电视节目版权贸易的问题与策略

版权贸易是版权许可或版权转让过程中产生的贸易行为,属于无形财产的贸易,其中电视节目版权贸易是版权贸易的重要组成部分,甚至成为有的国家的出口强项。电视节目版权贸易是中国电视产业转型升级与参与国际竞争的重要渠道,也是促进产业发展、实现产业创新以及＂走出去＂目标的重要途径。     

从强势购权到国际组稿--版权贸易与"世图"的发展理念

新闻出版总署署长石宗源前不久曾这样说:"版权贸易与华文出版,都是新世纪中国出版走向世界过程中必须认真思考且要努力做好的工作.版权贸易既是世界贸易组织协定中服务贸易的一个内容,也是知识经济中的一个重要组成部分,它在我国版权产业中占有重要地位.对于新中国出版业而言,图书、音像、电子出版物、软件等的版权贸易,已成为我国出版产业发展的重要一环."     

我国图书版权贸易对图书出版产业经济的影响分析

图书版权贸易已成为我国图书出版产业新的经济增长点,是中国出版走向世界的桥梁。逐渐增长的图书版权贸易额和十年的图书版权贸易总额均显示出我国图书出版产业正稳步走向世界,对外图书版权贸易已初具规模。但是,从图书版权贸易中成功获取出版资源,还需要各个部门的通力合作、全面配合,严格准确的市场分析、完备的营销策划和高效的生产安排对于图书版权贸易的成功运作至关重要。     

北京地区版权贸易和版权产业发展趋势研究

文章分析了北京地区版权贸易和版权产业发展的特征和区位优势,并就版权产业的发展提出建策。     

美国版权相关产业经济贡献调研的发展

目前,世界上已有30多个国家开展了版权相关产业经济贡献研究,该研究凸显了版权对经济的影响及版权经济的重大潜力.1990年开始,美国发布了它的首份测算版权产业对国家经济影响和贸易作用的报告,之后,基本每隔2～3年发布一份新报告,现在已成为了开展版权相关产业经济贡献调研最积极、最全面和深入的国家.它的调研方法和经验为后来其他很多国家进行此项调研提供了重要参考.     

2005版权论坛聚焦交流平台与版贸人才

本刊讯(记者香江波)近年来,我国图书版权贸易蓬勃发展,但其中也存在着种种问题。因此,国家版权局于8月29日主办了“2005版权贸易发展论坛”,该论坛确立了以中国版权相关产业发展与运营新模式为主题,立足于解决我国版权相关产业发展中的认识和实践上的难题,将焦点放到了版权代理     

电视版权交易:可供深度开发的"厚利润区"——兼析电视版权交易路径选择

与图书版权贸易相比,电视节目版权贸易捉襟见肘,这阻碍了一个合理、完善的传媒产业价值链的建构,进而不利于民族文化的传播、交流与传媒产业核心竞争力的培植.本文从节目版骀权交易现状切入,讨论版权交易之于宏观经济发展、中观层面传媒价值链建构的意义,尝试提出以交易节展这一微观层面作为版权交易的路径选择.     

关于中国书业"走出去"的思考

权贸易,是中国书业走出去的最主要方式. 上世纪70年代末80年代初,我国出版界开始尝试与国际出版界包括版权贸易在内的多种合作方式.1990年9月和1991年6月,<中华人民共和国著作权法>的颁布与实施,为版权贸易工作的开展奠定了法律基础.     

沈仁干强调要重视并积极发展版权产业 国家版权局在渝举行“版权贸易研讨会”

为推动版权贸易的顺利开展,交流经验,解决问题,国家版权局于6月23日在重庆举办了“版权贸易研讨会”。新闻出版署党组成员、国家版权局副局长沈仁干到会并讲话。研讨会由国家版权局副司长陈昭宽主持。 沈仁干着重从作品的两种属性、两种贸易、两个市场及两种资源四个方面论述了版权保护的重要性,发展版权产业特别是版权贸易的重要意义。沈仁干指出,版权产业是国家现代化过程中非常重要的一环,这     

以电子商务为支撑的版权贸易的供应链管理

版权贸易企业要在竞争环境中取得竞争优势,不仅要协调企业计划、采购、制造、销售的各个环节,还要与包括供应商、承销商等在内的上下游企业紧密配合.在这种情况下,电子商务供应链管理备受推崇.本文主要介绍了版权贸易电子商务供应链的理念、流程,并且探讨了在开展版权贸易过程中版权产业内外部电子商务供应链管理的实施问题.     

The Exhibit as Planned Versus the Exhibit as Experienced

Is it even possible to design museum exhibits that have an above average chance of engaging visitors in meaningful experiences? Museum‐based researchers and designers, working over the past several decades, have endeavored to address this and other questions. Recently, a promising Ideas‐People‐Objects (IPO) model of the visitor experience, subsequently elaborated on to include Physical (IPOP) has been used in the design and subsequent study of visitors' museum experiences. Here I briefly describe the model and introduce three papers featured in this issue of Curator: The Museum Journal that offer new insights and perspectives for understanding the theory behind the model, as well as features of the IPOP model that have been used in the design and interpretation of exhibitions, and a comparison of analytic techniques that produce results that can be used in IPOP‐related research.     

图书馆应尽快建立职业准入制度

本文从图书馆人力资源现状为切入点剖析建立职业准入制度的必要性和紧迫性及其对发展图书馆事业的重要意义。     

Books as Treasures

No abstract available for this article.     

Cataloging as Cartography

Abstract

This paper, based on a presentation given at a continuing-education conference at Mississippi State University (MSU), explains how to catalog electronic journals. Among the topics discussed are what e-journals should be cataloged, the need for collection development policies, and the fields used by MSU Libraries to catalog their e-journals.     

Librarian as Professional

What does it mean to be a professional, and do librarians meet the academic definition of a professional? Professions are strongly related to identity, and stereotypes associated with the culture of a profession are going to have some effect on the public’s perceptions of that profession. The stereotype of the vaguely purposed but somehow controlling older person (who “shushes” patrons to maintain silence) does not contribute positively to the professional image of a librarian. Library users do not even superficially understand what librarians do, and this leads to an undervaluing of the impact and importance of librarians. In the modern environment of budget challenges, it is important to be able to articulate the value of both libraries and particularly librarians. This article explores the sociological academic literature on professions to determine if librarianship meets the requirements to be a profession, if library literature supports librarianship as a profession, and why it matters for librarians to be seen as professionals.     

Librarians as Makers

Recent trends in librarianship point to themes of crafters, artisans, and makers in library spaces. The American Library Association's Center for the Future of Libraries includes the Maker Movement as one of its trends. Librarians can support these makers and entrepreneurs by thinking of libraries as a place to create through community building and engagement, and considering job skills needed for success and confidence to staff such spaces, but this transformation requires administrative support. This article summarizes this movement for libraries and suggests a route to success through a case study of a year-long grant on Making Maker librarians.     

Artwork as Interface

Artworks are highly coded power objects. At best, they serve aswindows onto profound and unspeakable experience; at worst,they're simply ``wall obstructions.'' In this paper, two issueswill be addressed: (1) What do artists, in their role asextremely subtle information designers, have to teach us abouthow deep knowledge is conveyed? What do their visual strategiesteach us about interface? And (2) how can a digital program bedesigned that respects the properties inherent in each artwork,and yet harnesses the power of multimedia to make connectionsacross space and time?