition. Once the children have learned the phonological recoding rules, they apply them systematically, irrespectively of the size of the graphemes they have to write.