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诗性视角:文学研究会和创造社 总被引:1,自引:0,他引:1
俞春放 《浙江传媒学院学报》2006,13(5):48-51
作为20世纪20年代最有影响的文学社团,文学研究会和创造社总是被分别理解为现实主义和浪漫主义的代表。但我们从文学与人生互为表里,理想失落与重拾的变奏中看到了其共同的诗性精神之旅。诗性的精神之旅是浓烈的浪漫主义色彩,他们只是用了写实的手法来构造符号,表现这种浪漫精神。 相似文献
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21世纪以信息化、现代化、全球化和文化多元化为特质,对博物馆而言,既提出了更高的标准和期待,又提供了极为难得的发展空间.笔者注意到,自进入新世纪以来,由纽约的古根海姆博物馆率先开创的国际化拓展路线,到英、俄、法各大博物馆继而推行在世界各地设立分馆以妥善处理其大量从来未有机会进行陈列展示的艺术品的"世纪战略",并作为增加其收入的重要来源之一,这反映国际博物馆界一种新的趋向. 相似文献
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DAVID A. HOEKEMA 《Philosophical Books》1989,30(3):180-182
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《Cataloging & classification quarterly》2013,51(2):3-24
The cataloging of music sound recordings is both challenging and interesting. As the technologies used to produce sound recordings change, these changes must be reflected in both cataloging theory and practice. Three formats: analog disc, cassette tape, and compact disk, all of which are readily available on the market, present special challenges to catalogers who must consider what might be the most effective way of handling these materials following the AACR2 cataloging rules and interpretations from Library of Congress. This paper examines the actual cataloging of those formats as done by several institutions and raises questions such as how to handle these materials in ways which will eliminate redundancy and increase efficiency in the practice of cataloging. Finally, an alternative approach, drawing on AACR2 practice in other areas, is suggested. 相似文献
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