The Economics of Museums: A Research Perspective

This paper examines the contribution economic analysis can make to the study of museums as productive organisations, and considers some related policy issues. The paper also suggests areas where research by economists might prove most fruitful.     

Superstar Museums: An Economic Analysis

Superstar museums are characterized by (1) great prominence among tourists and world fame among the general population; (2) a large number of visitors; (3) a collection of generally known painters and individual paintings; (4) an exceptional architecture; and (5) a large role of commercialization, including a substantial impact on the local economy. The superstar phenomenon is caused by factors both on the demand and the supply side of the market. Superstar museums are forced to offer total experience to the visitors; they have to relate to events in history, technology, politics, films and TV, and they have to provide for everything from education, food, gifts, shopping to entertainment. The development of superstar status strongly affects museum policy. The strategic orientation emphasizes visitors' demands; the organization has to be decentralized into processes each devoted to particular segments of visitors, to special exhibitions or support activities. There are also major consequences for human resource management, in particular, relating to flexibility and staff composition of paid employees and volunteers.     

Neither Public Nor Private: The Hybridization of Museums

This paper takes a preliminary look at the hybridization of museums – the creation of a variety of mixed forms of governance incorporating both public and private governing authorities. Using data from three national surveys of American museums, the analysis documents the mix of types of governing authority and demonstrates how this mix varies across location, over time, and by museum type. The paper then estimates the extent of hybridization using several different indicators and speculates about its implications. The United States offers a particularly informative case because the general view is that American museums are (1) either public or private and (2) predominately private. While the second part of this view may still be a useful characterization of American museums, the first is no longer a particularly helpful way of understanding American museums, or, by extension, other cultural institutions, American or not. It is increasingly necessary to view cultural institutions through the lens of hybridization rather than privatization in order to improve our ability to document and predict their institutional behavior.     

Communication Productivity: A Major Cause for the Changing Output of Art Museums

Art museum output changes away from collection maintenance to display events and to the sale of add-on goods. What is the driving force? A series of theoretical explanations are tested: technological changes which favor new input combinations and thus arrive at a changed output; changes in the relative price structure; income flows and their relation to the productivity of the different museum output segments. It will be claimed that changes in the ability of art museums to become productive as part of a communication network are the major driving force of the output change.     

Charging for Admission to Museums and Galleries: A Framework for Analysing the Impact on Access

The Labour Government recently stated that access is a cornerstone of all its cultural policies, including those for museums and galleries. This paper therefore outlines a robust paradigm by means of which the impact of admission charges on access can be analysed. In applying that paradigm to museums, it demonstrates a number of analytical and theoretical red herrings which serve only to confuse a study of charges, including the zero marginal cost argument for free admission. Unless it uses this framework, the Government cannot be sure that it has secured access for the many instead of the few.     

The building stones of the ancient centre of Naples (Italy): Piperno from Campi Flegrei. A contribution to the knowledge of a long-time-used stone

Piperno, a Late Quaternary magmatic rock cropping out on the eastern side of the Campi Flegrei (Italy), is probably the most important building stone of Naples, used over a time-span from at least the Roman age until the beginning of the 20th century. Despite its wide diffusion in the monumental architecture of Naples, very little is known about this rock, as regards its technical features, as well as the geological aspects. This paper aims at providing a first overall contribution towards a rediscovery of this long-time-used material, in view of careful restoration works, which nowadays at Naples only take into account the proper geological features of the stone in a few peculiar cases. Thus, it seems of extreme importance to understand the basic parameters of Piperno and, above all, its response to weathering agents. Main mineralogical, petrographical and engineering–geological properties are presented here for the first time, with specific reference to two sampling areas, located at Pianura and Soccavo, in the western sector of the Neapolitan urban area. As far as many of its physico–mechanical features are concerned, Piperno extends over a wide range of values, which allow different varieties of the rock to be identified. This preliminary result is seemingly in accordance with data from old historical literature, which stated the existence of six horizons in the Piperno formation.     

An Artistic Production Function: Theory and an Application to Australian Visual Artists

This paper proposes a production function for artistic output in which quantity and quality of output are specified as joint products from the inputs of labour and capital provided by individual artists. A model is constructed specifying the quantity of creative and commercial output and the quality of creative output as a function of inputs of labour time and of physical and human capital. Included in the latter is a variable to account for the contribution of creative talent to an artist's human capital. The model is estimated for a sample of practising professional visual artists and craftspeople in Australia. The results suggest that a model along the lines indicated may be taken as a plausible representation of the artistic production process.     

Segmentation of Cinema Audiences: An Exploratory Study Applied to Young Consumers

The cinema exhibition sector in Spain, as well as in the rest of Europe, is a dynamic sector characterised by the present growth of multiplexes and consumer demand after a long period of decline. These changes make it relevant to analyse the cinema attendees' profile from a marketing perspective. To this end, we have developed an exploratory study on segmentation applied to the young cinema attendees. Doing so, we have found three different groups according to benefits sought in their going to the cinema and other demographic and behavioural variables. On the basis of information as such, specific marketing objectives could be set and more efficient strategies designed and implemented.     

The economic impact of intellectual property rights: An overview and guide

This paper, adapted from a conference presentation in Venice, links the history of intellectual property protection to two important trends in this field: (1) the shifting baseline, from a presumption of no property rights and open competition, to the presumption that all intellectual effort deserves the award of a property right; and (2) growing awareness of the political economy of these rights, which legislators can create and strengthen with little direct effect on government budgets. The paper also considers a shift in the scholarly emphasis, from the brand question of the overall worth of intellectual property to defailed consideration of individual doctrines and rules.     

The Consumption of Cultural Products: An Analysis of the Spanish Social Space

This article analyses the social consumption of cultural products by Spaniards from the standpoint of microeconomics and sociology. By comparing Lancaster's ``new consumer theory' to Bourdieu's theory, we show the usefulness of simultaneous analysis of consumption from both perspectives. The results provide evidence supporting the hypothesis of expressive functions, distinction and symbolic properties of cultural products. In addition, the ``new consumer theory' has various implications for both cultural policymaking and marketing of cultural products.     

The Adoption of the Compact Disk Player: An Event History Analysis for the Netherlands

The compact disk (CD) player was one of the major audio innovations of the 1980s in the Netherlands. For studies of the temporal and social diffusion pattern of the CD player and the compact disks, both cultural and economic theories about innovations and music consumption are available. In this paper, these theories are combined in six working hypotheses concerning earlier adoption. The empirical analysis includes both time-invariant and time-varying variables and consumer characteristics. Event history analysis, the technique used in this article, enables one to incorporate these kinds of variables simultaneously in a dynamic model. Compared with the diffusion models usually employed by means of longitudinal analysis, event history analysis is a significant improvement in studying the development of the CD market in the Netherlands.     

The contribution of numerical simulation for the diagnosis of the conservation of art objects: Application to Antonio Santucci's armillary sphere of the 16th century

Antonio Santucci's armillary sphere is one of the symbols of the wealth of the world cultural heritage: it is an elaborate representation of the geocentric universe as it was known at that time. Its exceptional dimensions (more than 3 meters high) make it an object which is considered as a complex structure, built with a technique of mixite made of nail-laminated timber. Constructed at the end of the 16th century, this sphere has suffered wear and tear, mostly due to the combined effects of gravity loads over time and environmental agents (such as variations in the relative humidity of the air), as well as means of exposure of the object.The purpose of this research project is to study delayed phenomena, and it lies in the evaluation of the coupled mechano-sorptive effects likely to generate a critical state which would threaten the stability and the durability of the structure. This study highlights a problem which is already very real, even though irreversible consequences may not appear until the future. This work shows the importance of taking into account the variations in relative humidity undergone by the environment in which the sphere is exposed. These changes are at the origin of increasing deformations which could soon become prejudicial to the satisfactory conservation of the object.     

The exhausted futures of neoliberalism: from promissory legitimacy to social anomy

ABSTRACT

The distinction between input-oriented legitimacy and output-oriented legitimacy (Scharpf, Fritz W, 1997. Economic Integration, Democracy and the Welfare State. Journal of European Public Policy, 4, 18–36) has been one of the most influential distinctions in political science. In this article I introduce a third arrangement supporting the legitimacy of political processes which I call promise-oriented legitimacy or, simply, promissory legitimacy. This term refers to the support political authority can gain from the credibility of promises political leaders make regarding future states of the world when justifying decisions and persuading others to follow them in their proposed course of action. Decisions gain support through claims about future development. Legitimacy crises arise if promises that were found credible become discredited and fail to motivate. I develop the concept of promissory legitimacy based on a discussion of what can be considered the most far-reaching political promissory regime of the last forty years: neoliberalism.     

立足中国、面向世界的宗教学

习近平总书记在《在哲学社会科学工作座谈会上的讲话》(2016年5月17日)中首次把宗教学列为11个需要"加快完善对哲学社会科学具有支撑作用的学科"之一。宗教学在"国家学科分类"里早已是"一级学科",但在"高校学位授予和人才培养学科目录"里却迟迟难以升格,这显然与我国教育界对宗教学的学科建设、特别是高校宗教学教育的认识程度有关。鉴此,在充分论证高校宗教学建设的必要性与重要性的基础上,笔者着重阐发了加强我国高校宗教学建设的"三大着力点",即坚持与发展马克思主义宗教观、扎根并弘扬中国文化传统以及宗教学建设的国际学术视野。本文最后一部分论及的北京大学宗教学专业探索经验,或许也对推进我国高校的宗教学建设有借鉴意义。     

The Construction of Brownness: Latino/a and South Asian Bloggers' Responses to SB 1070

The vernacular discourses of Latino/a and South Asian American bloggers in the context of SB 1070, legislation recently passed in Arizona, illustrate how their shared experiences of discrimination (re-)articulate “brownness” as a complex racial formation aligned with constructions of “illegal” immigrants. Bloggers' differentiation of their subjective experiences of alien citizenship and racialized belonging from white or black citizenship problematizes the rigidity of their “middling” positionality within the U.S. racial structure, encouraging a more contextualized approach. I consider the bloggers' varied constructions of brownness, its distinctive positionality within racial structures, and their contestations of the discourses that racialize brown identities.     

Wall base ventilation system to treat rising damp: The influence of the size of the channels

One of the major causes of pathologies in our historic buildings is the presence of moisture, particularly rising damp. Since these constructions tended to be built near water lines, to facilitate their supply, and because their walls are mainly made of high porosity materials, the presence of rising damp is constant. Although many historic buildings in Portugal have already been the targets of interventions to eliminate pathologies, the fact is that it has not been possible to do it properly. The treatment techniques available nowadays are quite diverse but all of them have low applicability to historic constructions. Research has been carried out, in this past years, at the Department of Civil Engineering of the University of Coimbra in collaboration with Department of Civil Engineering of the Faculty of Engineering of the University of Porto to try and solve this problem. An old but poorly studied technique has been investigated experimentally and numerically in the past few years: ventilation of the base of the walls. It was experimentally validated to limestone walls 20 cm thick. Numerical investigation has been carried out in order to analyze the influence of different parameters on its efficiency. In this paper we present the results of the latest investigations that have been carried out about the influence of the size of the ventilation channel on its efficiency.     

Introduction to the Plenary Session on the 30th Anniversary of The Performing Arts: An Economic Dilemma by Baumol and Bowen — Ninth International Conference on Cultural Economics Boston 8–11 May 1996

Journal of Cultural Economics -