试论我国港、澳、台三地图书馆员专业伦理规范

指出图书馆员专业伦理的议题近年来备受国内外图书馆界重视。通过文献调查分析、网上信息检索、专题访问、问卷调查等方式,研究比较中国香港、澳门、台湾三地图书馆员专业伦理规范,认为由于历史和政治的因素,港、澳、台三地在社会文化方面既有差异亦有不少共同的特点,这一特征对其图书馆员专业伦理规范有着直接影响。     

RESEARCHING THE HISTORY OF TELEVISION FOR WOMEN IN BRITAIN, 1947–1989

This report details the aims, methodology and selected findings of the Arts and Humanities Research Council (AHRC)-funded project ‘A History of Television for Women in Britain, 1947–1989’, running between 2010 and 2013 at the University of Warwick and De Montfort University. Here, we consider the difficulties of conducting historical television research and the ways in which we have tried to use a method which is attentive to production research, textual analysis and audience work in a dialogic relationship. We discuss the work of Doreen Stephens, the BBC's first Editor, Women's Programmes, the ‘discovery’ of the daytime women's arts programme Wednesday Magazine and the ways in which the women who have participated in our study have described the significance of television for women in their lives. Finally, we discuss the ways in which the project has attempted to engage with constituencies outside the academy.     

信息伦理学:从西方到中国及其全球性整合

在西方文献中,信息伦理学这一概念出现于20世纪80年代。我国的信息伦理学研究始于20世纪90年代。我国的信息伦理学研究类似于西方规范的信息伦理学模式。这种模式似乎是各种有关信息问题应用伦理学的“集装箱”。我们应当建立一种一般的规范的信息伦理学。在今天,不仅要有各自适应本国国情的信息伦理学,而且应当实现信息伦理学在全球信息通道中的整合。     

俄罗斯电视结构的主要特征

与苏联时期相比 ,俄罗斯电视结构发生了很大变化 ,其中政治因素与经济因素的影响共同存在。并且 ,就俄罗斯电视业的进一步发展而言 ,经济因素所起的作用更为重要。目前 ,在俄罗斯的电视结构中 ,无线电视占据主导地位 ,有线电视与卫星电视发展缓慢 ;电视网参与全国电视市场的竞争 ;国家电视台与商业电视台并存成为俄罗斯电视结构中一个引人注目的现象 ;公共电视台的建立正在酝酿中。     

Black Panthers in Peyton Place

This article uses the prime-time drama Peyton Place (ABC, 1964–67) to examine the challenges of racial integration in the serial narrative. Peyton Place broke ground as a prime-time serial, but declined in popularity by its fourth year on the air. An African-American family was added to the story canvas as part of a strategy to revive audience interest by exploring stories with social relevance. I use the archived papers of the show’s writers and producers to examine the negotiations behind the racial integration of a continuing drama that established its success with a white cast of characters.     

网络环境下美国图书馆口述历史法律与伦理保护研究——基于对15家美国图书馆的调查

选取15家美国图书馆作为研究对象,利用网络调查、E-mail咨询、文献分析等方法,在阐述美国口述历史法律与伦理保护研究现状的基础上,对其开展的口述历史法律与伦理保护实践进行介绍与分析,总结其特色与经验,进而提出我国图书馆在开展口述历史法律与伦理保护中,应建立立体化的保护体系、加快建立健全伦理规范、加大技术手段的运用和树立法律与伦理意识和理念等建议。     

图书馆口述历史工作的伦理问题初探

图书馆口述历史伦理是图书馆伦理的一个重要组成部分。文章的研究基点即是建立在这个认识基础之上,对图书馆口述历史活动中的伦理问题进行了论述,同时针对实际提出了加强图书馆口述历史伦理建设的途径,并指出口述历史工作应遵循史学单元构成、回忆性陈述、尊重受访者意愿和隐私、忠实于口述记录等原则。     

Feeling bad can be good?: audience research on Korean reality makeover shows,Get It Beauty and The Body Show

This paper investigates the feelings of individuals who have been exposed to the continuous demands for managing and beautifying the body. Through audience research on Korean reality shows about body/beauty, Get It Beauty and The Body Show, we attempt to understand how the discourses of body care work at the individual level. Our interviewees’ feelings of being stressed, burdened, and annoyed about the discourses in the shows signify their (un)conscious acknowledgment of the false promises of the self-care rhetoric. However, the discourses of willpower and the embedded voyeuristic pleasure of watching the shows make it difficult to place such feelings in the public domain. We conclude that individuals’ feelings lose their potential as resistant voices when “feeling bad” is discounted as personal, while a feeling of individual achievement is excessively celebrated.     

信息伦理学与图书馆伦理建设

随着信息技术在图书馆应用的不断深入，信息安全问题也就与日俱增，特别是因特网信息交流所具有的开放性、实时性、交互性等特性，导致了传统的伦理学无法涵概的诸如信息开发、信息传播、信息处理和利用等方面的伦理要求、伦理准则、伦理规约等问题的出现。规范的信息伦理学研究对象包括了在信息开发、信息传播、信息处理和信息利用等各种不同类型的信息活动中已经存在和可能发生的各种伦理问题。信息伦理学研究对图书馆伦理建设奠定了坚实的理论基础，并为图书馆行业中的各类信息活动提供了道德规范的基本精神。文章从六个方面进行阐述。     

What happened to those fans several years later?: empowerment from Super Girls’ Voice for girls in China (2007–2015)

This longitudinal study explored the popularity and social significance of the 2005 season of the prominent Chinese television show Super Girls’ Voice (a talent show similar to Pop Idol in the UK) regarding gender issues. Based on three focus group studies of the show’s young female audience conducted in 2007, 2010, and 2015, we contend that tomboyish contestants, specifically Li Yuchun, were designated androgynous by most participants. Androgyny was largely perceived as a flexible gender identity that integrated the favorable appearance and personality traits of femininity and masculinity, a view that challenges normative femininity. Most participants also applied this meaning of the term to their own social lives, while some of the participants who were of school age in 2005 applied it to both their social lives and their construction of gender identity by copying the androgynous style. From a time-related perspective, however, we suggest that those participants who had copied the androgynous style were more willing to conform their appearance to the standards of normative femininity several years later, and renegotiated their gender identity in alignment with traditional patriarchal norms.